Amoeblog

2013 Mixtape: 21 Songs for the Time Capsule

Posted by Billy Gil, December 5, 2013 01:31pm | Post a Comment

Just about everyone could agree on “Get Lucky” and “Hold On, We’re Going Home,” but there were lots of other great singles and album cuts released this year. Here are 21 you can download from Amoeba.com right now. Pretty sure these could just top out a 120-minute cassette tape, if my high school calculations are correct. Check out my top 50 albums list, too!

 

kurt vile wakin on a pretty daze amoebaKurt Vile – “KV Crimes”

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Kurt Vile's Wakin on a Pretty Daze is a great, melodically hazy stoner-rock record, but "KV Crimes" hits hard, like a song Tom Petty would kick out in five minutes and decide he was too stoned when he wrote it and leave it on the cutting-room floor for some bullshit like "Free Fallin'." Kurt Vile is like our more enlightened Petty, one who knows that off-the-cuff tracks can be the best.

 

From the album Wakin on a Pretty Daze

 

 

savages silence yourself lp amoebaSavages – “I Am Here”

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Show Recap: AlunaGeorge at Amoeba Hollywood

Posted by Billy Gil, September 14, 2013 11:00am | Post a Comment

alunageorge amoeba hollywoodOne thing I love about seeing shows at Amoeba is getting to see bands perform in a different way than they normally would. British R&B act AlunaGeorge played a short, stripped-down set at Amoeba Hollywood Sept. 12, playing as a three-piece with only piano, electric drums and the velvety smooth vocals of singer Aluna Francis. They began with their single "You Know You Like It," playing it looser and jazzier than the dance-pop original. Francis danced close to the mic as she sang, gesticulating along to the lyrics. She sounded more confident than her chilled-out demeanor on record while singing on "Outlines," the opener to their excellent, recently released Body Music album (order on CD or download). You could really hear the detail and subtlety to AlunaGeorge's music on a song like the Robyn-ish "Attracting Flies," as Francis' cohort George Reid snuck in sly hooks on his piano. "Your Drums, Your Love" benefitted greatly from the minimal set-up; while the studio version is befitted with flashy studio tricks, its catchy chorus shone in this version, dressed up with jazzy improvisation and skittering beats.

See more photos from the performance here.

Tickets For Sale at Amoeba Hollywood in September

Posted by Amoebite, September 2, 2013 01:03pm | Post a Comment

Tickets at AmoebaAmoeba Hollywood regularly sells tickets to local shows, with the added bonus of charging low service fees (if you're into saving money and who isn't really?).

All tickets can be purchased at the registers (while supplies last) for a $2 service fee. We take cash and credit cards for all ticket sales. Store credit and coupons cannot be applied to ticket sales. Limit 4 tickets per person.

Please note that on the day of the show, we will stop selling tickets for that show at 5pm.

If you have a question about whether we've sold out of a specific show, please call the store at 323-245-6400.

JUST ADDED SHOWS:

Supersonico

Supersonico
Shrine Expo Hall
October 11
Cafe Tacuba, Calle 13 & more

Fool's Gold Day Off

Fool's Gold Day Off
Shrine Expo Hall
October 12
A-Trak, Danny Brown & more

Album Picks: AlunaGeorge, Belle & Sebastian, The Dodos, Franz Ferdinand

Posted by Billy Gil, August 27, 2013 09:15am | Post a Comment

AlunaGeorgeBody Music

alunageorgeAlunaGeorge’s combination of The xx’s nighttime vibes with the coolness and precise beatwork of Aaliyah’s collaborations with Missy Elliott and Timbaland might seem like a mess on paper, but Body Music plays out more enjoyably than a thousand breathless, hypey articles could’ve predicted. Early singles “You Know You Like It” and “Your Drums, Your Love” appear here and are as silky smooth as ever, but the rest of Body Music impresses as well — I’m partial to the skittering R&B bounce of “Lost & Found.” Aluna Francis’ vocals are unassuming enough to pull of lines like “your body is like music, baby,” and George Reid’s production is plugged into modern trends — some vocal manipulation here and there, washed out ’80s synths aplenty — but he skillfully calls to mind late ’80s/early ’90s new jack swing in cadence and feel, without ever really appropriating those sounds, something easier said than done. And what’s more, Body Music comes off as pretty effortless and sexy, not cold and calculated. It’s is a rousing success, innovative and intriguing while remaining thoroughly pleasurable.

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