Amoeblog

LOVE IS PRESSING A RECORD AS A TOKEN OF ETERNAL COMMITMENT

Posted by Billyjam, February 14, 2010 06:47pm | Post a Comment
Acco + Top Bill
Love is......well, love is many, many things, including, of course, the inspiration for innumerable songs. But perhaps the highest form of love is to make a record for the one you love as a token of your eternal commitment. Amoeblog reader and sometime contributor Acco, who lives in Japan and did the five part Graffiti in Yokohama Amoeblog series, did this when she got married to Top Bill some months back. For their wedding ceremony they had a special hip-hop song recorded and pressed up on 7" vinyl and nicely packaged to give away to guests at their wedding party.

The track, "Coupling Song," was produced by Top Bill, a Japanese hip-hop DJ/producer who lived for a short time in the Bay Area, with vocals by SoCal based Japanese transplant, producer/emcee Shing02, and with the song's hook sung by Emi Meyer. The design for the seven inch record and its packaging was all done by Acco, who told me that the idea for the record ties in with a Japanese tradition called Baumkuchen. "In the Japanese custom, we give Baumkuchen as gift at a marriage party. The Baumkuchen look similar to the rings of a tree. This mean a happiness to eternally." she said. "When I was a child, my mother told me that  'An old vinyl grow into Baumkuchen, it's very delicious.'" As pictured above, at the couple's wedding reception last October they played the "Coupling Song" single, which includes such romantic record-themed lyrics as "Every B needs an A, every B needs an A. Will you be my A? And I can be your B?" The full lyrics for this song appear below along with the audio for the vocal version. They pressed up 300 copies of the record (which has an instrumental version on side B) and saved some copies to give away but never sell.

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Little Tokyo - 小東京

Posted by Eric Brightwell, February 5, 2010 01:12pm | Post a Comment
This blog entry is about the Los Angeles neighborhood of Little Tokyo. To vote for other neighborhoods to be the subject of a blog entry, click here. To vote for Los Angeles County communities, click here. To vote for Orange County neighborhoods, vote here.

Little Tokyo Village Plaza
Little Tokyo Village Plaza

INTRODUCTION TO LITTLE TOKYO


Map of Little Tokyo
Pendersleigh & Sons' Official Map of Little Tokyo


Little Tokyo (or 小東京) is a small neighborhood in downtown Los Angeles. It's generally considered to be bordered on the west by Los Angeles Street, on the east by Alameda Street, on the south by Third Street, and on the north by First Street.

(In which Job & Corey celebrate #3.)

Posted by Job O Brother, January 11, 2010 12:38pm | Post a Comment
Reading sentences is weird, isn’t it? Just the way you’re sitting at your computer right now, scanning these lines of organized scribbles and, as a result, you’re hearing these words in your head – words that I typed on my computer sometime in your past.
horse

All of which is pretty intimate, don’t you think? I mean, you’re trusting me enough to allow whatever I decided to write to enter into your consciousness via language, not necessarily knowing what I’m going to type. I mean, what if I wrote this sentence:

We oftentimes remove the hamster’s eyes and replace them with fresh-churned butter, which allows them to see less and makes their faces smell vaguely of movie theatre concession stands.
chicken
First of all, there’s a lot of things about that sentence that're willyish, and what if you’re not in the mood to deal with it? But now you’ve read it and there’s no going back. It’s recorded in your mind forever. Even if you someday forget it (which is almost certainly advisable), it will be catalogued somewhere, there in the delicious depths of your awesome brain.
fancy
Anyway, the boyfriend and I just celebrated our third anniversary yesterday. It was swell! The cat and I allowed him to sleep-in until noon, while we spent time organizing my music library and watching birds be weird.

Here, There, and Everywhere: It's Beatles Day

Posted by Kelly S. Osato, September 9, 2009 09:58am | Post a Comment
beatles celebrate beatles day 9/9/09
So, it's Beatles Day, big deal. No, really, it's a big deal! Think about it, what other band has earned their very own special day of celebration? That's right, no other band, because like it or not the Beatles are, have been and probably forever will be just that special. I cannot speak personally about any particular Beatles revelation in my early life, the best I can do being that in my formative years I remember reading interviews with guys from the bands I liked in magazines like Rip and Metal Edge where they'd always, always cite the Beatles as a major musical influence right along side bands like the New York Dolls, Deep Purple and Uriah Heap. I took note, but skipped the breakthrough introductory listen --- my excuse being that Mötley Crüe's version of "Helter Skelter" was enough Beatles for me.

It wasn't until the late 1990's that I finally got the message via Revolver. I listened to it repeatedly for, well, how do you measure time when you've got a new favothe beatles revolver japanese vinylrite record on repeat? I felt like I finally understood why that "Fab Four" band meant so much to so many and I liken the feeling to recognizing blind love for something after having lived so long in its shadow. I fell for them Beatles pretty hard, but I also kept it a secret. I mean, how would you break your fledgeling Beatles romance to a jaded herd of veteran music-retailer colleagues and still expect to be included in all their future reindeer games? My secret was safe, but one of my most precious Beatles moments was yet to come.

Penderecki's Threnody to the Victims of Hiroshima

Posted by Whitmore, August 6, 2009 08:15am | Post a Comment
Penderecki
Taking third prize at the prestigious Grzegorz Fitelberg Composers' Competition in 1960, Krzysztof Penderecki burst onto the international scene with Threnody to the Victims of Hiroshima, scored for 52 string instruments. One of the most harrowing pieces of music ever conceived, Threnody is unforgiving and brutal, horrifying and captivating, solemn and catastrophic.
 
Its atmospheric dissonance engulfs the listener with tone clusters that are piercing and shrieking at an orchestra’s highest register. Originally entitled 8'37”, Threnody’s score is unorthodox and mostly symbol-based, directing the musicians to play at various vague points on their instruments or to focus on textural effects and extended techniques, like playing on the wrong side of the bridge or slapping the instrument percussively. The piece includes an invisible canon in 36 voices and an overall musical texture that is more important than any individual note. Penderecki sought to heighten the dissonant element of the piece by composing in quarter tones -- hypertonality -- creating a greater reaching elegiac mood than could be found in traditional tonality.

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