
Graham Moore is a graphic designer, teacher at FIDM, Art Center and Woodbury University, and artist. He said he visits Amoeba Hollywood weekly to purchase bargain bin vinyl for his art, which involves collage technique to reconfigure old LP covers — some famous, some forgotten — into the creations currently seen hanging in the Ivar St. window of Amoeba Hollywood. I spoke with Moore a bit about how he creates his pieces.
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| The Beatles' Abbey Road reimagined |
PST: Did you find all the records you used at Amoeba? Were you looking for specific titles or was it more about the way they looked? What records did you end up using?
Moore: I would say that a good portion of them came from Amoeba (hurrah for the $1 vinyl sections), but I am also constantly scouring thrift stores, estate sales, yard sales, swap meets, etc. and even have friends find stuff for me when they are traveling or working in different parts of the country! I never look for specific titles, it’s more about the colors, shapes, textures and typography and having a vision as to how I can re-interpret the imagery!





Simeon Solomon was a
The sad reality is that cancer is something that many of us can directly relate to; having either lost someone close to us to the deadly disease or else know of someone who has been diagnosed with or died from cancer in its many forms. This year in the US alone a total of 1,638,910 
If one dollar had been donated for every photo taken at the Berkeley warehouse street art exhibit Endless Canvas' SPECIAL DELIVERY enough money could have been generated to purchase the warehouse building that housed this wonderful, temporary grassroots art exhibit and to keep it open indefinitely - not just in pop-up form. The exhibit ended its all-too-short 3 weekend run yesterday with another extremely well attended day of photo-happy street art fans. For many the temporary nature of
David Ford who worked at it or E-Lit from Amoeba Berkeley who patiently lined up on the very packed opening weekend three weeks ago, were equally impressed by SPECIAL DELIVERY - from the caliber of the art on display to the perfect location of the exhibit. Berkeley's Carbon Warehouse – down near the railway tracks at 1350 4th Street - is a funky and raw building with only natural light. (Hence the darkened, shadowy, shuttered downstairs art area takes a minute for your eyes to adjust to). 

