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Divine Discs of the Electronic Continuum

Posted by Rick Frystak, September 13, 2012 02:28pm | Post a Comment


I am a searcher, never quite satisfied with music and sounds that already exist. There are many like myself out there. I am consistently persuing electronics-based records like these herein that testify to the pioneering spirit of those musicians, composers and scientists in search of the newest “musical “sounds available via technology of all levels of sophistication. Throughout history the primitive object or idea will lead the way to a monumentally sophisticated one, and visa-versa, as long as one is paying attention. Take thefuzzbox for example. That thing lead a revolution of little boxes that one plugs one’s instrument into to get big, wild (and conversely subtle) effects on said instrument ranging from fuzzy distortion to multiple octave voices to…God knows what now, huge racks of processing gear for a single riff.  At the same time in another part of the culture, Joel Chadabeguys and gals in long white lab coats were fiddling with room-sized computers to get a single tone that was not produced by a musical instrument, but alas, hallehlujah, a machine did it! And other folks were stringing audio tape across rooms and cutting inches of tape recordings to compose new recordings (Musique Concrete) to make other recordings to manipulate and, well, you get it.

The sense of experimentation and the ability to manifest those ideas has never left the true creative artist. There are sonic “searchers” among us that will never be satisfied with what already exists in the known sound worlds, and it is this motivation that fuels records like these. The daring ones, without concern of peer’s criticisms or naysayer’s pessimism, have forged ahead with whatever tools available to take these ideas and run with…no, FLY with them to the edges of reality.

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This Moment's Glory With ECM Records

Posted by Rick Frystak, March 4, 2012 05:56pm | Post a Comment
ECM Records has always been one of my favorite labels, peerlessly rich in variety and deeply honest with it's mission and intent of quality. I remember my first ECM LP was an unplayed white-label promo copy of Terje Rypdal's What Comes After, which really set me up to fall in love and get on board with the vision of Manfred Eicher, the label's owner and director. The sound on that record, with it's reverberant, creamy echo and crystal clear, dissonant music and the impression it made on me shall never be forgotten (and I can revisit it at will). Was this Jazz music? Rock? Classical? I didn't care at all to label it, only to consume as much as possible of this new sound, and start down the path to discovery of each title I could find in my town and towns around Los Angeles.

Of course, I didn't love everything that the label released, but I always listened with very open ears. Just the cover art direction alone still fascinates me and is the subject of multiple design books. Manfred has also become the preeminant Classical music producer since I've been a listener, not an easy coup, resulting in a perfect fit with his sound and the composer's vision. It still applies that ECM is a creative energy second to none with no cliches, no boundries, and no borders as to what can be done within it's domain, Year after year, which totals over 40 now, the ECM label has been there for me, re-igniting my passion for music, and with a quality like no other.

Here, fellow travellers, are some of my favorties of this moment's newest CD releases form this wonderful treasure. Click on the titles to see if they are available for purchase at Amoeba.com.

And what's your favorite ECM release?

Visit www.ecmrecords.com

Boris Yoffe 
Boris Yoffe
Song of Songs
ECM 2174

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