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New "What's In My Bag?" Episode with Sharon Jones & the Dap-Kings

Posted by Amoebite, July 1, 2014 02:07pm | Post a Comment

Sharon Jones at Amoeba

Sharon Jones & the Dap-Kings make the kind of ebullient, impassioned soul music that often gets labeled as "retro"--when, in reality, "timeless" is a much more appropriate description. These days, Jones and co. are one of the most fruitful branches on the soul/funk family tree, churning out album after album of soon-to-be-classic grooves that branch out pleasantly from the genre's Aretha/Etta/Mavis roots. After a delayed release due to Jones' triumphant battle with pancreatic cancer, the group's latest album, Give the People What They Want, came out earlier this year and the irrepressible Ms. Jones and her Dap-Kings have been on the road ever since.

The band took some time from their busy schedule to sit down with the "What's In My Bag?" crew and talk music. Jones kicks the segment off with disco icon Sylvester's live album, Living Proof. Next, drummer Homer Steinweiss talks about Norman Greenbaum's psych/gospel hybrid album, Spirit in the Sky. "Everyone should have this record," says Neal Sugarman about his pick, Bobby "Blue" Bland's classic Two Steps from the Blues. As they pull out LP after LP, Sharon Jones & the Dap-Kings' passion for music reveals itself in the depth and breadth of their picks. Check out the full episode below and get a crash course in the history of soul, funk, and disco.

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Bid on Arcade Fire Tickets And More at Our Next Charity Auction July 5 at Amoeba Hollywood

Posted by Billy Gil, June 27, 2014 05:40pm | Post a Comment
shelagh ratner
Shelagh Ratner

Join us at Amoeba Hollywood for our next charity auction July 5 at 4 p.m. featuring guest host Shelagh Ratner.

Your bid on tickets, gift certificates and more goes to help LA Love & Leashes, a non-profit-run “pet store” dedicated to finding homes for dogs and cats from L.A.’s six city shelters. Amoeba will match winning bids up to $1,000.

At this auction, we’ll have:

- A $50 Trader Joe’s gift card + vintage lunchbox

- A $50 Urban Outfitters gift card

- A signed Charo CD!

- A VIP pass to the Amoeba in-store event of your choice!

- And concert tickets to the following shows:

arcade fire
Arcade Fire

  - Haim – Aug. 7 at the Wiltern

  - Jenny Lewis – Aug. 9 at the Wiltern

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Remembering Mike Kelley at MOCA

Posted by Amoebite, June 27, 2014 01:00pm | Post a Comment

Mike Kelley Mobile Homestead

This summer, LA's Museum of Contemporary Art (MOCA) is celebrating the life and work of another LA icon, the late artist Mike Kelley. So incisive and influential is Kelley's body of work that the exhibit takes up the entirety of The Geffen Contemporary at MOCA, plus a gallery at MOCA Grand Avenue. With a deep and far-ranging oeuvre that takes in media from sculpture to photography to performance, Kelley's contributions to the world of music are sometimes overlooked.

Sonic Youth Dirty

A founding member of Detroit's noise/proto-punk band Destroy All Monsters, a student of Laurie Anderson (at CalArts), and the artist behind Sonic Youth's Dirty album art, Kelley's musical output is proudly positioned in the underground. Amoeba Hollywood sat down with Kelley a few years back to delve into that musical heritage, and to get his thoughts on the movies and music that influence and inspire him as an artist. In this 2010 installment of our Webby award-winning series What's In My Bag?, Kelley runs through his picks, from hallucinatory no-budget schlock horror flicks to classic jazz vocalists.

 



New "What's In My Bag?" Episode with Director Edgar Wright

Posted by Amoebite, June 26, 2014 05:24pm | Post a Comment

Edgar Wright

Patron saint of quirky, culty contemporary cinema, director/screenwriter Edgar Wright has put a distinctly English spin on the fanboy worlds of zombies, aliens, and comic book heroes. In the mid-'90s Wright got his start working on BBC TV comedies, but it wasn't till his feature film Shaun of the Dead hit theatres in 2004 that he began really making a name for himself on both sides of the Atlantic. The hits came in steady succession, with 2007's Hot Fuzz and 2013's The World's End making up the jokingly named Three Flavours Cornetto Trilogy, a nod to both influential Polish director Krzysztof Kieslowski's Three Colors trilogy and the British ice cream treat brand Cornetto.The Three Flavours Cornetto Trilogy

Wright swung by Amoeba Hollywood to share some of his favorite flicks with the What's In My Bag? team. The honor of being Wright's first and only musical pick goes to David Bowie, whose latest album The Next Day, gets a nod. Next up is Guillermo Del Toro's big budget spectacular Pacific Rim, an epic monster movie with amazing special effects--plus brains, beauty, and heart. Later on, he highlights Noah Baumbach's Frances Ha, a gem of a film starring the effervescent Greta Gerwig in a black-and-white film about being young, broke, and eternally hopeful in New York City. Next up, Spring Breakers, Harmony Korine's candy-hued fever dream (or is it more of a nightmare?) gets highly recommended. British horror anthology film The Monster Club shows up at the end, leaving viewers with the weird and wonderful proposition of watching Vincent Price try to fit in at a nightclub populated by monsters in extremely cheap-looking Halloween masks. Check it out in the full episode below.

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Show Recap: Kan Wakan at Amoeba Hollywood

Posted by Billy Gil, June 25, 2014 07:18pm | Post a Comment

kan wakan amoeba hollywoodKan Wakan's sound on their recent Moving On album, a stew of stirring strings, classic rock organs, gleaming guitarwork and sensual vocals, seemed like it would be difficult to pull off in a live setting. But my first time seeing the band, June 18 at the store, showed just how skilled the band is at taking a heady and heavily orchestrated sound and making it work live. Beginning with cool polyrhythms and arpeggiating synths, singer Kristianne Bautista's vocals sounded husky and soulful one second, lilting the next, reminiscent of Bjork in their elasticity. Kan Wakan's sound is decidedly not small, playing as a seven-piece and creating grandiosity with surging crescendos, bells and tribal drums. Their songs sway and move, sultry and mysterious, oceanic amid surging guitars and crashing cymbals. The overall effect and intention seems to me to stir something up in you rather than smack you upside the head with something catchy, a nice antidote to the flood of overly excitable indie pop bands in L.A. Bautista's vocals were sometimes muffled by all the sci-fi synths and other craziness but would come through loudly every so often with a breathy forcefulness. For a band that trades in atmospherics and post-rock vibes, live, they're as gripping as a punk band.

See more photos from the show here.

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