Amoeblog

Roses Chat With the Amoeblog Before Show at Sayers Club

Posted by Billy Gil, August 20, 2014 11:37am | Post a Comment

rosesL.A. trio Roses spin out gorgeous tunes that blur the line between dreamy introspection and new-wave pop abandon on their debut EP, Dreamlover. The band, which features ex-Abe Vigoda member Juan Velasquez on guitar with Marc Steinberg on vocals/keyboards and Victor Herrera on bass, will be at Sayers Club tonight for the next Red Bull Sound Select show, along with Tanlines and SISU, who we caught up with yesterday. The show is only $3 with an RSVP and starts at 8 p.m.; hope to see you there!

We spoke with Velasquez a bit about his new band and the recently released Dreamlover before the show.

You guys were friends for a while before becoming a band. Tell me a little bit about how you guys formed.

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Local Stuff: Allah-Las, Dum Dum Girls, The Deadly Syndrome

Posted by Billy Gil, August 3, 2012 03:38pm | Post a Comment
allah-lasAllah-Las – “Don’t You Forget It”
 
The natty L.A. lads in Allah-Las premiered a new track today called “Don’t You Forget It,” from their upcoming self-titled debut full-length, due from Innovative Leisure Sept. 18. Dig the way the drums come in halfway through and make the bonfire jam into a dance party. They’re on tour this fall with Nick Waterhouse, whose own Time’s All Gone came out earlier this year, and both will play FYF Sept. 1-2.










Dum Dum Girls – “Lord Knows”
 
I’m among those who will pause to listen any time San Diego’s Dum Dum Girls release music. So it’s with great joy that I hear “Lord Knows,” a knockout, mid-tempo ballad that shows lead singer Dee Dee’s growth as a songwriter over the bands couple of albums. The song will appear on the End of Daze EP, due in the fall.
 


 

The Deadly Syndrome – “Whatever Comes Our Way”

 
This first taste from Los Angeles’ The Deadly Syndrome’s third album, the self-released All in Time, due Aug. 7, sounds very L.A. — get up, go to work, traffic, in bed by 10. The song has a way of humanizing an increasingly inhuman existence. Maybe that’s just what I’m drawing from it, but for relatively unassuming indie rock, it’s pretty affecting.
 

The Deadly Syndrome - Whatever Comes Our Way from The Deadly Syndrome on Vimeo.

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Local Stuff: New Albums Coming From The Fresh & Onlys, Lavender Diamond

Posted by Billy Gil, June 29, 2012 01:14pm | Post a Comment

The Fresh & OnlysSan Francisco’s The Fresh & Onlys have announced the title, Long Slow Dance, and tracklist for their new album, as well as tour dates for a West Coast tour. For anyone who loved 2010’s Play It Strange, and there were plenty of us, the news of a new album from The Fresh & Onlys is exciting stuff. From the sound of “Yes or No,” they’ve ditched a lot of the reverb for a more straightforward shimmery rock sound. I say all the better; “Yes or No” is the best thing I’ve heard from them yet, unafraid to hide its gorgeous melody in the garage. The album comes out Sept. 4 on Mexican Summer.
 
 

Tour dates:
 
07/21 San Francisco, CA Phono Del Sol
08/05 Big Sur, CA Woodsist Fest / Henry Miller Library
09/05 Santa Ana, CA Constellation Room *
09/06 San Diego, CA Soda Bar *
09/07 Los Angeles, CA The Echo *
09/08 San Francisco, CA The Independent *
09/09 Santa Cruz, CA The Catalyst Atrium *
09/11 Sacramento, CA Ace of Spades *
09/13 Portland, OR Mississippi Studios *#
09/14 Bellingham, WA The Shakedown *
09/15 Vancouver, BC The Media Club *
09/16 Seattle, WA Crocodile *
 
* = with Terry Malts
# = with Grass Widow
 
 
Tracklist: 
 
1. 20 Days and 20 Nights
2. Yes or No
3. Long Slow Dance
4. Presence of Mind
5. Dream Girls
6. Fire Alarm
7. Executioner's Song
8. No Regard
9. Euphoria
10. Foolish Person
11. Wanna Do Right By You
 
 
 
I’m a huge fan of L.A.’s Lavender Diamond. There are few artists you can say are truly “special,” and Lavender Diamond and their frontwoman, Becky Stark, truly are. This week they released the first song, “Oh My Beautiful World,” from their upcoming new album, Incorruptible Heart, due Sept. 25 on Paracadute. On releases like Imagine Our Love and The Cavalry of Light EP, Stark and co. constructed grandiose folk-rock songs that relayed a disarming, unforced naivete. “Oh My Beautiful World” has glorious harmonies, sounding somewhat like Stark’s other musical project, The Living Sisters, but producer David Fridman (Flaming Lips, Mercury Rev) ups the girl group quotient with big “Be My Baby” drums and acidic breakdowns partway through. I never would have thought to pair Fridman with Lavender Diamond, and I can’t wait to hear what else they come up with.
 

 
Tracklist:
 
1.     Everybody's Heart's Breaking Now
2.     Dragonfly
3.     I Don't Recall
4.     Just Passing By
5.     Teach Me How to Waken
6.     Come Home
7.     Forgive
8.     Light My Way
9.     Oh My Beautiful World
10.  Perfect Love
11.  Everybody's Song
12.  All The Stars
 

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Best Coast's Bethany Cosentino Talks 'The Only Place,' Dad Rock

Posted by Billy Gil, May 8, 2012 10:26am | Post a Comment
best coastBest Coast's The Only Place comes out next week (pre-order from Amoeba here). Without spoiling it too much, I can say Bethany Cosentino, Bobb Bruno and producer Jon Brion have produced the album you hope for, with Cosentino's voice maturing markedly over gorgeous cleaned up sonics, while the lyrics retain the directness and charm that made Crazy For You so appealing. I spoke to Cosentino a bit about what went into making the album, and asked her to produce a list from her beloved "Dad Rock" genre, which she graciously did. (See Best Coast with Abe Vigoda at the Wiltern May 18!)

PST: How has the way the vocals are presented on record changed? Does the way that has changed have to do with confidence, or was it always an aesthetic choice?
 
Cosentino: The vocals are just more present and up front — which has a lot to do with confidence and me just learning how to use my voice in other ways. Singing on stage every night for the last three years has given me the confidence to sing differently, and I wanted that growth to be showcased n this album. I’m a singer — that’s what I’ve always been, and I want people to hear that.
 
PST: “The Only Place” (download free from Amoeba) to me sounds like what I want to hear when I cross the state line into California. It has a similar vibe to a number of California songs but I think feels more L.A. specific because of its punkier feel, kind of like a fantasy of California mixed with the real thing. What was the goal with that song?
 
Cosentino: I wanted to write an homage to this place that makes me so happy and relaxed and I wanted to make other people feel the love I have for California. In a way too, I wanted To write a song that would make people be like “whoa wait — California seems awesome.” I’m trying to get the state tourism board to accept it as the new CA anthem!
 
PST: “Dreaming My Life Away” sounded really cool and different in its earlier version, sort of more overtly melancholy and somber than some other Best Coast songs. How does the new recording change things?
 
Cosentino: It has a pretty creepy feel to it, almost like David Lynch or something. The original recording had the same sort of feel, I just think the new recording includes a few new elements and sounds better than the first because it’s sonically better and my singing is stronger.
 
PST: What influences did you tap into on this record that you think are new influences or you didn’t tap into as much before?
 
Cosentino: I listened to a lot of Fleetwood Mac while making this record, and though they were a band that I loved while recording Crazy For You, I don’t think the influence was very obvious. It might be a bit more on this record. I also just got really inspired by female vocalists, and I used those influences to sing to he best of my abilities.
 
PST: You stayed as a three-person live band sans bass for a long time but recently switched to a four-piece and worked with orchestral pop maestro Jon Brion. Was that important to keep Best Coast as its original form for as long as you could? How do you think you’ll continue to expand upon what Best Coast means, either live or on record?
 
Cosentino: We stayed as a three piece because we didn’t have time to add another live member — we literally toured for two years straight, and we knew we wanted a bass player, we just were like — when the fuck are we going to find the time to do this? When we went in to record the new record, we wanted to change it up, and we had the time to put together a new line up and we wanted to have a stronger live show, so we worked on that a lot. The band all always be Bobb and myself — we will never add another permanent members. That’s something we agreed upon from the start.
 
PST: Speaking of Jon Brion, he certainly makes the list of producers (like Steve Albini, Alan Moulder, Dave Fridman etc.) who really make their presence felt on a record. How did you balance what he brought to the record with your own style?
 
Cosentino: Jon didn’t want his fingerprint on this record — he didn’t want it to sound like a Jon Brion record — he just wanted to make a Best Coast record with a more sonically enhanced sound, and I think that’s exactly what he did.
 
PST: Would you consider making us either a list of songs or top 10 albums of your favorite Dad Rock?
 
"Dust in the Wind" - Kansas (from the album Point of Know Return)

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Local Bits: Best Coast, Ty Segall & White Fence, Derde Verde

Posted by Billy Gil, April 27, 2012 12:09pm | Post a Comment
Best Coast The Only PlaceBest Coast Covers Fleetwood Mac’s “Storms”
 
From Pitchfork, dad-rock loving duo Best Coast has covered a song by their beloved Fleetwood Mac, “Storms,” from their underrated 1979 album Tusk. For now, you have to track to about 58:10 in this edition of BBC Radio 6’s Radcliffe & Maconie show
 
Here’s the cool part: You can get the cover on a 7” that comes with The Only Place at independent record stores. Preorder your copy of The Only Place here at Amoeba and you’ll get a copy of the 7” with the moody and beautiful “Storms,” which shows off Bethany Cosentino’s growing confidence as a singer of uncommon power.
 
Ty Segall & White Fence – “Time”
 
I interviewed Ty Segall a while back about his collaboration with White Fence, called Hair, a match made in garage-pop heaven that was released this week — pick it up here. Here’s a fun psychedelic video of their song “Time” recorded for Room 205.

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