There is a new Nas album out this week, but that is about it. Nothing much else for me to share with you. The big albums might not be coming out every week, but the big summer movies continue to come out. Both the new Batman movie, The Dark Knight, and the movie version of the musical Mamma Mia! come out this weekend. As a huge fan of both Batman and ABBA, I will be seeing both of these movies as soon as I possibly can. The week after this weekend is the release of the new X-Files movie, I Want to Believe. Some people may not like that they keep making movies out of old TV shows, but I would much rather see an X-Files movie with the actual cast than a remake 10 years down the road starring new 20- something actors in the roles of Mulder and Scully. You know it is going to happen. They did just remake Get Smart into a new movie with new actors, and Hollywood seems to be constantly turning old TV shows into new movies. But they usually don't work out so well-- The Dukes of Hazzard with Jessica Simpson and The Beverly Hillbillies with Jim Varney are two bad examples. It did have both Lily Tomlin and Dolly Parton in the cast, so I guess it wasn't all bad. Still, sometimes these remakes work out beautifully, like the big screen adaptations of Charlie's Angels. I also have to admit that I like the Brady Bunch Movie as well, and I am looking forward to the Wonder Woman and A-Team movies. I just hope they don't make Jake & the Fatman or Head of the Class into big screen movies. But a Murder She Wrote movie is not such a bad idea. I bet it would actually make some fantastic money among the senior set. Unfotunately I think they waited too long to make a Golden Girls movie. The Get Smart movie actually worked. I know there were a few people out there that did not like it or decided to not give it a chance, but I think Steve Carell and Anne Hathaway could do no wrong. Without them in it, I seriously doubt I would have even seen it.
Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!
Saturday July 19
& Clayton Rohner in
Of The Guys
1985, 90 min
New Beverly Cinema 7165 W Beverly Blvd Los Angeles, CA 90036 Midnight, $7
July 5 The Delta Force
(celebrate Independence Day weekend - watch Lee Marvin & Chuck Norris kick terrorist BUTT in the Cannon Films classic!)
July 19 Just One Of The Guys
(Sony's LAST 35mm print of the ultimate '80s role reversal comedy!)
July 26 Chopping Mall
(w/ special guests director Jim Wynorski & star Kelli Maroney in attendance, schedules permitting)
August 2 Night Of The Juggler
(No one can stop James Brolin!)
August 9 Rainbow Brite & The Star Stealer
(Rainbow Brite's first movie - insanely RARE performance!)
August 23 The Gate
(... pray it's not too late!)
August 30 Little Darlings
(Paramount Archive 35mm Print! Rare Screening!)
September 6 Idle Hands
(9th anniversary for the 1999 stoner horror comedy!)
September 13 Showgirls
(Beyond your wildest dreams. Beyond your wildest fantasies!)
September 20 Michael Mann's The Keep
(25th Anniversary! Paramount Archive 35mm Print!)
September 27 Over The Top
(Sylvester Stallone. Big Rig Truckin'. ARM WRESTLING!)
Come on down to Ding-a-ling...A free, free for all at the bar formerly known as Cuffs (Yes, THAT Cuffs!), located in Silverlake @ 1941 Hyperion Blvd. Tuesday July 22nd, it's (((6))), Binary Field & Bran - Pos along with some amazing obscurities being hurled from the DJ booth courtesy of Don Bolles. It's a night guaranteed to make that anti-drum machine fellow cry...
Also, the Secret Society of the Sonic Six has two new singles out, including a split with ex-Subtonix and all around Amoeba legend Brandi Obsolete. Head on down to your local Amoeba and pick one or the other (or both) up. Click on the above link to check out the new trax and if you're nowhere near an Amoeba, order the singles on the band site as well...
I heard moans once Rachid Taha started his set. The distorted tone of the electric guitar pierced through the crowd and created a division in the ranks. Couples dropped their pitas with spicy chipotle hummus out of pure confusion. The West Hollywood women in their belly dancing outfits didn’t know how to dance to it. It was only rock and roll and they liked it…sort of. In other countries, Rachid Taha is a rock star. For America, Rachid Taha has to be marketed as an “eccentric world music artist” or something like "The Algerian U2." It's not that Rachid has ever denied his Algerian roots, but he brings his Algerian influences to the 21st century when America still wants to hear him sing in the style of the 19th century.
It’s somewhat understandable. Most of us drawn to any kind of alternative culture seek what is different from our own. The kids who dress like Cholos in Chiba, Japan and the Mexican kids who dress like American Emo kids do it for the same reason non Islamic American women wear a Khimar strictly for fashion, they just think it looks cool. In fact it was funny to see how many Non-Arabic people at the show dressed in Traditional Arabic clothes and to see the Arabic people dressed to the nines in high-end fashion.
It was only after performing "Ecoute-Moi Camarade," a song off his 2006’s brilliant Diwan 2, his “traditional album,” that the audience woke up. From then on it was a full-on dance party. Rock and traditional songs were equally appreciated by most of the crowd after that. Rahid’s line-up consisted of the basic elements for a rock band (guitar, bass, drum keyboards) with the addition of the tradition instrumentation (The Oud and Arabic percussion). Neither traditional nor modern instrumentation dominated; they blended together quite well, even in a live setting.