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Amoeba Hollywood's World Music Top Ten For July 2010

Posted by Gomez Comes Alive!, August 2, 2010 09:54am | Post a Comment
Saigon Rock & Soul Amoeba Hollywood
1. Enrique Iglesias-Euphoria
2. V/A-Let’s A Go-Go
3. Seu Jorge- Seu Jorge & Almaz
4. V/A-Pomegranates
5. V/A-Afrosound Of Colombia Vol.1
6. Sloepoke-Fiesta Tropical
7. V/A-Saigon Rock & Soul
8. V/A-World Ends: Afro Rock & Psychedelia in 1970s Nigeria
9. Yuri-Inusual
10. Marc Anthony-Iconos

July’s top ten includes five retro world compilations, three releases by iconic Latin Pop stars, a release by one of the coolest Brazilian to ever walk on this earth and a local deejay who's got a Cumbia collection like no other.

Enrique Iglesias topped the chart this month, a slight surprise considering his last few releases didn’t do much in the store in the past. Two other iconic Latin Pop singers, Marc Anthony and Yuri, sold well enough to take the ninth and tenth spots.Enrique Iglesias euphoria Amoeba Hollywood

A welcome change is the increase of retro releases from Southeast Asia. Saigon Rock & Soul is a vinyl only release from the Sublime Frequencies label that will soon be sold out, even before this blog is up. The funky psychedelic Vietnamese rock certainly has people willing to pay the almost thirty bucks for this double LP, but I’m sure there are not many complainers in the end. Don’t have a record player and/or don’t want to spend 30 bones? Another option is to go with the Let’s A-Go-Go compilation, which is from 1964-1969 and includes bands from Singapore as well as all over Southeast Asia. Let's A Go-Go Amoeba Hollywood

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(In which we try to beat the heat with a 2x4 with a nail stuck in the end.)

Posted by Job O Brother, July 19, 2010 09:34pm | Post a Comment
satan
Summertime greetings from LA!

Hoo boy. It’s that time of year again in the City of Angels: the Season of Heat. LA only has two seasons: warm and sunny (which is known as autumn and winter in other geographic locations) and the Season of Heat, when you never see anyone’s eyes for the sunglasses, and everyone packs the salons for pedicures for some devoted sandal wearing.

feet
"I'm thinking a simple French pedi this time. Thanks, Hoài Mi."

All of which is wasted on me. Forget sunning by the pool -- give me a frozen tundra and a copy of Cowboy Henk and I'm a happy guy. I find myself picking and choosing my activities based on what destinations have the finest air conditioners. (As an interesting side-note, if you find yourself shopping at Amoeba Music Hollywood and you’re in need of a rush of cold air, go to the classical section, then find where we keep Beethoven. That exact spot is where our powerful A.C. first blasts the room, and it’s heavenly.)

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Private/Vanity Press/Small Label Collection At Amoeba Hollywood

Posted by Mr. Chadwick, May 31, 2010 01:40pm | Post a Comment
We recently purchased an amazing batch of private press LPs -- synth, glam, folk, country, pop, jazz and more! There's even a picture disc shaped like a batch of fries! Check them out on the main wall between the classic rock & world collectibles at the Hollywood Amoeba.

'Out of a Black Cloud' Comes a Great Album: Ruby Throat's Sophmore Triumph

Posted by Aaron Detroit, May 12, 2010 08:15pm | Post a Comment
Ruby Throat KatieJane Garside
Last week, I posted details
about the new limited deluxe vinyl edition of Folk-Noir duo Ruby Throat’s cult-classic debut, The Ventriloquist. This week , Amoeba Hollywood has just received quantity of Ruby Throat's sophomore full-length recording, Out of a Black Cloud Came a Bird. The album was released in a limited Special Edition CD run in November 2009, but has now been issued in this standard digipak CD edition.

Ruby Throat vocalist KatieJane Garside became quite prolific this past decade with three separate musical projects running in tandem  with each other (as well as a one-off LP with Hector Zazou - R.I.P); the long-running Queenadreena with former Daisy Chainsaw cohort Crispin Gray, her solo project Lalleshwari, and Ruby Throat with guitarist Chris Wittingham. While Queenadreena is a bombastic, cathartic and lustfully-charged rush bemoaning innocence lost, Lalleshwari revealed a more rudimentary, internal and transitive process of the artist. With Ruby Throat, Garside draws the characters in her songs as reflective, self-aware and with a sense to the nature of their struggles, though still very much struggling.

Black Cloud finds Garside's unsettling fairytale-stylings firmly rooted in her usual but always powerful psychosexual minefield of hushed lullabye, bluesy belting and bat-shit babelouge. Wittingham's Ruby Throat Out of A Black Cloudpsychedelic soundscapes and dreamy dark Americana-influenced arrangements are richer and fuller here but with the same minimalist bent and care as on the group’s debut.

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Xasthur and Marissa Nadler Collaborate On Genre Bending New Album

Posted by Aaron Detroit, April 23, 2010 08:00pm | Post a Comment
Xasthur
Fresh in the racks at Amoeba Music Hollywood just today is the wonderfully bleak and dissonant Portal of Sorrow (via Disharmonic Variations), a truly collaborative effort by the one-man depressive black metal band Xasthur and ethereal folkie Marissa Nadler. Scott Conner, aka Malefic, the man behind Xasthur, recently announced that this would be the absolute final release under the Xasthur banner. Oh! And what a glorious end it is! Upon first spin, Portal is easily recognizable as the best of Conner’s last few releases and will likely hold up as one of the touchstones in the Xasthur discography and beyond -- wherever Conner decides to go next.

The album announces its individuality in the Xasthur catalog with acoustic guitars that swirl around a plodding dirge enveloped by the ghostly purrs of Nadler. Eventually this lovely and melancholic breath is absconded away by the brief shattering sounds of glass and horror-film -orchestra stabs that leads into the cascade of bizarrely mixed buzzsaw guitar, Deathrock-like bass warbles and clattering cardboard box drums of the second track, “Broken Glass Christening.” The song is then shortstopped by an ominous piano, Malefic’s anguished shrieks and further apparitional lacing from Nadler. For all the album’s sorrowful moments, there are flashes in half-light, like the lovely “Mourning Tomorrow,” which infiltrates the album’s tracklist like a Folk-Noir Cocteau Twins. The LP lacks any monotonous riffing or repetition usually found in the gloomier end of the Black Metal genre, and aside from the above mentioned instrumentation, incorporates Marissa Nadlersynthesizer and organ which supply some very dreamy yet crestfallen ambiance.

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