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Composer Carl Stone's Personal Record Collection For Sale at Amoeba Hollywood

Posted by Rick Frystak, October 3, 2014 01:01am | Post a Comment

Carl Stone LP Collection

Amoeba Hollywood has purchased one of the finest record collections that I have ever set eyes upon in my record store days (and that's about 13,870 days)!! Here we have obscure gems aplenty, many I've only seen perhaps once in my life, but here they are, side by side with records I've never ever seen before, and ones previously only legendary. In other words, a wonderful, rare collection!!!

Yes friends, I have negotiated a mutually satisfactory agreement that has allowed Amoeba to obtain the personal record collection of Mr. Carl Stone himself. Yes, THAT Carl Stone, composer and electronic sound artist extraordinaire, 21st-Century cultural icon, and truly a connoisseur of recorded sound in the left-of-center areas of many genres, and they are all here in the collection for sale in Amoeba's Hollywood store beginning the weekend of October 11 & 12: Avant Garde, Electronic, Musique Concrete, Experimental, Renaissance, Baroque, Medieval, Classical, New Music, World music, Jazz, No Wave, New Wave, Power Pop, Punk rock, Post-Punk, Industrial, and various "roots" musics.  All are original 1st pressings of mostly small, independent labels with loads of private pressings and imports.

Just, like, two words: mind blowing!!

This array of breathtaking LPs reflect Carl's usual pattern of being dead-center, ground zero, really at the apex of "what's happening" in music, never more true than in the pre-CD days of  this collection...a forward-thinking and quite wide-minded person's...one that doesn't come along very often. Don't think for a second that Professor Stone hasn't been feeding a constant, perhaps life-sustaining hunger to hear for himself the latest, most creatively interesting and challenging music (and in his case, even the sound of a big-piped sports car or machinery), from all over the world and across all genres. I presume he always has, and this collection of vinyl reveals that fact in every liner note and cover spine. Collectors like this are searchers, never quite satisfied with what is, what was, or even what "shall" be, barely trusting word of mouth and the writing on the walls. We collectors shake down anything that could offer that special chord combination, the emotional rush, the personal spirituality button pushed, or a memory bubbling over God-knows-how and why. Often these elusive platters make just a brief appearance in our airspace, only to become a faded memory, "Yeah, I saw that once at Amoeba…", or more likely, a 3 a.m.-tossing-and-turning-I'm-going-back-first-thing-in-the-morning-I-hope-it's-still-there angst-filled moment. Carl looked high, low, in, out and around for significant records. Carl got beaucoup promos sent to him. Carl had people hold things for him. Artists sent Carl their records out of the blue. Carl impulse-bought. Good record labels covered Carl. Carl special ordered records. Carl travelled the world and bought records as meals for his soul.

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Even More One Album Wonders

Posted by Eric Brightwell, July 28, 2014 12:11pm | Post a Comment
The vinyl LP was introduced by Columbia Records in 1948 but the 45 inch single remained the primary market for the music industry until the dawn of the album era, which began in the mid-1960s. During that period, for any number of reasons, many fine musical acts released only one studio album -- Perfect for completists on a budget! Here's Part III of a look at some of my favorite "one album wonders."



MARGO GURYAN - TAKE A PICTURE (1968)

Margo Guryan - Take a Picture
Margo Guryan was born in Far Rockaway, New York in 1937. Her first credit as a recorded songwriter was for a Chris Connor single in 1958. Over the years, many artists have recorded her compositions although “Sunday Mornin’” and “Think of Rain” are probably her most-recorded songs.

More One Album Wonders

Posted by Eric Brightwell, July 21, 2014 10:00am | Post a Comment
The vinyl LP was introduced by Columbia Records in 1948 but the 45 inch single remained the primary market for the music industry until the dawn of the album era, which began in the mid-1960s. In that era, for any number of reasons, many fine musical acts released only one studio album. Here's Part II of a look at some of my favorite "one album wonders."



MICHAELANGELO - ONE VOICE MANY (1971)

Michaelangelo - One Voice Many


Michaelangelo were a Greenwich Village-based psychedelic folk-rock group led by Angel Petersen (but credited simply as “Angel”) who wrote the group's music and played electric autoharp -- an instrument popularized within the folk-rock scene by Lovin' Spoonful's John Sebastian. Rounding out the band were Michael John HackettRobert Gorman, and Steve Bohn. After attracting interest from producer Rachel Elkind and composer Wendy Carlos, what proved to be Michaelangelo's solitary album, One Voice Many, was released by Columbia. It incorporates a variety of influences that give the band a unique sound but one that might appeal to fans of Pidgeon and Renaissance (and not just because both used autoharps as well). Apparently the excellent album was poorly promoted which accounted for its poor sales and the group's subsequent disbandment. However, it clearly found its way to some fans over the years, as in 1992 the band Golden Smog included a cover of their song, 
"Son (We've Kept the Room Just the Way You Left It)" as the lead track on their EP, On Golden Smog. In 2009 it was released on CD by Rev-Ola.

Italo-disco singer Savage is coming to Southern California

Posted by Eric Brightwell, April 23, 2014 11:01am | Post a Comment
Savage portrait

On 6 June, 2014, '80s Italo legend Savage is performing for the first time in Southern California. He'll perform his greatest hits, including “Don't Cry Tonight,” “Only You,” “A Love Again,” “Fugitive,” “Radio,” and more in an event that will be DJed by BPM and hosted by singer TQ. Advance tickets are available here

Savage Flyer


Savage was born Roberto Zanetti was born in Massa, Italy on 28 November, 1956. Zanetti's musical education began when he was fourteen and he began taking piano lessons. Soon after he began playing keyboards in several bands including L'inchiesta, Fathima e i Pronipoti, I Vicini di Casa, andSangrià. 




In 1977, Zanetti formed Santarosa with Alberto Feri, Tiziana De Santis, Angelo Tedesco, and Paolo Zilio. In 1979 they had a his with Souvenir," which sold over 200,000 copies. The song was produced by singer “Zucchero” Fornaciari (né Adelmo Fornaciari)  and in 1980, he and Zanetti began a creative partnership. In 1983, the first fruit of their labor was also their first stab at dance music, "To Miami," attributed to Taxi and released by Florence-based Harmony Music and credited to Taxi

Show Recap: Gary Numan at Amoeba Hollywood

Posted by Billy Gil, October 17, 2013 02:48pm | Post a Comment

gary numan amoebaThere are some shows at Amoeba that get the staff tickled to pieces, and Gary Numan's show at Amoeba Hollywood Oct. 16 was one of them. Employees turned into starstruck kids when Numan showed up, looking vampiric in a black vest, red tie and dyed black hair.

He took the stage with his band to promote his recent release Splinter (Songs From a Broken Mind), which portrays a harder edge to the new-wave star. I was listening to it on the way to the store and found myself driving really aggressively along to the music (well, that and the Waze app was yelling at me from my phone, but that's another story).

He opened with Splinter's "I Am Dust," the industrial rage of which could have started those who showed up expecting the synthy sounds of "Cars." But the sizable crowd that showed up seemed to dig the new tunes, bobbing their heads along when the drums and distorted guitars came in hard and enjoying the new ride one of their musical heroes was taking them on.

By the second song, I felt a little hot from the noise, a sexy, noisy blend of guitar and synth more akin to Nine Inch Nails, Ministry and Smashing Pumpkins than Numan's early records. His gothy howl was occasionally muffled by the overdriven guitars. This wasn't a problem when he broke into a couple of classics—"Are Friends Electric?" and "Cars," which had everyone cheering and uncontrollably singing along.

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