(In which we consider Léon Theremin.)

Posted by Job O Brother, December 2, 2008 12:04pm | Post a Comment
angel clock
The other day, a customer at Amoeba Music stopped me and asked:

“Do you have the correct time?”

Long after I told him what time it was, I still pondered his specification of  the type of time he wanted. That adjective, correct. What had transpired in his days of life that he should deem it wise to emphasize that he didn’t want just any time quoted to him; he didn’t want me to make up a time (“Oh, it’s a quarter after eight billion o’clock”); he also didn’t want to fall trap to any inaccurate time, as perhaps others who’d come before me had given him. No, he wanted the correct time.

And while I would have – on this I vow – I would have given him the correct time regardless of whether or not he had made certain to choose that sort of information, I feel that, by both catering to his need and also not remarking on why I thought it odd he should make lengths to get only “correct” time, I have somehow contributed to his neurosis that, unless he asks for correct time, alternate times may well be offered.

What does any of this have to do with theremins? Very little, and for that, I apologize.

So, without further ado, please enjoy the following clip:

The woman is the above clip is the splendiferous Clara Rockmore, widely regarded as the finest theremin player of all time. A pupil of the instrument’s inventor, Léon Theremin, she remained a stalwart champion of the man even after he suddenly and mysteriously disappeared behind the Iron Curtain in 1938.


Posted by Billyjam, December 2, 2008 11:40am | Post a Comment

fiendReading yesterday's great Eric Brighwell Amoeblog about New Orleans rapper Lil Slim reminded me of another great and oft slept-on New Orleans rap artist -- Fiend, whom I first met back in the nineties when he initially hooked up with Master P's No Limit label, and with whom I last talked around this time last year when he released his recommended career retrospective CD on Priority Mr. Whomp Whomp: The Best of Fiend (look for it and other Fiend releases at Amoeba Music).

That best-of collection, which features collaborations from the likes of Master P, MIa X, Snoop Dogg, Mac, and Kane & Abel, ably displays Fiend's trademark gruff, growling, gravelly Nawleans rap drawl and the rapper's edgy lyrical style, coupled with his skill for creating killer hooks (often behind-the-scenes, fueling others' success including Silkk the Shocker, Snoop Dogg, and Master P for whom he heavily contributed to the runaway MTV/crossover hit "Make Em Say Uh").

Fiend initially earned his Rakim inspired name (as in "Microphone Fiend") coming up as a distinctive young hip-hop voice in both New Orleans' 3rd Ward and 17th Ward Districts.  Born Richard Jones, he grew up in what is known as the Hollygrove area, where, from his early teens onwards he spent any free time, "Making music whenever and wherever I could. I would record all people's houses," he told me, citing as among his early the best of fiend mr whomp whompinfluences: Rakim, Con Funk Shun, Earth Wind & Fire, Stevie Wonder, Curtis Mayfield, Big Daddy Kane, and Public Enemy. However even more profound an influence on his craft and his life was the sudden death of his younger brother Kevin, who was killed when Fiend was only sixteen years of age.

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November 30, 2008

Posted by phil blankenship, December 1, 2008 06:42pm | Post a Comment
Milk movie ticket Arclight Hollywood

Milk poster Arclight Hollywood


Posted by Billyjam, December 1, 2008 03:25pm | Post a Comment
 Amoeba Music Hollywood Hip-Hop Top Five
q-tip the renaissance
1) Q-Tip The Renaissance (Motown/Universal)

2) Black Milk Tronic (Fat Beats Records)

3) T.I. Paper Trail (Grand Hustle/Atlantic)

4) Kurupt & Roscoe The Frank & Jesse James Story (Highpowered Entertainment)

5) DJ Babu Duck Season Vol. 3 (Nature Sounds)

Thanks to Marques at Amoeba Music Hollywood for this week's Top Five Hip-Hop albums chart where, as with the other two Amoeba stores, Black Milk's Tronic, DJ Babu's Duck Season Vol. 3, Q-Tip's The Renaissance, and T.I.'s Paper Trail are all selling well. Also on this new chart is the wild west themed The Frank & Jesse James Story from Kurupt along with his younger brother Roscoe, aka the James Brothers. Guests on this all West Coast rap offering include Too $hort, WC, and Daz Dillinger. Keeping in the brotherly (though not technically siblings) mode is new crew The Temper Twins. Check out the group's cool new video/song "Change It Up" below. The Twins, comprised of Jimmy Temper & Tim Temper plus Shotgun, are a new Hollywood (by way of the East Bay) group whose seeds were first sown 17 long years ago at an Oakland BBQ when mod squad people's parkthen newcomer to the local hip-hop game Sunspot "Tim Temper" Jonz, later of Mystik Journeymen/Living Legends fame, first crossed paths with Julian "Jimmy Temper" Brooks, MC and founding member of the psychedelic hip-hop pioneering duo The Mod Squad who got signed to TNT Records, and then picked up by Priority Records for a hot minute, scoring a buzz with 1992's People's Park.

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Lil Slim

Posted by Eric Brightwell, December 1, 2008 03:15pm | Post a Comment
Lil Slim

Lil Slim was one of the first artists to be signed to Cash Money Records. After a series of underground classics, he parted ways with the label. A couple of years later, CMR signed a multi-million dollar deal with Universal and the label's star, Juvenile, carried the new roster to success whilst Lil Slim receded into the shadows.


Lil Slim lived way out in the 17th Ward on New Orleans's western edge in Hollygrove, a small, lower middle class neighborhood that also was home to Big Boy (and later, No Limit) artist, Fiend. Representing the Apple and Eagle intersection, he brought his raps to audiences at Club 49, where he performed alongside UNLV and Soulja Slim. One day, Ziggler the Wiggler introduced them to Mannie Fresh, a young DJ from the 7th Ward who'd gained a measurable degree of local fame with rapper Gregory D. Shortly after, Lil Slim was introduced to Baby and Slim, brothers and co-owners of the fledgling Cash Money Records label. They signed Lil Slim and recorded his first album in Baby's kitchen.
The Game Is Cold
The album was The Game is Cold (1993). One highlight is "Hoes I U's 2 Sweat." Another is "Bounce Slide Ride," a Bounce classic in the vein of DJ Jimi and Juvenile's "Bounce for the Juvenile" which name-checked Juvie and echoed his taste for Reeboks and Girbaud. Lil Slim's style was sing-songy, reggae-informed, repetitive and heavy on chants -- somewhat similar to Pimp Daddy, UNLV and early Juvenile. One thing that set him apart was his exaggerated Yat accent, in which the familiar interjection "Ya heard me?" sounded like "Ya hoidz me?" Cash Money was then primarily a Bounce label and a good deal of the lyrics amounted to little more than calling out wards and projects. Expecting lyrical complexity outPowder Shop of Bounce is missing the point, however, and the album is emphatically danceable. Its Intro and Outro tracks allowed Mannie Fresh to cut snippets of Slim's already sparse prose and make them almost completely abstract.

His sophomore release, Powder Shop (1994) moved a bit more into a more narrative, Gangsta territory, creating a Gangsta/Bounce hybrid made popular by his labelmates, UNLV. Some of the highlights include "Eagle St. Bounce," "True to the Game" and "Powder Shop," the latter about a heroin operation. Like a lot of early-'90s New Orleans rap, heroin is the drug most often referenced -- which is a bit unsettling, especially when the rest of the rap world was melloThug'n & Pluggin' lil slimwing with Indo, Chronic and gin 'n' juice. I guess all that dope in the Grunge scene had to come from somewhere. Listening to it now, it's shocking how much Lil Wayne and, even more so, (Young) Turk owe to his sound.

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