In 1993 when Boots Riley and The Coup (Pam the Funkstress and former member E-Roc) first caught the attention of the hip-hop world with their socially & politically charged debut Kill My Landlord (Wild Pitch), hip-hop had already passed its political Afro-centric wave.
It was when gangsta rap, with Dr. Dre and The Chronic leading the way, was fast becoming the prevalant hip-hop flavor, remaining so ever since. But none of that bothered the ever-outspoken, individually minded Raymond "Boots" Riley one bit, not then nor in the 16 years since. Boots as both an artist and acitvist has remained a refreshingly consistent voice of rebelliion; one constantly questioning authority, in particular the capitalist system of the country in which he lives.
Last week I caught up with Boots by telephone to talk with him about Black History Month, Barack Obama being in the White House, the relationship between police & minorities in the aftermath of the Oscar Grant case, and of course music, among other things. Riley was in LA in the studio sitting in on the finishing stages of mixing an album for a forthcoming release of an exciting-sounding side project by The Coup frontman, which is detailed further in the conversation that follows.
Amoeblog: So what is this new album side-project you are finishing up right now?