Amoeblog

(In which we lose our cool.)

Posted by Job O Brother, September 13, 2011 10:58am | Post a Comment
suicide is painless
My idea of a romantic comedy!

Last night I had the pleasure of introducing the boyfriend to the 1971 film Harold & Maude. How he managed to make it to age thirtysomething without ever seeing it sooner shows an utter lack of regard from his friends and family, and we can only praise Allah that I showed up in his life.

Oddly enough, we seem devoted to cinema circa ’71 this week, as the films featured in our fetching living room all hail from that year. Before Harold & Maude was The Andromeda Strain, a movie which may well be the most boring sci-fi thriller ever to be shot, but was so beautiful we couldn’t stop looking. Oh, so boring! Imagine the longest, highest budget, fantastically designed instructional video ever, or if Stanley Kubrick had decided to make 2001: A Space Odyssey without all that pesky meaning.



Before that was Ciao! Manhattan, the enigmatic art film that accidentally became a biographical piece on tragic, subculture superstar, Edie Sedgwick. I hesitate to comment further on this particular work, because it presently consumes me in my career and I’m sure I’ll be devoting an entire blog to it someday soon. But if you’re a fan of all-things-touching Warhol’s Factory, the film is a must-see. Or if you just want to see a lot of full frontal nudity from a former Vogue model who’d recently gotten a boob job, there’s that.

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Fresh Wall Of Soundtrack LP Collectibles At Amoeba LA

Posted by Mr. Chadwick, April 4, 2010 11:05am | Post a Comment
We've priced out a varied and deep batch of rare soundtrack LPs over the past few weeks -- from 80's classics like the Last American Virgin & Rad to Italian rarities by Morricone and Trovajoli. Throw in an original Beyond the Valley of the Dolls, horror rarities like Suspiria & Phantasm and an original Dolemite (with the sticker) and you can see just how cool of a collection we're offering!

Big Night for Andy Warhol!

Posted by Whitmore, November 12, 2009 10:07pm | Comments (2)

Well somebody out there has money to burn ... shit, crisis what financial crisis? The pathetic and mostly lifeless contemporary art market was suddenly re-animated on Wednesday at Sotheby's New York when a silk-screen painting by Andy Warhol, produced in 1962, sold for a $43.8 million, the second highest price ever for a Warhol piece. (In 2007 his painting, Green car Crash (Green Burning Car 1), sold for a mind blowing $71.7 million.) The amazing thing about all this is that the pre-auction estimate of for the silk-screen was expected to pull in only about $8 - $12 million.
 
Sotheby's contemporary art auction as a whole sold $222.8 million worth of art, more than doubling the auction house's high estimate of about $98 million in sales.  
 
The bidding for the piece 200 One Dollar Bills opened at $6 million, but instantly doubled with the very first bid from the floor – those in the biz called it “an unusually aggressive move;” I call it just weird, ego driven conspicuous consumption. Five more bidders joined in the battle before an anonymous buyer won the painting via telephone bid.
 
Described as a "hugely important work for American art history," its one of Warhol’s earliest silk-screens. The 80¼ x 92¼ inches canvas comprises of 200 $1 bills reproduced in black and gray with a blue treasury seal. The painting's anonymous seller bought the piece back in 1986 for $385,000. Nice profit!

AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP 03:06:09

Posted by Billyjam, March 6, 2009 06:00am | Post a Comment
Amoeba Music Berkeley Hip-Hop Top Five: 03:06:09

1) K'NAAN Troubadour (A&M/Octone Records)

2) Zion I The TakeOver (Gold Dust Media)

3) Madlib Beat Konducta 5 & 6 (Stones Throw)

4) RZA Afro Samurai Resurrection (TVT)

5) Beastie Boys Paul's Boutique (reissue) (Capitol)

Thanks to Inti at the Berkeley Amoeba Music for this week's Hip-Hop Top Five chart which finds reigning Somalia hip-hop music star K'NAAN in the top slot with his new album Troubadour. He was also number one at the Hollywood Amoeba last week. Meanwhile, Oakland duo ZIon I, who were number one at Amoeba SF two weeks ago, are in the number two slot with their highly recommended new album The TakeOver, which is full of potential hit singles. Currently Zion I, made up of producer AmpLive and emcee Zumbia, are on a West Coast tour. For details click here.

To celebrate its 20th anniversary, the Beastie Boys' second album, 1989's Paul's Boutique, was recently reissued and has been selling well at all Amoeba stores since its late January reissue date. At the Berkeley store it is this week's number five top seller.

A lot has changed in the 20 years since the album's initial release from the New York group. Initially considered a paul's boutiquecommercial failure by their record label, who expected Licensed To Ill-scale sales and pop radio acceptance, the album catapulted the Beasties from being remembered as mere novelty rap act to serious hip-hoppers in the music history books. Included in countless magazines and critics' "Best Of" album lists, the 20th anniversary reissue of Paul's Boutique package features 24-bit remaster audio and a commentary track. If you don't already own this album, get it.

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ANDY WARHOL'S OUTSOURCING OF ART + TDK TV AD + DAVID BOWIE

Posted by Billyjam, February 25, 2009 03:57pm | Post a Comment

ANDY WARHOL + BRIGID BERLIN ON WHO ACTUALLY DID WARHOL'S ART

This post is inspired by the upcoming 3rd Annual Amoeba Art Show + Factory Party in conjunction with the East Bay Express next Friday, March 6th (6-11PM), which is bound to be hella fun -- like all Amoeba events and the East Bay Express'  Best of the East Bay event at the Oakland Museum a few months ago which Amoeba was also a part of. And the art show is free too! warholAnyway, above is an excerpt from the interviews in which Andy Warhol (sans glasses) credits Brigid Berlin (also in the clip) for contributing to the creation of many of his paintings, resulting in folks becoming highly skeptical of "his" work and whether or not "his" work should be rightfully credited to him or someone else.

What I love most about this open admission by Warhol is his pure honesty, his unbridled  don't-give-a-fuck attitude as to what people (serious art critics) may think, and the fact that even by not doing all of his own art or by outsourcing it, that he was in effect still creating a new style of art -- one that is so influential that even the "Photo Booth" program in the Mac I am working on comes complete with a Warhol derived "Pop Art" feature. 

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