Amoeblog

The Grammy Museum Presents The Drop: Joy Williams Aug. 19

Posted by Amoebite, August 6, 2015 06:06pm | Post a Comment

joy williams

Amoeba is proud to sponsor folk singer Joy Williams at the Grammy Museum Aug. 19 for their live program "The Drop." She’ll appear for an intimate performance and discussion at the museum’s Clive Davis Theatre, starting at 8 p.m. Tickets are $20.

joy williams venusWilliams came into fame as one half of the popular folk-rock duo The Civil Wars. Along with bandmate John Paul White, the band won four Grammy Awards, including Best Country Duo/Group Performance in 2014 for “From This Valley,” from the band’s self-titled album.

That same year, the band broke up. Since then, Williams has returned to her solo career, which began prior to The Civil Wars, with the releases By Surprise (2002), Genesis (2005) and a number of EPs.

Now the singer/songwriter has released a new album called Venus, which came out in June. Williams collaborates on the album with Michael Einziger and Charlie Peacock, among others. Listen to the upbeat “Woman (Oh Mama)” below:

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Amoeba Presents The Be Good Tanyas at Bootleg Bar Aug. 17

Posted by Billy Gil, July 26, 2012 03:15pm | Post a Comment
Be Good TanyasAmericana heroines The Be Good Tanyas will play the Bootleg Bar in Los Angeles August 17, following their gig at Outside Lands Music and Arts Festival on Saturday Aug. 11 with the likes of Metallica, Sigur Ros, The Kills and more.

Amoeba Music
is proud to present the show, which also features Leftover Cuties and Willie Watson of Americana string band Old Crow Medicine Show. This is a 21+ event. Tickets are available at Amoeba Hollywood! As is their latest album, A Collection (2000-2012), which gives an overview of the 21st century roots band’s existence. Their three studio albums, Blue Horse, Chinatown and Hello Love, are available as well.

The Be Good Tanyas CollectionThe Be Good Tanyas, consisting of Frazey Ford (guitar, vocals), Samantha Parton (guitar, mandolin, banjo, vocals) and Trish Klein (guitar, banjo, vocals), formed in the late 1990s after meeting at tree-planting camps in British Columbia — yes, apparently these exist in Canada, which is clearly a more thoughtful place. The band also once included the Tom Waits-feted folk singer Jolie Holland. The band is known for its exquisite harmonies, renditions of traditional songs such as “Oh! Susannah” and particularly a rousing take on “The Lakes of Pontchartrain,” as well as original songs faithful to traditional roots music. Ford’s sweetly warbling voice also has been featured on her solo ablum Obadiah, released in 2010. You may have heard her haunting “Firecracker” now and then on KCRW, where she also recently performed.

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Tracker's dusty and modern road songs on the cheap

Posted by Mark Beaver, July 9, 2008 02:14pm | Post a Comment
First find on the dock: This has been waiting in the wings for some time, in fact, it’s a little bit of a redo, as it’s a title I championed a few years ago in the Music We Like book. I‘ll take this opportunity to expand my earlier opinion.

Tracker - Ames  (Film Guerrero)
Tracker Ames
Tracker is, basically, a guy from Portland, OR named John Askew (not to be confused with the DJ of the same name) and whoever he collects around him when he’s ready to record and tour. This was the first album from 1999 and is almost completely played by Askew with some help from friends Adam Selzer (Norfolk & Western) and Erik Herzog (Buellton). I bought it solely on the strength of the album art and the weakness of the price tag. Thus, I was doubly rewarded.

In a number of ways there are similarities to the dynamics of Jason Molina’s Songs:Ohia/Magnolia Electric Company projects. Both are the aggregates of a single man’s songwriting and organizational vision. Both have an undeniably roots Americana base, but with a lot of layering, whether it’s voices, samples of classical music or electronic textures hazing around simple plucked banjo lines. Like Molina, Askew writes extremely strong melodies, and couples them with thoughtful and often mystifying lyrics.

The charm of Ames is due largely to its lack of self-seriousness. Askew lets a breath of ease into his writing and production. “Evan’s Getting It Together” is driven with some lazy and seemingly living-room recorded handclaps that work perfectly to prove that, as beautiful and lush as the songs here sometimes get, they are being played by some guys who are just trying to make some cool songs that get into your head. In fact, some of the song transitions (and there is a lot of ambient connective tissue) remind me of the great also-overlooked Purple Blue by Eric’s Trip, another group of dudes (and a dudette) who were just trying to make some cool songs.