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New Dinosaur Jr. Album on Translucent Blue Vinyl Amoeba Exclusive

Posted by Amoebite, May 24, 2016 11:27am | Post a Comment

We're thrilled to announce the pre-order of the new Dinosaur Jr. album, Give a Glimpse of What Yer Not, on translucent blue vinyl available exclusively at Amoeba.com! The blue vinyl is limited to 500 pieces, so pre-order it while you can.

Give a Glimpse of What Yer Not, due out August 5th on Jagjaguwar, is the band's first album of new material since 2012's I Bet on Sky.

translucent blue vinyl

Dinosaur Jr Give a Glimpse of What Yer Not vinyl lp album cover

 

And if you haven't seen our "What's In My Bag?" episode with J Mascis:

 

 

The Beach Boys' Pet Sounds 50th Anniversary Reissues Out June 10

Posted by Amoebite, May 23, 2016 12:31pm | Post a Comment

Beach Boys Pet Sounds 50th Anniversary Reissue

Wouldn't it be nice to hear Pet Sounds for the first time again? Well, next month you can experience the next best thing. In commemoration of the monumental album's 50th anniversary The Beach Boys and Capitol Records are re-releasing it in four different editions, some of which include studio outtakes, alternate mixes, and unreleased live versions. What's more Brian Wilson is now on a world tour playing the album in its entirety. Catch him in Los Angeles at the Hollywood Bowl, Jul 10 and in San Francisco at The Masonic, Oct 12-13.

When Pet Sounds was released May 16, 1966 its reception was mixed. The 11th album for the already popular group garnered little critical and commercial success in the States, while in England it was hailed by the music press and hit the number 2 spot on the Top 40 charts. One Mr. Paul McCartney was so impressed with it the album became the main influence on his band's next record, a little thing called Sgt. Pepper's Lonely Hearts Club Band

Beach Boys Pet Sounds 50th Anniversary Amoeba MusicWhile it may be a little hard to imagine today, the radical arrangements, un-rock-like orchestrations, and wildly inventive production coupled with subject matter that was less cheery and more introspective than your average pop album of the day, was a lot to take in for some who were just looking for the next fun surf track to dance to down at the beach shack. However Pet Sounds paved the way for the idea that a rock album could be more than a mere collection of singles, but a cohesive piece of art. Brian Wilson's production on the album would open up creative possibilities we take for granted now, would influence all kinds of musical genres, and would bring the concept of production into the mainstream consciousness as an essential part of an album.

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Exotic Ten-Inch LPs of Eastern Europe (...and a few others)

Posted by Rick Frystak, May 23, 2016 01:34am | Post a Comment

Through the years of collecting and working with vinyl, I've always been enchanted with attractive, forward-thinking album artwork and design. I can still say that to this day I will still buy a record because of its stunning artwork, without regard for the content. These records are wonderfully tactile, touchable things with graphic design that stands out, screams out to be held and admired, displayed or even framed, in addition to being nurtured in one's carefully curated collection.

In 2012, Amoeba bought a record collection in New York (it's here) that contained some absolute gems of 1950's record cover design on 10-inch Long Play (LP) discs.. I stashed some of the most interesting designs as I went through the collection for us to peruse here. Conceived shortly after the 7-inch Extra Play (EP) era, these covers virtually attack one's visual senses, created in such a way by these labels as to literally command a person to pick the thing up! Imagine a record store back then displaying these gems next to a rather austere Perry Como record!  

Never have I encountered more captivating packaging than these 10-inch "Long Players" from eastern Europe, mostly on the Supraphon (Czech) or Melodiya (Russia) labels. The paper quality feels absolutely sublime on the fingers, and some of these covers are actually stitched together! Just holding these records sends me back in time to my Czech brothers-in-music! These are true mid-century iconic designs.

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Bay Area DJ News: Piklz in San Mateo, Deco All-Star Reunion, DJ Quest @ Carnival, DJ ALF in SF, Skratchpad, Mista B, True Justice

Posted by Billyjam, May 22, 2016 10:05am | Post a Comment

This is a good week for Bay Area fans of hip-hop DJs with lots of must attend turntablist events in the week ahead in the San Francisco Bay Area. These include the return of legendary SF 90s DJ club Deco, DJ Quest (pictured left @ Amoeba) curating a stage at next weekend's Carnival on day two May 29th, and Maryland DJ ALF flying out to SF for various events including the monthly Skratchpad and teaming up with Mista B and others including the aforementioned Quest and Six Kutter and DJ Zobe at DJ 2Fresh's new spot Gallery 1317 for session and screening of Positive Omen (see flyer below for info). Additionally in Bay DJ news long time Bay Area True Justice releasing an album on Paris' label, and the return of the mighty ISP.

The much heralded recent return of the Invisibl Skratch Piklz (ISP) has been taking full effect this weekend with the pioneering Bay Area turntablist crew's reunited members representing at the the Maker Faire in San Mateo. The official reunited ISP lineup, who recorded the new 2016 ISP album The 13th Floor, is the trio of DJ Qbert, Shortkut, and D-Styles who are pictured above this afternoon along with former ISP member Yogafrog who handles more of the business and management areas these days. In fact it is Yogafrog who, along with Qbert and others at their  Thud Rumble company, that masterminded the turntablism meets high-tech collaboration with Intel that landed them a spot at the Maker Faire a year ago exactly.

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Album Picks: Marissa Nadler, Methyl Ethel

Posted by Billy Gil, May 20, 2016 08:53am | Post a Comment

Marissa NadlerStrangers

marissa nadler strangers lpMarissa Nadler’s latest is one of her best yet, adding a little warmth to her haunting rendition of goth-Americana. Whether she’s playing vague with evocative line, as in “Divers of the Dust” (“the waves were screaming/city streets/you look out the window to see/seven lines of stunted trees”), or singing directly, as in “Katie I Know” (“it’s hard to know when to let go/cause I can bury this heart of mine”), Nadler’s words and voice cut deep. Musically, Strangers is a blend of old and new sounds, but the mixture works. “Hungry Is the Ghost” effuses spectral beauty, with slowcore guitars and swelling cosmic sounds, balancing out a song like “Skyscraper,” which is full of spare acoustics and medieval flutes. Though the feel is wintry as per her usual style, “All the Colours of the Dark” is actually one of the sweetest sounding songs Nadler has put to tape, full of genteel fingerpicking, Southern sounding strings and layered organ and piano. Wading through the album’s melancholia, which is pleasurable in its own way, it gives way to the sighing steel guitars of the title track, as well as perhaps her best song yet, “Janie in Love,” in which her swooping, birdsong voice calls out in shudder-inducing beauty, “you’re a natural disaster, and I am watching you blow up everything, you touch and the earth will crumble.” Though bleak, Nadler’s previous albums have never been short of stunning. This time, the music offers not just commiseration but light at the end of the tunnel.

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