We were lucky enough to buy a huge collection of vinyl from a well-known collector who lived in Kew Gardens in the New York Borough of Queens and collected a bit of every thing. My task is to describe what, in my 39 years of experience, is the most eclectic collection of classical music I have ever seen.
Normally, when one sees a large collection of classical, you see Beethoven, Mozart, Bach, and so forth, performed by world renowned artists. But Ed (withholding his last name) collected mainly 20th-century composers from every European country and a lot of American music that has been unjustly forgotten.
I think I know my composers, but there were a number of them in this collection that I have never heard of and whose existence is scantly documented in reference books that are in the English language.
One of the few sanguine effects of Eastern European communism was that each country had it’s own state-run record label that methodically recorded the music of every prominent living composer.
Here are a few examples:
Yesterday, the boyfriend decided to surprise me with a spontaneous field trip to The Museum of Jurassic Technology, located in Culver City. It was my first time there, even though I’d been pining to attend for over four years, and it was not a disappointment.
It’s hard to explain how lovable the Museum is to people who’ve never been, because one doesn’t want to spoil its mystique and novelty, and explaining its merit to those who have experienced it is hardly necessary, assuming, as I do, that everyone is charmed by it. (I suppose there could be some whimsy-less, emotional cripples who wouldn’t appreciate it, but I’d like to think they have no interest in either my blog or my company. Humph!)
If your idea of a dream house is The Haunted Mansion at Disneyland...
Vietnamese New Wave artists come from a variety of scenes including Italo-Disco, (English, French and Swedish) Synthpop and (German and Spanish) and Eurodisco. Beginning in the some time around the mid-to-late '80s, these bubbly, infectious tunes found an unexpected audience in the Vietnamese diaspora who disseminated these gems through the aforementioned mixtapes, parties and bootleg mix CDs which you can still find in Little Saigons around the globe.
We carry many of these artists at Amoeba. Most are found in the Freestyle section. However, a lot are found in, erm... Rock. So ask at info if you can't find something.
Are any of my readers out there Vietnamese? I was turned on to this amazing genre by "the Jewel of La Puente," the one and only (OK, one of thousands but still one of a kind) Ngoc Nuyen. I have asked the experts here at Amoeba Hollywood about "Vietnamese New Wave" (also referred to as Asian New Wave at times) groups and no one seems even remotely familiar with any of them, with the exception of Chris Matthews, to whom "Modern Talking" sounds familiar ...
First of all, when people talk about Vietnamese New Wave, they’re not talking about Vietnamese artists (although there is Thu Thuy, Lynda Trang Dai and supposedly a tieng viet cover of a Night Society song), but rather a movement that includes mostly German Euro-disco, Italo-disco and English synthpop artists who acquired, through means that no one seems to understand (although it definitely involves mixtapes) massive popularity amongst Vietnamese in Cali, Texas and Canada (and maybe elsewhere).
And whilst there’ve been at least four or five documentarians who’ve explored the still supposedly strange popularity of Morrissey amongst Mexicans and Mexican-Americans, to my knowledge no one has yet delved into the mysterious “Vietnamese New Wave” movement in which (in addition to OMD, Pet Shop Boys and Gazebo's "I Like Chopin") four German performers, with no radio play, no MTV exposure, no Amazon recommendations, no local performances came, against all odds, to achieve stardom in the Vietnamese immigrant population.