Mothers make music possible. For most of us, the first music to bring melody to our ears is the sound of our mothers singing lullabies to us in the womb or as we fall asleep at night. In honor of Mother’s Day, here are some of our favorite tributes to moms and motherhood.
Our friends at Goldenvoice just announced a Coachella-like concert in the desert this fall featuring the Gods of Classic Rock, so it’s only right that we include a couple of songs from those artists in our Mother’s Day tribute. Pink Floyd’s Roger Waters is set to headline day three of the Desert Trip festival with The Who in Indio, Calif., Oct. 9. In 2009 Waters spoke about the inspiration behind Pink Floyd’s song “Mother.” He told Mojo:
"The song has some connection with my mother, for sure, though the mother that Gerald Scarfe visualizes in his drawings couldn't be further from mine. She's nothing like that."
He went on to say: "My mother was suffocating in her own way. She always had to be right about everything. I'm not blaming her. That's who she was. I grew up with a single parent who could never hear anything I said because nothing I said could possibly be as important as what she believed. My mother was, to some extent, a wall herself that I was banging my head against."
For more about the Desert Trip festival in October, visit DesertTrip.com. Ticket sales began today.
Digital Underground was not merely an amazing funk fueled hip-hop crew out of the Bay. They were also the pranksters of hip-hop. D.U. member DJ Fuze recalls what may have been their best public prank from back in the day on a visit to New York City. It was one of the times they played the famed Apollo Theatre in Harlem. "Hosted by Mark Curry, during the Amateur Night part, we came out with bags over our heads as The Unknown Rappers. We got booed and Sandman started pulling us away. Then the curtains opened revealing Digital Underground band to a huge applause, followed by a great performance of "Kiss You Back" and later "No Nose Job." We basically beat the Apollo crowd at their own game," Fuze told the Amoeblog recently when we caught up with the longtime Bay Area (East Coast transplant) hip-hop producer and turntable artist.
The Syracuse NY DJ born David Elliot is known for a myriad of associations and projects over the past three decades but most notably for his membership of both Digital Underground and related duo Raw Fusion with fellow D.U. member Money B. In addition to his membership of D.U. and Raw Fusion, Fuze, who is a trained chef as well as turntablist, is also known for his production and performance DJ work with such artists as fellow Bay Area hip-hop acts The Luniz, Dru Down, and comedian Dave Chappelle with whom he has done a ton of shows over the years (since Chappelle left his TV show). Fuze just did 15 shows with Chappelle in Chicago. He opens for him at the Punch Line in SF tomorrow (Jan 7). Bay Area clubbers know DJ Fuze for his eclectic solo DJ sets including his residency at Oakland's SomaR bar in the Uptown district where he spins African amongst other styles.
Rest in peace to Bay Area hip-hop producer Deon Evans (aka Big D, aka Big D The Impossible). He was known widely for his production work with Tupac Shakur in crafting such timeless 2Pac tracks as "If My Homie Calls" and "Brenda's Got A Baby" (co-produced with Underground Railroad), which was the lead first single off the rap icon's 1991 debut album 2Pacalypse Now.I got the sad news earlier this morning from longtime Oaklander Craig "C-Note" White, whose credits include working with Mac Mill back in the day when he was a part of the tight-knit East Bay rap scene along his old friend Deon Evans. This morning C-Note confirmed that Evans, who reportedly had a history of kidney and heart related health problems, had passed away sometime overnight. Even more tragic is the fact that the multi-platinum hip-hop producer was still a relatively young man of 45 years old.
Back in the day, Deon Evans was part of the East Bay hip-hop fabric and working with other artists such as Berkeley rapper/producer Clever Jeff. He also contributed to Digital Underground and was a part of the extended family. DJ Fuze and Money B used to live a couple of blocks away and were always hanging out. His older brother James ran with the DU crew. The two appear in Digital Underground's "DooWutchYaLike" video. Pac was a part of that musical family too, and it is in hip-hop history books that Deon Evans' legacy will be mostly forever interlocked with Tupac's name. The list of 2Pac classics Evans produced includes "Changes," "Ghetto Gospel," "Papa'z Song," and "Point The Finga" with the latter two both off Strictly 4 My N.I.G.G.A.Z. On that 1993 2Pac album Evans went by his Big D the Impossible handle, and under it he also co-produced with Pac the album track "Something 2 Die 4."
From when they first formed in the East Bay in the late 1980s, the funk/rap/hip-hop ensemble Digital Underground (DU) was as much a collective of creative-minded artists as simply a singular rap group. As such, these young P-Funk disciples tended to have an ever-rotating stable of members and associated artists. Digital Underground, whose consistent core members over their two-decade timeline were Shock G(aka Humpty Hump, aka M.C. Blowfish) andMoney B, spawned several spinoff acts in their prime years (circa '88 - '93) that included most notably a dancer and roadie turned actor and rap superstar Tupac Shakur or 2Pac, Raw Fusion (DJ Fuze and Money B), Gold Money (who were also signed to Tommy Boy for a minute, but long enough to do the cool money-themed promo items pictured below), Saafir (f/k/a The Saucy Nomad), female emcee/singerMystic (who was also down with Conscious Daughters), and Pee Wee. Pee Wee, who was part of the aforementioned Gold Money along with Bigg Money Odis, would go on to produce for 2Pac as well as being a member of another Bay Area collective, Too $hort's extended Dangerous Crew rap family.