Today is the 69th birthday of English artist, graphic designer and illustrator, Alan Aldridge (click here to visit his site). His distinct airbrush work adorned numerous books and albums in the 1960s and '70s and helped define the aesthetic of the era -- equal parts whimsy and menace.
Aldridge appeals to me, in part, due to the way he draws upon older artists from very different traditions. The grotesque, fantastical characters echo the febrile visions of Dutch Renaissance painter Hieronymus Bosch. The invasive, sometimes threatening vegetation reminds me of the vegetable portraits of Italian Mannerist Giuseppe Arcimboldo. The soft, velvety folds and textures of clothing remind me of French Neoclassicist Jean Auguste Dominique Ingres's almost single-minded focus on mastering the technique of depicting textiles.
As a young child, when I was first exposed to Aldridge, I hadn't yet heard of any of those artists. I don't remember ever even asking who Alan Aldridge was, but it was clear even that his particular synthesis of influences and ability to simultaneously captivate and repulse was immediately recognizable as the work of one artist, whatever work it adorned.