When I was growing up, my grandmother had a pretty good record collection. She owned all the albums you’d expect from a former party girl-Hollywood starlet-blonde bombshell who liked her mixed tropical drinks: Yma Sumac, Chaino, Esquivel, Julie London and of course every Martin Denny, Arthur Lyman and Les Baxter you could find at the May Company on Wilshire and Fairfax. And when I got little older, I dug a little deeper and conveniently found all her stag party albums on Fax Records featuring cover art of lovely and beautifully naked women, and at age eight discovered the musical charms of Terri “Cupcakes’ O’Mason! … but I digress! The best records she owned, that for me have stood the test of time, were the Tom Lehrer Albums.
Music historian, record geek and novelty song guru, Dr Demento, has called Tom Lehrer “the best musical satirist of the 20th Century”. Even Mr. Lehrer, a Harvard Graduate, who taught mathematics at UC Santa Cruz until retiring in 2001, has been somewhat amused by the longevity and impact of his music career, though he retired from that vocation back in the Sixties. He’ll be the first to point out that his ‘career’ consisted of 109 live shows and the writing of 37 songs in a twenty years span! But these aren’t just any old songs! Songs like “Poisoning Pigeons in the Park”, “I Hold Your Hand in Mine”, “The Masochism Tango” and “The Vatican Rag” are all timelessly classic, (at least in my interpretation of the construct called the space-time continuum, being three-dimensional and timelessness plays the role of the fourth dimension-- actually I should just ask a mathematician about that…)