First thing I should mention… in tough economic times, especially when stocks and bonds have been naughty, it’s often been suggested that investing in art makes sound dollar sense. So with my two bits of wisdom said, here’s a suggestion on how to spend your ever dwindling cash cow.

Next month on November 14th three dozen pages of original artwork from MAD Magazine will be put up for auction. The pieces are expected to bring anywhere between 8 to 40 thousand dollars each. Some have estimated that as much as $400,000 dollars will be bid on these artifacts from the 1950’s. Several covers featuring MAD's official mascot -- the grinning, jug-eared boy wonder Alfred E. Neuman -- will be among the 36 items to go on the block in Dallas at the Heritage Auction Galleries, including the first cover drawing of Alfred E. by the legendary artist Norman Mingo. It's from MAD's issue No. 30, from December, 1956. It shows the gap-toothed icon as a write-in candidate for president, saying "What -- me worry?" while in the background an elephant and donkey are locked in mortal battle.

The 36 items up for bid will be previewed at New York's Museum of Comic and Cartoon Art starting on October 29th.

London's Victoria and Albert Museum has announced that it has bought perhaps the most recognizable logo in all of music at an auction in the U.S. -- the original artwork for The Rolling Stones famous "lips" logo, inspired by the Mick Jagger’s pouty mouth. The museum bought the work for $92,500.

The lips-and-tongue logo was designed by London art student John Pasche in 1970, and first appeared on the inside sleeve of the Sticky Fingers album released the following year. Pasche would go on to design posters for several Rolling Stones tours of the 1970’s, and the promotional sticker for Goats Head Soup plus a couple of single sleeves for the Stones.

According to an article in The Guardian, the idea for the logo came when Pasche, a graduate of the Royal College of Art in London, first met Jagger in the Rolling Stones' offices. “Face to face with him, the first thing you were aware of was the size of his lips and his mouth,” Pasche was quoted as saying.

Pasche added that he would use the money from the auction to send his 11-year-old son to private school. Initially paid just £50 for the logo, later when the Stones copyrighted the design Pasche received a share of the royalties’ rights; eventually he sold his share for a lump sum.

Since his early ‘masterpiece’ Pasche has done considerable design work for the record industry including albums, single sleeves and posters for artists such as Paul McCartney, The Stranglers, The Vapors, David Bowie, Judas Priest, The Who, the Bay City Rollers, the Art of Noise and Jethro Tull.

Often cited as one of the most influential artists of the 20th century, Man Ray, was born Emmanuel Radnitzky on this day, August 27, 1890 in Philadelphia. He significantly contributed to the Dada, Surrealist and Avant-Garde movements of the 20th century and was a significant voice in the Parisian art world after The Great War. Though he mostly considered himself a painter, it’s as a photographer and film maker he is best remembered, not only for his experimental photography and films of the 1920’s and 30’s but for his fashion and portraiture work also.

A side note, during the Second World War, Man Ray returned to America, settling in Hollywood from about 1940 until 1951 at 1245 Vine Street-- the Villa Elaine apartments, across the street from the old Hollywood Ranch Market, right around the corner from present day Amoeba Records in Hollywood.

Today marks the anniversary of the birth of a personal hero of mine, the poet Guillaume Apollinaris de Kostrowitzky, better known as Apollinaire, who was born on this date in 1880. His greatest contribution to the 20th century, other than coining the term ‘surrealism’ and helping to publicize and define the Cubist movement, was probably his poetry, influencing many of the avant-garde, dada and surrealist writers in post-Great War France, such as André Breton and Tristan Tzara.

Early in the century Guillaume Apollinaire’s began to devise his Calligrammes, a term he used to explain his shaped poems.

It’s Raining

It’s raining women’s voices as if they had died even in memory
And it’s raining you as well marvelous encounters of my life O little drops
Those rearing clouds begin to neigh a whole universe of auricular cities
Listen if it rains while regret and disdain weep to an ancient music
Listen to the bonds fall off which hold you above and below

Born Elise Amelie Felicie Stern in Vienna in 1901, Lisette Model was schooled as a classical musician, but soon after arriving in Paris in 1926 she took to the visual arts, picking up photography. She moved to Manhattan in 1938. Later that year she was hired as a staff photographer for Harper's Bazaar, and began to photograph not only street life, especially the Lower East Side, but also the nightlife of New York City’s cafés and bars. Model, along with Berenice Abbott and Weegee, became the photographers who most captured the ebb and flow of mid-century New York and its anomalous collection of eccentrics, curiosities, elastic cityscapes and culture.

In 1951 Model was swayed by Berenice Abbott to teach at the New School for Social Research in New York. Several of her students would become some of the most prominent photographers of the second half of the 20th century, including Rosalind Solomon, Bruce Weber and her most famous protégé, Diane Arbus. Model would continue to teach until her death in 1983.

Lisette Model was said to be direct yet enigmatic at the same time, inventing her myth and simultaneously denying its existence. She had a knack for intimacy, and even when photographing her most unusual subjects she maintained and revealed their self-owned dignity. Then again, some of her photographs have a harsh, claustrophobic feeling, situated along a dark and troubling and misanthropic edge.