Amoeblog

4AM CRITIQUES PUBLIC'S FASCINATION WITH DECEASED POP STARS

Posted by Billyjam, January 9, 2008 01:49pm | Post a Comment

 
You know, James Dean is dead.
But don't worry or get upset or anything, He's been dead for a long time
But a week after he died he received more fan-mail than any other living American actor,
Which is weird right?  'cause he's dead, he's not gonna read that shit
But still, people felt inclined to write him

I think that's the first sign about what's happening with the entertainment industry today,
Especially with music:
I mean, you're gonna make more money dead, have more fame dead
And more people are going to hear your message dead, than ever would've alive. And that's weird

I mean, no one cared about Nick Drake until they put his song in that Volkswagen commercial and now everyone loves Nick Drake...
He died, man, he died poor and alone and no one gave a crap.
2Pac, Biggie, sure they were big in their lifetime but how many albums did they put out after they died...? Man that's fucked up!

Stop messing with peoples legacies like that!
Stop jumping on the bandwagon the second somebody dies and then make a movie about them.
Go out and find that music right now 'cause there are people out there right now working, living, and creating to help make this world a better place and if we don't help them now, or wait until after they're dead, what point is there to being an artist? What point, what point is there?

 Stop doin' that shit, stop ridin' shotgun for the industry and jump in the car with us cause we're going to Weinerschnitzel, then maybe later we can have some muffinz

         
- 4AM from the track "Ridin Shotgun" off the new Dopestyle 2CD set
                         The Little Happy/Fool's Pool
(Daly City Records)


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WHEN CLONED PIGS GLOW IN THE DARK & PASS GENES ONTO PIGLETS

Posted by Billyjam, January 9, 2008 01:45pm | Post a Comment

This story below titled "Glowing Pig Passes Genes to Piglets" was published 
today by the Associated Press and is worth reading.


A cloned pig whose genes were altered to make it glow fluorescent green 
has passed on the trait to its young, a development that could lead to the 
future breeding of pigs for human transplant organs, a Chinese university 
reported.

The glowing piglets' birth proves transgenic pigs are fertile and able to 
pass on their engineered traits to their offspring, according to Liu 
Zhonghua
, a professor overseeing the breeding program at Northeast
Agricultural University.
"Continued development of this technology can be applied to ... the production of special pigs for the production of human organs for transplant," Liu said in a news release posted Tuesday on the university's Web site. Calls to the university seeking comment Wednesday were not answered. The piglets' mother was one of three pigs born with the trait in December 2006 after pig embryos were injected with fluorescent green protein. Two of the 11 piglets glow fluorescent green from their snout, trotters, and tongue under ultraviolet light, the university said. Robin Lovell-Badge, a genetics expert at Britain's National Institute for
Medical Research,
said the technology "to genetically manipulate pigs in this way would be very valuable." Lovell-Badge had not seen the research from China's cloned pigs and could not comment on its credibility. He said, however, that organs from genetically altered pigs would potentially solve some of the problems of rejected organs in transplant operations. He said the presence of the green protein would allow genetically modified cells to be tracked if they were transplanted into a human. The fact that the pig's offspring also appeared to have the green genes would indicate that the genetic modification had successfully penetrated every cell, Lovell-Badge added. But he said much more research and further trials -- both in animals and in humans -- would be necessary before the benefits of the technology could be seen. Other genetically modified pigs have been created before, including by Scotland's Roslin Institute, but few results have been published. Tokyo's Meiji University last year successfully cloned a transgenic pig that carries the genes for human diabetes, while South Korean scientists cloned cats that glow red when exposed to ultraviolet rays.

First Mandala Of 2008...And It Starts With...Me !

Posted by Gomez Comes Alive!, January 9, 2008 12:29am | Post a Comment
electrocumbia-chicano chill-salsa clandestina-
south american psych & hip hop en español
plus:
classics from discos fuentes, fania, areito & rampart records

MANDALA is Amoeba's weekly in-house DJ series -- the evening when the Amoeba staff take to the stage to spin their favorite tunes!

Each MANDALA session is two 90-minute DJ sets, guided only by the far-ranging imagination of the DJs. Started at Amoeba San Francisco in 1998, MANDALA continues every Friday in San Francisco and Wednesday at Amoeba Hollywood.


Tomboy

Posted by phil blankenship, January 8, 2008 11:51pm | Post a Comment
 



Vestron Video VA5087

Vietnamese New Wave - Part I - German Euro-disco

Posted by Eric Brightwell, January 8, 2008 10:14pm | Post a Comment
Vietnamese New Wave

Are any of my readers out there Vietnamese? I was turned on to this amazing genre by "the Jewel of La Puente," the one and only (OK, one of thousands but still one of a kind) Ngoc Nuyen. I have asked the experts here at Amoeba Hollywood about "Vietnamese New Wave" (also referred to as Asian New Wave at times) groups and no one seems even remotely familiar with any of them, with the exception of Chris Matthews, to whom "Modern Talking" sounds familiar ...

First of all, when people talk about Vietnamese New Wave, they’re not talking about Vietnamese artists (although there is Thu Thuy, Lynda Trang Dai and supposedly a tieng viet cover of a Night Society song), but rather a movement that includes mostly German Euro-disco, Italo-disco and English synthpop artists who acquired, through means that no one seems to understand (although it definitely involves mixtapes) massive popularity amongst Vietnamese in Cali, Texas and Canada (and maybe elsewhere).

And whilst there’ve been at least four or five documentarians who’ve explored the still supposedly strange popularity of Morrissey amongst Mexicans and Mexican-Americans, to my knowledge no one has yet delved into the mysterious “Vietnamese New Wave” movement in which (in addition to OMD, Pet Shop Boys and Gazebo's "I Like Chopin") four German performers, with no radio play, no MTV exposure, no Amazon recommendations, no local performances came, against all odds, to achieve stardom in the Vietnamese immigrant population.

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