When it comes to "essential" hip-hop records they don't come much more essential than Nas' 1994 landmark, ten-track debut album Illmatic. The album's 20 year anniversary is being celebrated in grand style this year with a nice vinyl reissue of the album, the recent theatrical release of the award winning documentary about the album, Time Is Illmatic (see trailer below), and an ongoing tour by the famed Queensbridge emcee - fittingly titled the Time Is Illmatic Tour - in which the emcee performs the entire album in track-listing order following a screening of the new documentary. Nas' current California tour dates include two nights at the Fox Theater in Oakland (Oct 19 & 21) and two nights at the Orpheum Theatre in LA (Oct 18 & 22).
With that in mind, however, kindly allow me briefly add to the conversational clutter concerning mod, as its evolution is tied closely to that of the minet. Although today mod is often characterized as a mid-60s, working class subculture fueled by the holy trinity of amphetamines, scooters and soul music, it first appeared in the late 1950s when a largely middle class group of mostly Jewish teenagers with families in the clothing business and for whom the chosen drug was apparently coffee. Modernists, as they then to themselves referred, championed modern jazz over trad jazz (which was championed by the Acker Bilk-listening, bowler-hatted, beer-swilling, baggy sweater-and-duffle coated trads). Sharing their love of modern jazz were the beatniks, but their beardy, black, cultivated scruffiness was rejected in favor of the natty continental style associated with untouchable icons of French cool like Jean-Paul Belmondo and Alain Delon.
Calling all Jazz vinyl hounds! A fantastically huge and choice used LP collection pressed in the late 1950s to the late 1960s hits the floor here at Amoeba SF this Saturday, October 11th. Expect true gems on Impulse, Blue Note, Verve, and Prestige from artists like John Coltrane, Shirley Scott, Donald Byrd, Stanley Turrentine, Red Garland, Lee Morgan, Miles Davis, Sonny Rollins, Wayne Shorter, and so many more.
The LPs are in excellent condition and they won't last long! Come early for the best selection.
The year was 2003. I was a 22-year old musician living in Silverlake, playing in a band and chasing the dream. I was taking in heavy doses of Stevie Wonder and anything I could find from Salsa greats Willie Colon and Hector Lavoe. At that time, my whole musical world was Soul, Salsa and Hip Hop. The Roots' Things Fall Apart and Mos Def's Black on Both Sides were still in heavy rotation from my college Freshman days of 1999.
I vividly remember my friend Jesus Beas telling me about this new band I should check out. He said they were called The Mars Volta and some of the guys were in a band called At The Drive-In. I had never heard of either band, but I knew it was worth my time to take a listen. Jesus and I had been friends since 9th grade and he had always turned me on to bands I ended up loving (mostly underground politically charged rock groups like Aztlan Underground and Downset).
|Hanni El Khatib|
Hanni El Khatib released a batch of catchy garage-rock tunes last year called Head in the Dirt, produced by The Black Keys’ Dan Auerbach. Read my interview with him here, and check out his episode of “What’s In My Bag?” below:
Hanni El Khatib - What's In My Bag?
Watch and comment on YouTube