Western-themed rockers dressed for the part Lord Huron began their set Nov. 19 at Amoeba Hollywood with “Ends of the Earth,” the opener of Lonesome Dreams, the band’s recently released debut record. The fact that the band brought the bongos that appear on the song to the crowded stage shows what detail means for the band, who didn’t skimp on additional instrumentation beyond the typical guitars-and-drums setup. That attention paid off, as Ben Schneider and his band’s music was nicely layered without sounding cluttered. The set made the most of the band’s five-man makeup, utilizing starry guitar lines and soaring harmonies to great effect. The band turned in a splashier version of “I Will Be Back One Day,” rocking out a bit harder while making the vocals less of a priority. The sound of ocean opened to the galloping rhythm of “Time to Run,” a clear crowd favorite. “The Man Who Lives Forever” proved the band’s most impressive song live, beautifully syncopated and stuffed with gorgeous guitar work, complete with slide guitar and harmonic playing. It was amazing to hear what they could accomplish with just a handful of guitars, echoing the sounds of banjo, southern rock and Eastern-influenced tonality. See more photos of the show here. Read my interview with Schneider here.
Friday I caught Tame Impala at The El Rey Theatre. I’ve been sick for over a week with a stupid head cold that makes my eyes start to shut around 10 p.m., but I was determined to see my favorite current band — and El Rey shows end early. The first thing I noticed was that the show was packed, and not entirely with your garden-variety hipsters. Older folks and lots of BROS. But like, cool, sensitive ones. Cause Tame Impala have left their Australian lily pad of coolness with their latest album, Lonerism, which has garnered the band great widespread acclaim and support from Pitchfork, KCRW and the like. So they upgrade to The El Rey from The Echo, where I think they played the last time they were in these parts.