Amoeblog

The Employee Interview Part XIV: Jimmy

Posted by Miss Ess, January 9, 2008 10:51pm | Post a Comment
Jimmy
2 years Employment
Cashier/Behind the Scenes/All Around Rad Dude


ME: What music was playing around your house when you were a kid?
pointer sisters
Jimmy: My parents weren't really into music, but I do remember listening to and watching The Wiz a lot. A LOT! I loved it. In my mom's car, it was the Pointer Sisters. In my dad's car it was talk radio, or Metallica's Black Album, which is really psychotic because my dad is hella Catholic, and it was one of the only albums he owned!

Do you remember the moment when you suddenly really really got into music?  What was it that made you GET IT?

patti smith horses cover
As soon as I discovered punk, my life totally changed forever. It wasn't just the music: I began a love affair with extreme politics and aesthetics. It was the high of using art (music, zines) and politics to go somewhere unknown. It's super weird how important music is when you're a teen. Recently, I listened to Patti Smith's Horses again, which I hadn't heard since I was a freshman in high school. I kinda freaked in my head! I remembered listening to this album, thinking I might die like Johnny in the song at any moment and that seemed really normal. Basically everything was so literal then: the music was the same as real life. Anything could happen. ('Cause I was crazy and wasted and only fifteen!)

Yeah, when that intensity of youth starts to die out, it's such a strange feeling because by then you've lived with it for so long. You grew up in Alaska. What was the music scene like in Alaska when you were growing up?  What were people into? Did they form bands? What style of music did they play?  Were there any venues in Anchoramaximum rock n roll magazine cover punkge?

The music scene was very small, only a couple punk bands that would sound like either The Ramones or Crass. (There was an all ages club in Anchorage called, stupidly enough, "Gigs." Bands would sometimes come to Alaska to play and when they did it was a big deal! I mean a total fucking hootenanny!) In high school, I was reading Maximum Rock and Roll religiously so I knew we were way behind the times.

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White Bicycles: Joe Boyd's Extraordinary 60s

Posted by Miss Ess, January 9, 2008 06:54pm | Post a Comment
Joe Boyd's recently written autobiography, White Bicycles, is amazing.  I've previously professed my jealousy of Cameron Crowe's life, but I actually think Joe Boyd has overtaken Crowe in that race.  By far.

white bicycles joe boyd nick drake

Although he never won an Oscar (like Crowe), Boyd has had an extraordinary run in the music biz. He was always in the right place at the right time.  It's hard to even hit on all the amazing things he has taken joe boyd nick drake vashti bunyan producerpart in here-- there's just so many of them. He was one of the first to arrange and manage European Jazz and Blues tours.  He worked for Elektra and eventually formed his own production company called Witchseason.  He booked an extremely successful club night in London in the 60s that hosted Pink Floyd and The Move, among many others.  He went on to produce artists like Nick Drake, The Incredible String Band and Fairport Convention.

In one of my favorite passages in the book, Boyd describes the night atnewport folk festival 1965 bob dylan The Newport Folk Festival when he was a stage manager and Dylan went electric.  Reading that portion of the book made my heart race!  If for nothing else, it's worth buying White Bicycles just to read about this momentous occasion in rock history from a fresh viewpoint.  Boyd was truly a part of that evening and remembers it all!  He really must have kept a journal.  It answers some questions about who exactly was in a physical fight that night, who started what and if Pete Seeger did indeed cut the electricity with an axe.  There really was an axe there that night, and that's all I'm gonna say!

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Hollywood Harry

Posted by phil blankenship, January 9, 2008 05:34pm | Post a Comment
 





Media Home Entertainment M907

(In which Job fails to complete the

Posted by Job O Brother, January 9, 2008 05:07pm | Post a Comment

"Eat this plate, you'll feel better."

I’ve been ill again. Ever since I moved to LA, I get sick all the time. Oh, well. That’s the price I pay for getting to nosh with Posh and Becks every Tuesday.

…Okay, technically, only Becks and I do any actual “noshing” – you get the idea.


Victoria Beckham: "No thanks, I couldn't possibly eat after that huge dinner I had. In 1982."

Yesterday was my boyfriend’s birthday. I got him a rad gift. (I know what you’re thinking – “Job, what better gift could you give him beyond your hacking, disease-ridden body?”) An AMOEBA GIFT CERTIFICATE, that’s what I gave him. Who doesn’t want one? Even I want one for my birthday, and I don’t even need one! Because, as many of you know, all Amoeba employees are allowed as many free albums and DVD’s as they want. In fact, we’re PAID to take them home! We drive them home in the cars our bosses buy us, which we park in our gold-plated garages with matching tiara encrusted, truffle-flavored diamond mines.

I’m delirious. I have no idea what I’m writing. We’ve been through this before, dear reader. This is how my sick day blogs read. If you feel inspired to pray for me by the end of it, please do. It’ll give you something to do while you’re waiting for Limewire to finish downloading a crappy copy of that Rockwell single.




4AM CRITIQUES PUBLIC'S FASCINATION WITH DECEASED POP STARS

Posted by Billyjam, January 9, 2008 01:49pm | Post a Comment

 
You know, James Dean is dead.
But don't worry or get upset or anything, He's been dead for a long time
But a week after he died he received more fan-mail than any other living American actor,
Which is weird right?  'cause he's dead, he's not gonna read that shit
But still, people felt inclined to write him

I think that's the first sign about what's happening with the entertainment industry today,
Especially with music:
I mean, you're gonna make more money dead, have more fame dead
And more people are going to hear your message dead, than ever would've alive. And that's weird

I mean, no one cared about Nick Drake until they put his song in that Volkswagen commercial and now everyone loves Nick Drake...
He died, man, he died poor and alone and no one gave a crap.
2Pac, Biggie, sure they were big in their lifetime but how many albums did they put out after they died...? Man that's fucked up!

Stop messing with peoples legacies like that!
Stop jumping on the bandwagon the second somebody dies and then make a movie about them.
Go out and find that music right now 'cause there are people out there right now working, living, and creating to help make this world a better place and if we don't help them now, or wait until after they're dead, what point is there to being an artist? What point, what point is there?

 Stop doin' that shit, stop ridin' shotgun for the industry and jump in the car with us cause we're going to Weinerschnitzel, then maybe later we can have some muffinz

         
- 4AM from the track "Ridin Shotgun" off the new Dopestyle 2CD set
                         The Little Happy/Fool's Pool
(Daly City Records)


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