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Music History Monday: November 17

Posted by Jeff Harris, November 17, 2014 10:14am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: November 17, 1962 - "Big Girls Don't Cry" by The Four Seasons hits #1 on the Billboard Hot 100 for five weeks, also topping the R&B singles chart for three weeks on the same date. Written by Bob Crewe and Bob Gaudio, it is the second consecutive chart-topping single for the New Jersey-based quartet fronted by singer Frankie Valli. The song's title is inspired by a line in the 1955 western Tennessee's Partner in which the actor John Payne slaps actress Rhonda Fleming in the face, and she replies, "Big girls don't cry." Like its predecessor "Sherry," it will storm the charts quickly. Entering the Hot 100 at #66 on October 20, 1962, it will zoom to the top of the chart just four weeks later. Twenty five years after its original release, the song will also be heard in the film and featured on the soundtrack to Dirty Dancing. "Big Girls Don't Cry" is certified Gold in the US by the RIAA.
 


On this day in music history: November 17, 1971 - Live-Evil, the 38th album by Miles Davis, is released. Produced by Teo Macero, it is recorded at The Cellar Door in Washington DC on December 19, 1970, and at Columbia Studio B from February - June 1970. The half live/half in-studio recorded double LP set consists of eight extended electric based jams featuring Davis supported by musicians such as Herbie Hancock, Chick Corea, John McLaughlin, Michael Henderson, Jack DeJohnette, Billy Cobham, Wayne Shorter, Dave Holland, Airto Moreira, and Keith Jarrett. Originally conceived as a continuation of the landmark Bitches Brew, it will differ greatly from its predecessor by incorporating more rock and funk elements. It will be well received upon its release and is considered a pioneering jazz/funk recording, as well as one of the cornerstones of Davis's "Electric Period." The album's distinctive cover art was created by artist Mati Klarwein, best known for cover art on Bitches Brew and Santana's Abraxas. Davis will tell Klarwein that he wants something representing "life" on the front cover, and something representing "evil" on the back. The front will feature a painting of a pregnant African woman, while the back features a grotesque looking amphibian like creature in a powered wig clutching its belly. The latter painting is inspired by a picture that the artist sees of infamous FBI director J. Edgar Hoover on the cover of Time Magazine. "Live-Evil" will peak at number 125 on the Billboard Top 200 and number four on the Jazz chart.
 

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Next Sidewalk Sale Features Deals on Vinyl, Blu-ray and More Nov. 22

Posted by Amoebite, November 17, 2014 09:00am | Post a Comment

Sidewalk Sale at Amoeba Hollywood

It’s time once again for a Sidewalk Sale at Amoeba Hollywood! Our next one takes place Saturday, November 22 from 12 to 5 p.m.

We’ll be featuring the following deals:

  • Clearance LPs priced to move
  • DVDs for $3, or buy three get one free (excluding DVD box sets)
  • DVD box sets at $7, or two for $10
  • Blu-rays at three for $12
  • Books and comics at three for $1
  • Stickers and buttons at two for $1
  • Classical deals

And more!

Come by and pick up some fresh goodies from Amoebal!

Sidewalk Sale at Amoeba Hollywood

Joel Jerome Chats With the Amoeblog Before His Performance Nov. 18 at Amoeba Hollywood

Posted by Billy Gil, November 14, 2014 03:45pm | Post a Comment

joel jeromeJoel Jerome has been one of the best songwriters in L.A. for years under a number of guises—with his bands, dios, dios (malos) and Babies on Acid. Recently, he’s been going under his own name, under which he’s released the Beck covers album When Beck Was Cool and now a collection of his own songs called Psychedelic Thriftstore Folk. It’s perhaps the most direct and honed release he’s put out yet, consisting of songs new and old that have been whittled down to pop perfection in his home studio in Echo Park. I caught up with him a bit before his Amoeba Hollywood performance Nov. 18 at 6 p.m. Instead of teasing you with some “quirky” factoid about our interview, why don’t you just take two minutes and read it??

What made you change the name under which you record, from dios/dios malos to Babies on Acid and finally Joel Jerome?

Joel: I finally decided to have everything I do under one umbrella, one name, since I write, arrange, produce and record all my music. I decided to just have it under my name so I could have the freedom of having different players for different shows. I’m the one busting my ass for this, so I may as well take full responsibility and have it all go under my name.

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New Vinyl and CD Releases At Amoeba Hollywood 11/14 - Jacques Renault, Nicuri, Bookworms and more!

Posted by Oliver / Matt / Jordan, November 14, 2014 02:47pm | Post a Comment

VA - Tokyo Impressions

Various Artists

Tokyo Impressions 12"

Junk Yard Connections

So the story goes like this -- Mr. Tophat was shopping at Tokyo's vaunted vinyl output Diskunion and sees a fellow shopper carrying his record. He strikes up a conversation and eventually receives these excellent tracks, excellent house from an island that's still mysterious to many. The real highlight here is Butagoya an ace Detroit beatdown style roller with an odd jazz break in the middle. The final track, Kauboihatto by Okita Takamori is a cool martial post-punk bit.

Buy Tokyo Impressions 12"

 

Jacques Renault - Out Of Sync EPJacques Renault

Out of Sync 12"

Let's Play House

The New York producer and DJ comes out swinging on this one, with the help of analog guru Andy Meecham (Emperor Machine)I Like It is a warm yet alarmist house track, with a big fat analog bassline and detuned piano break. "Make Up's" got a totally convincing italo-arpeggio, which Renault bones out as the track does on -- equally pretty and functional. "M.A.N.'s" more in a '90s, Nu Groove style way, Burrell style catchy deepness.

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Top 10 Domino Releases

Posted by Amoebite, November 14, 2014 01:31pm | Post a Comment

Domino Records

For over twenty years, Domino Recording Co. has been one of the most celebrated and creative forces in the world of independent music. Founded in 1993, the London-based label started off by licensing works from acts signed to American record companies for release in the UK. Since that time, they've opened an office in Brooklyn and established the divisions Domino Deutschland and Domino France. Their stable of artists includes some of the most inventive, beloved and influential acts in music today, and we're delighted to welcome Domino to our family of digital labels available on Amoeba.com! To celebrate, we've rounded up some of Domino's best releases from the past decade and a half, listed below in no particular order.

Arctic Monkeys AM

Arctic Monkeys - AM (2013) 

One of the biggest recent records here at the store, AM sees the band collaborating with Josh Homme (Queens of the Stone Age) on what he calls a "really cool, sexy, after-midnight record." This means Queens-style spooky grooving, melodic, laconic, druggy guitar solos, tired-drunk-guy crooning with falsetto doubling, and a shuffling, mid-tempo disco snark turned sneer in a nicer jacket a la someone like Jarvis Cocker's work with Pulp.

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