Forget MySpace and check out MyFace, or, rather, the art that gifted face paint artist/illusionist James Kuhn does, displayed on both his Flickr page and his Face Paint In Motion YouTube channel. The self-described
"Artist, Face paint illusionist, Drag Queen, Performance Artist, and full time Christian" has been uploading videos of his face paint art, such as the Rocky Horror "Sweet Transvestite" themed clip above which he posted two days ago, or the brilliant Golden Girls clip (below) that he produced and uploaded six months ago. Ever the perfectionist, Kuhn said of the Golden Girls piece at the time, "I planned on painting Sophia on my forehead! but ran out of room... I need a bigger head! I am not too happy with this one, I should have searched for better pics to use as my models. The ones I pulled up were too small and Bea was in black and white. I should not try such a big project on a weeknight! Better for Saturdays when I can play all day long and am usually more rested. I gotta get some new glasses too."
On the Three Oaks, Michigan artist's YouTube channel, which is subtitled BibleArtWork, Kuhn has an impressive 234 different videos of various face paint illusions uploaded, usually with a cool accompanying soundtrack, ranging from Bettie Page Pin Up Girl to Miss Piggy & Kermit to Dracula and many, many more.






The details are insane. The images are spot on. And remember, an Etch A Sketch drawing must be done in one long line ... one continual unflinching, unforgiving friggin’ line! Legendary artist Paul Klee once described his own work as simply taking a line for a walk; yeah, but it ain’t nothing like George Vlosich’s trek. Once finished, the piece is then preserved to stand the test of time -- I hope! -- every drawing is unique and cannot be duplicated. 

sound and avoid disruptive fluctuations in resonance. The rhythmic structure is eleven times eleven (extended); 2-1-1-3-1-2-1. One of the new ideas Cage worked on in this piece was the concept of silence used systematically. This can be heard, or not heard, in the last part of the work, where seven times 2 bars of music are followed by 2 bars of silence. This repetition creates tension as the work mostly builds on a single melodic line.