
American composer Vic Mizzy, best known for his absolutely note perfect theme songs for such iconic 1960’s television shows as The Addams Family and Green Acres, died of heart failure this past weekend at his home in Bel-Air. He was 93.
Mizzy’s brilliance has been indelibly etched in television history with his ability to accentuate the quirkiness of those shows with his own offbeat, clever sensibility. "They're creepy and they're kooky, mysterious and spooky, they're altogether ooky: the Addams family."
Born in Brooklyn on Jan. 9, 1916, Mizzy’s first instrument was a toy accordion, later he learned to play a real one along with the piano. When he was 14, he met fellow Brooklyn native Irving Taylor, the two began a successful writing partnership that continued while Mizzy attended New York University and through the Second World War when both Mizzy and Taylor served in the Navy. They co-wrote a number of hits, including "Three Little Sisters," There's a Faraway Look in Your Eye," and "Pretty Kitty Blue Eyes," and
"Take It Easy." After the war, with another songwriting partner, Mann Curtis, Mizzy wrote more hits like "My Dreams Are Getting Better All the Time," "The Whole World Is Singing My Song," "Choo'n Gum" and "The Jones Boy." His songs were recorded by celebrated pop vocalists like the Andrews Sisters, the Mills Brothers, Doris Day, Dean Martin, Perry Como and Billie Holiday.
"Take It Easy." After the war, with another songwriting partner, Mann Curtis, Mizzy wrote more hits like "My Dreams Are Getting Better All the Time," "The Whole World Is Singing My Song," "Choo'n Gum" and "The Jones Boy." His songs were recorded by celebrated pop vocalists like the Andrews Sisters, the Mills Brothers, Doris Day, Dean Martin, Perry Como and Billie Holiday.
However, he found his greatest success in his television work. Mizzy first wrote themes for the Shirley Temple Storybook, “The Enchanted Melody,” and The Richard Boone Show, but it was his ghoulishly fun theme song for the television classic The Addams Family that won him lasting fame. Based on Charles Addams' macabre New Yorker cartoons, it starred John Astin as the twistedly dapper Gomez Addams and Carolyn Jones as his sexy and devastatingly beautiful wife Morticia Addams. Mizzy chose to play a harpsichord to help conjure up the bizarrely unconventional air; he also punctuated the rhythm with some cool proto-b
eatnik finger-snapping which helped to define the peculiar humor of the show. When Filmways, the production company, refused to pay for vocalists, Mizzy simply overdubbed himself singing and looped in actor Ted Cassidy, who portrayed the butler Lurch, for the "neat, sweet, petite" section. Mizzy’s underscores were as comical as his themes; he had a knack for enhancing the lunacy of the characters and the situations with just the right instrumentation, just the right melody.
eatnik finger-snapping which helped to define the peculiar humor of the show. When Filmways, the production company, refused to pay for vocalists, Mizzy simply overdubbed himself singing and looped in actor Ted Cassidy, who portrayed the butler Lurch, for the "neat, sweet, petite" section. Mizzy’s underscores were as comical as his themes; he had a knack for enhancing the lunacy of the characters and the situations with just the right instrumentation, just the right melody.The following year Mizzy composed the title song for Green Acres, the 1965-71 comedy starring Eddie Albert and Eva Gabor. For the Green Acres theme, Mizzy used the unique combination of a bass harmonica and a little fuzz laden guitar and an electric bass clarinet to create the loopy hoedown vibe. He also flawlessly explained the entire back story in the lyrics -- definitely a lost art! -- of the wealthy Oliver and Lisa Douglas chucking away their New York penthouse lifestyle so that Oliver could live out his fresh air dreams and be a farmer. One of Mizzy’s most brilliant moves, financially speaking, was retaining the publishing rights to Green Acres and The Addams Family themes. Not only have they both been in constant reruns for over four decades, but ownership enabled him to license them for use in commercials (like the recent M&Ms ads that featured the Addams Family theme). As he always joked, a couple of finger snaps paid for a real good life in Bel-Air.



circumnavigation? Yea, tho' I walk thru Rudy Valle, I will fear no Evel Knievel. Junk food made me silly; fast food slowed me down; I had to get off at the next stop. I alighted to the sound of a military bandit.
d for good measure threw in some health tips for the youngsters.


Federal Maritime Commission. Nixon also addressed the nation about domestic programs and a tax reform bill following its passage by the House of Representatives.
envisioned the ghoulish Southern-style mansion even before the park opened in the 1954. The Haunted Mansion was originally seen as a walk-through experience, with cast members walking their guests /victims from one scene to the next as the netherworld unfolds. “Welcome fooolish mortals to the Haunted Mansion. I am your host, your ghost host. Ha, ha, ha, ha ...”
Springs, Colorado, and climbs over 7,700 feet to the peak at 14,115 feet, was won by Steve Gachupin, who in his career would win the event 6 times in his 21 tries up the mountain.
Rosemary. Killed in a similarly ghastly manner, this time a fork was used to carve the word WAR on Leno LaBianca’s stomach and left sticking out of his corpse. Authorities would take nearly four months to track down Charles Manson and his Family. And when they were arrested and prosecuted, the world discovered a terrifying mix of a counterculture gone mad and staggering mind-control. Manson, Charles "Tex" Watson, Susan Atkins, and Patricia Krenwinkel's trials ended in 1971; they were all given the death penalty, though later that was over-turned by the state of California, commuting their sentences to life in prison. Another family member, Linda Kasabian, who stood watch at the Tate house, turned states evidence and served no time.
deal from a producer who used to live there, Terry Melcher, the son of Doris Day, and Manson knew the layout of the house. Past residents included Cary Grant and his wife Dyan Cannon, Henry Fonda, Mark Lindsay from Paul Revere & the Raiders and Candice Bergen. The final resident of the original Cielo Drive house was Trent Reznor of Nine Inch Nails, who moved into the house in the early 1990s and built a recording studio there. The studio dubbed Pig, or sometimes Le Pig, was an allusion to the fact that Susan Atkins wrote "Pig" in Tate's blood on the front door of the house during the murders. The Nine Inch Nails ep Broken and their classic 1994 album The Downward Spiral were recorded there, as well as Marilyn Manson's debut album Portrait of an American Family. In December 1993 Reznor moved out of the house, taking with him the original front door, explaining that "there was too much history in that house for me to handle." He insists that he didn’t know about the murders when he bought the house, though I thought there was a law on the books requiring brokers to tell buyers about crimes that may have taken place in a home; the real estate term is ‘stigmatized properties.’ Then again, what do I know? In the late 1990’s the house was demolished and replaced with a new mansion and a new street address of 10066 Cielo Drive.

