Amoeblog

MOTHER: 2PAC, JOHN LENNON, SINEAD O' CONNOR & ROGER WATERS

Posted by Billyjam, May 10, 2009 08:40am | Post a Comment

2Pac - "Dear Mama"


John Lennon performing "Mother" live at Madison Square Garden


Roger Waters & Sinead O' Connor "Mother" (The Wall Live in Berlin concert)


The Pharcyde "Ya Mama"

AMOEBA MUSIC HIP-HOP WEEKLY ROUND UP: 04:10:09

Posted by Billyjam, April 10, 2009 07:22am | Post a Comment
Amoeba Music HFloRida Rootsollywood Hip-Hop Top Five: 04:10:09

1) DOOM Born Like This (Lex)

2) Flo Rida R.O.O.T.S. (Poe Boy/Atlantic)

3) UGK UGK 4 Life (Jive)

4) Jim Jones Pray IV Reign (Columbia)

5) Madlib Beat Konducta Vols 5 6 (Stones Throw)

Miami pop rap act Flo RIda is In the number two slot this week with his just released second album R.O.O.T.S. The record includes the already major hit "RIght Round" -- the unavoidably popular track that reworks Dead Or Alive's mid-eighties synth-pop hit “You Spin Me Round (Like a Record)” to which it owes its phenomenal success. Despite contributions from the likes of Ne-Yo, Akon, Wyclef Jean, Pleasure P, and Nelly Furtado, this sophomore album on Poe Boy/Atlantic, while better than Flo Rida's debut, comes off as hollow and ten years from now will most likely forgotten. The problem? Like most mainstream hip-hop, it doesn't sound like it is coming from the heart or soul but instead comes off as music manufacturejim jones pray iv reignd out of a desire to score a quick pop hit.

Meanwhile, Harlem artist Jim Jones' delayed latest album, Pray IV Reign -- his first for Columbia -- is a superior record and sounds like it is made from the heart. But it too suffers from a common problem in rap these days, the derivative factor. In this case, the former hype-man is constantly channeling 2Pac, not only copping Shakur's whole rhyme flow and inflections, but going so far as to even loot some of his trademark phrases ("Keep your head up," he spits on the new album track "Let It Out").

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Longtime Sacramento Hip-Hop Artist C-BO is Truly Gangsta Rap & Despite a Career Interrupted by Long Stretches Behind Bars, He Has Remained Highly Prolific

Posted by Billyjam, February 25, 2009 02:27pm | Post a Comment

c-bo
Rapper C-BO has long been known for his no-holds-barred, shock-filled, self-described "killer style" of gangsta rap. Ever since his debut album Gas Chamber sixteen years ago, the Sacramento rapper has been consistently satisfying his dedicated legions of hardcore rap fans with both controversy and countless releases. In addition to a string of solo albums, he has also collaborated on songs or albums with the likes of first cousin E40, 2Pac, Yukmouth, Killa Tay, Spice-1, Master P, Brotha Lynch Hung, as well as his crew Mob Figaz, to name but a few.

Unlike so many self-described "gangsta" rappers, Shawn "C-BO" Thomas is genuinely 'gangsta'. Growing up in the notorious gang-filled Garden Block of Sacramento, the artist became a member of the Crips while barely into his teens, and openly admits his past involvement in drug dealing and other gang related crimes before he became a full time recording artist. His rap name stands for Cowboy: "I got the name cowboy from being around guns all the time," he told me in a 1997 interview.

Not surprisingly, that lifestyle resulted in C-BO's spending several periods of his life incarcerated from his teens onwards. It was in jail in 1993 that he first met Killa Tay, who he would later collaborate with. And it was also during a separate stint in the Sacramento County Jail that he collaborated with fellow inmate X-Raided on writing some music. In fact, it was X-Raided who wrote the song "Deadly Game" for C-BO, a song that later landed C-BO back in jail and caused a national controversy -- drawing attention and outrage amongst freedom of speech advocates while simultaneously only further fuc-boeling C-BO's notorious reputation amongst hardcore rap fans.

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AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP: 01:09:09

Posted by Billyjam, January 9, 2009 06:06am | Post a Comment
Amoeba Music San Francisco Hip-Hop Top Five: 01:09:09
keak da sneak and san quinn
1) Keak da Sneak & San Quinn
 
Welcome To Scokland (Ehustl)

2) San Quinn From A Boy To A
Man
(SMC/Fontana)

3) E40 The Ball Street Journal
(Sic Wid It/Warner)

4) Common Universal Mind  Control (Geffen)

5) Messy Marv Draped Up &
Chipped Out 3
(Scalen)
 
Thanks to Luis at Amoeba Music Sam Francisco for not only providing the Amoeblog with this first hip-hop top five of 2009 but also for being instrumental, through his dedication to local music as hip-hop buyer at the Haight St. store, in the healthy representation of Bay Area hip-hop on this weekly chart. Four of the five new album entries, including the king of the Bay E40 and his latest The Ball Street Journal, are homegrown rap recordings. Only Chicago's Common (and his December 9th release Universal Mind Control) hails from beyond the Yay Area. The number one seller is the hands-across-the-bridge (Bay Bridge) collaboration, appropriately titled Welcome To Scokland, between two of the Bay's best longtime rap acts, Oakland's Keak da Sneak (who recently dropped his own new solo album, Defied, and who will be interviewed in an upcoming Amoeblog) and prolific San Francisco rapper San Quinn.

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BAY AREA HIP-HOP ARCHIVES: APRIL 1996

Posted by Billyjam, July 10, 2008 11:32am | Post a Comment

Lately I've been digging in my archives, specifically my Bay Area Hip-Hop archives, and it has been fun going back over all of this great music which, as is often the case, is hard to completely absorb and fully appreciate the significance of right as it is all happening around you. This Bay Area hip-hop archival from a dozen years ago, including the video above for Mac Mall's great single from that time, "Get Right," is the first in a series of hip-hop flashbacks from the Bay Area hip-hop archives that I have accumulated since the mid-eighties. This specific time-encapsulated slice of Bay Area hip-hop is from the the week of April 6th, 1996.
Tupac Shakur
It includes a Bay Area Top 50 chart (singles & albums & demo tapes -- all subjectively chosen) and a Bay Area Rap News headlines report -- both taken from the Hip Hop Slam produced radio show ("Pirate Fuckin Radio") I did at the time that was broadcast on a bunch of small micro-powered radio stations (aka pirate radio) including Free Radio Berkeley, Steal This Radio in New York City,  San Francisco Liberation Radio, Free Radio Santa Cruz, KBUD Mendocino, 89.1FM Seattle, Flavor 919 and 909 The Bomb in Miami, and Black Magic Radio in Fresno. 

Also included are certain album covers and videos. But what is most interesting about this chart from a dozen years ago is that it captures the roots of the current hyphy movement and other contemporary Yay Area rap styles. Note that Master P, his TRU (The Real Untouchables) crew and No Limit Records (later to blow up back down in New Orleans) were still a Bay Area outfit. Then, as now, women were in the minority in the local rap game. However, those that did represent, including Suga T, Conscious Daughters (see video for "Gamers" below), and Sh'Killa (self-described "gangstrez from da Bay") were all respected, empowered women artists who didn't feel the need to flaunt their sexuality in exchange for fame in the rap game.

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