Amoeblog

rob zombie's halloween

Posted by Brad Schelden, September 6, 2007 06:45pm | Post a Comment
I have been obsessed with Halloween and the Halloween movies for as long as I can remember. This holiday and the original 1978 film will forever be intertwined together in my memory. John Carpenter is absolutely without a doubt a genius. He created the most successful independent film of all time with his original Halloween. This movies remains brilliant to this day and still manages to be scary. It really reinvented the horror movie and sort of set up the rules for the horror movies of the 80's. The second Halloween film was almost as good but the following sequels became worse as time went on. I saw every one and quickly realized the franchise was getting ridiculous with the last couple films. I remained loyal but it was really time for the series to be reinvented. They needed to go back and start all over again. But before the original even started. Similar things have been happening with other film franchises lately. Both the Batman and Superman movies had become ridiculous. Really only the first couple of both were good. Both Batman and Superman were reinvented in the last couple years. It worked amazingly well with the Batman franchise and "Batman Begins." The film gave a completely new look to the series with a great new storyline. It kept what was good about the story and just built on that. This did not work so well for "Superman Returns." I am still waiting for the deluxe version of the entire Halloween series to be released on DVD like they did with Nightmare On Elm Street and Friday the 13th. There is a box available as an import but nothing yet domestically.

Many horror films have also been remade in the last couple years. It seems to never work. These original films, The Omen, Texas Chainsaw Massacre, The Wax Museum, etc., hold such importance in our eyes as horror movie fans. We grew up with these films and have every detail about them memorized. It is a hard task for a director to go into such sacred ground and try and update and reinterpret these original films. Horror movies have never been the same lately. Never as good. Never as scary as they once were. So when I heard that Halloween was getting remade this year, I was very excited but also very worried. I thought Rob Zombie was the perfect director to try and reinterpret this brilliant original film. But I was also worried for him and the response he would get from those crazy dedicated horror fans. The movie opened over labor day weekend as the most successful movie for that weekend ever. But of course many fans are really upset that Rob Zombie has ruined their Halloween. But I wonder how many of these people have actually seen the movie. I saw it on Monday and I was more than impressed. And it was scarier than anything I have seen in the theater in a long while.

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Luis Alberto Spinetta - Argentine Astronaut

Posted by Gomez Comes Alive!, September 6, 2007 10:43am | Post a Comment
Every Argentino I’ve ever met has always goes on and on how their country has the best everything. The best beef, the best looking women, the best soccer team and the best music ever created, blah, blah, blah. All I can say about Argentineans is that they talk too much and sound funny when they do! Kidding aside, (It's a rite of passage for the rest of Latin America to make fun of Argentina) Argentina has provided some great music for the rest of the world. One of my favorites is someone who I’ve heard about for years but haven’t discovered until a few years ago. luis alberto spinetta

Luis Alberto Spinetta is a legend in his native Argentina and well respected by rockeros all over Latin America. He is hard to describe. A lazy comparison would be somewhere between Paul McCartney (Wings Era), Frank Zappa (as a musician, not as a satirist) and Andy Partridge from XTC. His lyrics are poetic and one can tell he is someone who is well read. You might not know what he is singing about unless you have read as much as Spinetta has. His career started in the late 60’s with a band called Almendra, who along with Los Gatos and Manal, were the pioneers of the Argentine rock movement. Almendra had a garage-psychedelic sound with some 60’s pop influences. They release three albums before they disbanded. Spinetta then started another group called Pescado Rabioso (Rabid Fish), which had a heavier sound, and lyrics that were influenced by writers such as Artaud, Arthur Rimbaud, Carlos Castaneda and Carl Jung. With his next group, Invisible. (Pronounced en-ve-see-blay) Spinetta developed a progressive rock style yet he wrote some of his best ballads, full of space and sparse notes.


After three albums with Invisible, Spinetta went solo. He dabbled in Jazz Fusion (Spinetta Jade) and made one album in English called, “Only Love Can Sustain” which flopped because it didn’t appeal to the Anglo market nor did it appeal to his fans, who saw it as a sell-out. After that, he continued to make music in Argentina and continued to be an artist to be reckoned with. His son, Dante Spinetta, was in a very popular band in the 90’s called Illya Kuryaki & Los Valderamos, who were legends in their own right.

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THE GOOGLE GATE BRIDGE AND THAT AD SPACE ON YOUR FACE

Posted by Billyjam, September 6, 2007 09:53am | Post a Comment
golden gate bridge
I found it surprising that, despite the $5 toll each car is charged to cross its span from Marin into San Francisco, that the Golden Gate Bridge is  still financially strapped and is currently facing a projected deficit of a whopping $80 million. But even  more surprising to me was the news, following an August 24th meeting,  that the operators of this national landmark (one of the top five attractions in the United States) are seriously considering getting corporate sponsorship to cover the historic bridge's overwhelming bills.   What this means is that like SBC Park or Pacific Bell Park or AT&T Park (or whatever name it happens to go by)  that likely soon the Bay's most famous attraction may be renamed something like the Verizon Span, or the  Google Gate Bridge, or perhaps something like "the Golden Gate Bridge brought to you by Pepsi."   Now according to the overseers of the bridge, who will meet again this month to make the final decision on the matter, they are assuring all concerned that they will not do anything "tacky"  like the aforementioned renaming in their handling of this proposed "corporate partnership."  But frankly  I have my doubts and I worry that this type of proposed sponsorship may set an unhealthy precedent with US national monuments and landmarks, and that soon Mount Rushmore, the Grand Canyon, Yosemite, and even the White House will be up for corporate partnership. (If you have any funny or ironic ideas of what sponsors might be matched with what national landmarks please add them in the COMMENTS box below. And if you wish to voice your concerns about the proposal for the GG Bridge email districtsecretary@goldengate.org).

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Los Lobos Live At The Santa Monica Pier 8/30

Posted by Gomez Comes Alive!, September 6, 2007 09:32am | Post a Comment
los lobos
Amoeba Records sponsored the Concerts On The Pier in Santa Monica that happened every Thursday during the months of July & August. Included in the series were Patti Smith, Plena Libre, Arrested Development and Junior Murvin, just to name a few. The series ended last Thursday with East L.A. heroes Los Lobos. Many of us that work at Amoeba volunteered to work at the Amoeba Booth that was to the left of the stage. We sold CD’s and T-Shirts and gave away discount coupons and various Amoeba swag. It was a great way to get away from the heat of Hollywood and work outdoors in the cool ocean breeze. Plus, there was the music! Los Lobos is one of my favorite bands, dating back to 1983 when I first heard "…And a Time to Dance." That night Los Lobos played many of my favorites, including "La Pistola y la Corazon," "Saint Behind The Glass," "Mas Y Mas," "Cumbia de la Raza," "Don’t Worry, Baby" and a volley of cover tunes such as "Cinnamon Girl," "Let’s Go," "Volver, Volver" and of course, "La Bamba."

The influence Los Lobos had on me when I was a kid was phenomenal. Back then to hear a band play Mexican music and rock on the same album was foreign to me. The Latin Rock artists at the time sounded more like bands from England then from their own country and it was understandable. When Rock music was still rebellious in America, it was even more so everywhere else. Most bands that sounded like their Anglo counter parts did it because they were tired of their parent’s culture being forced on them. Why would they want to play Mariachi, Corridos or Baladas? That was their parents' music. In the eighties, to sound like The Police was rebellious and for the young Latin Rock bands it was their own culture. With Los Lobos, both rock music and Mexican music was their culture. It was the first time I realized you could like both and not feel embarrassed by the other.
 
Side note: Los Lobos went to #1 on the Billboard charts with their version of “La Bamba.” Can you name two other Chicano artists to score #1 hit singles?

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Blue Monkey

Posted by phil blankenship, September 6, 2007 12:37am | Post a Comment
 



RCA/Columbia Pictures Home Video 60874
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