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Music History Monday: July 21

Posted by Jeff Harris, July 21, 2014 07:25am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: July 21, 1948 - Singer, songwriter, musician, and humanitarian Yusuf Islam (aka Cat Stevens, born Steven Demetre Georgiou in Marylebone, London, UK.). Happy 66th birthday, Yusuf/Cat!
 


On this day in music history: July 21, 1972The Slider, the seventh album by T. Rex is released. Produced by Tony Visconti, it is recorded at Rosenberg Studios in Copenhagen, Denmark; Château d'Hérouville in Paris, France; and Elektra Studios in Los Angeles from March - April 1972. Issued as the follow up to band's glam classic Electric Warrior, Marc Bolan and the band will begin recording at the Château d'Hérouville outside of Paris on the recommendation of his friend Elton John, while on tax exile from the UK. The basic tracks will be completed in only five days, before moving on to other studios in Denmark and the US to complete the overdubs and mixing. The album will spin off the hit singles "Metal Guru" and Telegram Sam." The album's iconic cover photo is taken by producer Tony Visconti (though on the original album cover it is erroneously credited to Ringo Starr who at the time is directing a concert film featuring Bolan and T. Rex titled "Born To Boogie"). The Slider will peak at number four on the UK album chart and number 17n on the Billboard Top 200.
 

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 3 featuring Dan the Automator

Posted by Billyjam, July 19, 2014 01:31pm | Post a Comment
           


With just a little over one week left to the wonderful Amoeba Music sponsored record / vinyl themed exhibit Vinyl: The Sound and Culture of Records at OMCA this is part three in the Digging In The Crates Amoeblog series dedicated to some of the curated crates that are currently on exhibit (but only through next weekend, Sunday July 27th) at the Oakland Museum of California as part of its excellent interactive Vinyl exhibit which has been there for three months and is well worth checking out. For this installment we focus on (scroll down to see) San Francisco producer Dan Nakamura - aka Dan the Automator - who coincidentally later today (July 19th) will be doing a free outdoor show at 7pm at Prospect Park in Brooklyn, NY along with  fellow Deltron 3030 members Kid Koala and Del The Funky Homosapien plus the Deltron 3030 Orchestra.

For his curated crate picks (which overlaps a bit with his above Amoeba WIMB? clip) at the OMCA Vinyl exhibit the prolific producer chose a combination of some of his all time favorite releases such as Eric B and Rakim's Paid In Full and The Beach Boys'  Pet Sounds (his number one top pick), as well as many of the countless releases that the prolific producer has been personally involved in over the years such as Cornershop's  When I was Born for the 7th time on which he is the producer, Handsome Boy Modeling School of which he is one-half along with Prince Paul, The Gorillaz whose first album he produced, Jamie Cullum's Catching Tales on which Nakamura does beats and programming, Kasabian's West Ryder Pauper Lunatic Asylum that he produced, Lovage which is the producer along with Mike Patton and such other collaborators as (again fellow Deltron 3030 member) Kid Koala, and Jennifer Charles, and Anaïs' The Love Album via Polydor France released in 2008 that he also produced and is in the same musical vein as his forthcoming latest project, Got A Girl along with vocalist Mary Elizabeth Winstead, that will be arriving in Amoeba this coming Tuesday (July 22nd, 2014) via his long running San Francisco based label Bulk Recordings. What's crazy is that he didn't even get to include one of his best (and earliest) releases - one that I included in the crate I curated at the OMCA exhibit - his 1989 early breakbeat/battle record Music To Be Murdered By.

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New Vinyl Releases at Amoeba Hollywood 7/18 - Dj Slugo, Todd Osborne, Budgie and more

Posted by Oliver / Matt / Jordan, July 18, 2014 03:33pm | Post a Comment

Budgie - The Budgie EP

Budgie

The Budgie EP 12"

Wildheart

Nice addition to the canon of rare groove/hip-hop inflected music that is equally suited for home listening or warm-up sets. Budgie is formidable/session man and record collector, and it shows in these ornate boogie/funk influenced instrumentals. "Full Moon" and "Clevage" are top notch soul-sample beats, a looser, more psychedelic version of the sound that brought Kanye West to massive fame. For fans of Andres, Floatin Points.

Buy The Budgie EP 12"

 

Shift Work - Scaled to FitShift Work

Scaled to Fit 12"

Optimo Music

Very cool wavo-inflected release on Optimo Music. "Patience (JD Twitch Edit" moves along with a nice arpeggiated bass line and some unintelligble post punk vocals. The rigid arpeggiation and early 80s feel remains throughout, with tracks like "[Less] Merchandise]" adding to the political vibe and bringing in a bit of melody. 

Buy Scaled to Fit 12"

 

 

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Weekly Roundup: Christopher Owens, The Donkeys, The Aislers Set

Posted by Billy Gil, July 18, 2014 12:23pm | Post a Comment

Christopher Owens – “Nothing More Than Everything to Me” video

christopher owensI randomly this week put on Girls’ first album, Album, expecting it to not age as well as it has in the past few years. But it really is the perfect summer album. Since that band’s demised, Girls singer Christopher Owens released an underrated solo album, Lysandre, and now has a new album on its way called A New Testament. The country and gospel touches that were prevalent on his last album and the second Girls album, Father, Son, Holy Ghost, are here but twanged up a bit and honed down to a bite-sized portion, sounding not unlike a cleaner version of something that would’ve been on the breezy Album. See Owens play as house band for a kids’ dance in the video below for “Nothing More Than Everything to Me.”

 

The Donkeys – “Scissor Me Cigs” video

the donkeys ride the black wave lpSan Diego’s The Donkeys produce a melancholic surf rock on their recently released Ride the Black Wave album that suits the sleepy “second city” of Southern California well. The video for “Scissor Me Cigs” showcases another record store, M-Theory of San Diego, as well as the band’s hometown with a kind of hazy Sunday afternoon feel.

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Hip-Hop Rap-Up, Week End 07.18.14: Madlib, Z-Man, Deltron 3030, DJ Woody, Hieroglyphics, Kid Vishis, Sir Michael Rocks + more

Posted by Billyjam, July 18, 2014 11:00am | Post a Comment
Amoeba Music Hollywood Hip-Hop Top Five Week Ending 07:11:14


1) Madlib Rock Konducta 1 & 2 CD (Madlib Invasion)

2) Madlib Rock Konducta Pt 2 (LP) (Madlib Invasion)

3)  Quasimoto "Planned Attack" / Talkin' Shit" [Picture Disc] (7") (Stones Throw)

4) Riff Raff Neon Icon (Mad Decent)

5) Blu Good To Be Home (Universal)

 
Holding down three of the five positions in the latest hip-hop chart from Amoeba Hollywood is Madlib. In the first two slots are a couple in Madlib's new ongoing Rock Konducta series (Rock Konducta Vol 1 & 2 CD and Rock Konducta Pt 2 LP) which began last year's five-track Rock Konducta 45. Note that they are available in both single volume LPs One and Two and as a double CD set (52 tracks total). An offshoot of the renowned producer's Beat Konducta series these two first full-length volumes, which are rock instrumentals (some instantly recognizable, most not as they are underground ranging from prof to psychedelia to Krautrock and beyond) all given that special Madlib treatment. Clocking in at about 40 minutes per volume with 20 plus tracks they are all totally tweaked out in Madlib's distinctive production style. IE must get material! And knowing the ever prolific producer's track record my bet is that this new Madlib series could well go on for another dozen installments. Read more on these releases on the Stones Throw website. The other Madlib entry is the 7"  picture disc single from Madlib alter-ego Quasimoto (aka Lord Quas) "Planned Attack" / Talkin' Shit" culled in part from the album Yessir Whatever. Other chart entries this week include Riff Raff's Neon Icon care of Diplo's Mad Decent imprint, and Blu's Good To Be Home care of the major label Universal Records.  Bout time the mainstream caught up with Blu!

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