Amoeblog

Smile-- It's Boris!

Posted by The Bay Area Crew, April 29, 2008 11:11am | Post a Comment

You gotta love Boris. They’re one of those bands who are so consistently good at what they do that a sizable bulk of their fans will forever find themselves buying anything and everything they can get their hands on. Because of their penchant for limited releases and gorgeous packaging,  plus the usual import price tag -- ouch, Boris collectors have it pretty rough no matter how you slice it.

While we cannot blame Boris for wanting to deliver the very best of their artistic capabilities in the most aesthetically pleasing manner possible, it seems a shame that they seem to sacrifice the availability of their talents to the full scope of their fan-base. That being the case, I have to say, and please excuse the inherent perversity of the statement, God bless Southern Lord for bringing Boris accessibly and affordably to the states.

The band’s latest release, entitled Smile, is nothing short of what any Boris fan would expect from the genius rock-smiths the trio have proven themselves to be. For familiarized ears it is, neatly put, every Boris album you’ve ever heard divided by your four favorite Boris songs, figuring in new collaborations with Ghost’s Michio Kurihara and Stephen O’Malley of sunn0))).  Sound redundant? Don’t be silly: Boris knows no redundancy when it comes to rocking your face off, nor any limits, for that matter.

It begins as a slow, menacing rumble, suggesting the gathering of thunder-clouds clamoring to assault your naked ears, but what follows is a rather straight cover of PYG’s "Flower Sun Rain," except that it sounds something like a watercolor interpretation of the song; it’s as if PYG’s original, decidedly heavy folk-rock song is a solid ink splotch which Boris deliberately drenches. The song bleeds its sound slowly, heart-wrenchingly, toward the alarmingly sudden gleeful sound of a little girl laughing and -- BOOM! -- just like that, we’re reminded that Boris began as a punk band. The “danger zone” triptych of "BUZZ-IN," "Laser Beam," and "Statement" seem to jive sonically with the fighter jet depicted in the cover art; the three songs writhe frantically and unpredictably as the players shred through one frenzy to the next, dredging up comparisons from G.B.H. to Venom with some ol’ fashioned, heavy “hair” metal thrown in for dirty-good measure.   Here's the video for "Statement":

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Dick Miller ! ! ! !

Posted by phil blankenship, April 29, 2008 12:44am | Post a Comment


Holy shit !! I met DICK MILLER ! !

UK Label Gallery

Posted by Mr. Chadwick, April 28, 2008 10:25pm | Post a Comment
Among the piles of everyday hits and misses I plow through upstairs in the vinyl vault, there's always plenty of curios.  I've put aside a handful of UK releases that caught my eye recently and decided to check out the stories behind the labels, here's a bit of briefing...


77 Records was started by Doug Dobell who ran Dobell's Jazz Record Shop in London.  He specialized in rare Trad Jazz and Blues recordings.  As far as I could tell, York Records was a short lived Decca subsidiary, with heavy Yorkshire connections, it seems that it might have been run by a "Yorkshire TV" shoppe.  Automatic Record Co. was a Warner subsidiary started by Nick Mobbs that had a few Modern Rock releases in the early 80's...







VJM specialized in 78 and unreleased rarity comps from Blues & Trad Jazz artists, I believe the organization is still around today. Topic started off as a vinyl label releasing Folk titles and still releases UK folk music on CD.


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This Month's Blowout: Latino/Spanish Films!

Posted by Eric Brightwell, April 28, 2008 10:16pm | Post a Comment


Tons of Sexycomedias, Charros, Rancheras, Vaqueros, Accion, and Telenovelas






 

      

     









 

       

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AMOEBLOG INTERVIEW WITH ATMOSPHERE'S SLUG

Posted by Billyjam, April 28, 2008 07:53pm | Post a Comment

Funny how time flies by. Already it is eleven long hip-hop years since Minneapolis, Minnesota hip-hop duo Atmosphere, comprised of producer Ant and emcee Slug (L-R in photo left), responsible for putting the Twin Cities firmly on the hip-hop map, dropped their debut album, 1997's Overcast!.

Last Tuesday they dropped their fifth studio album (and finest release to date): When Life Gives You Lemons, You Paint That Shit Gold on Rhymesayers Entertainment.

As you can imagine with this brand new album just dropping, both members of Atmosphere are pretty busy, caught up in their current tour which hits LA and San Francisco next week.  They will stay that way for much of the year as they promote this new release.  But in the past few days I had the opportunity to catch up with Slug, via email, to ask him about hip-hop, the new album, the word on a future Felt (with     MURS) album, and how it feels to be going strong eleven long hip-hop years later.  Did he ever envision himself being where he is now in his career?  "Ha. Yeah. I think our expiration date was somewhere in 2002 but I'm not complaining," he replied.  "I'll keep going 'til I get fired or replaced by a younger stronger, more attractive idiot."

 "Our approach musically was different.  We wanted to find a bigger but more minimal sound for this album," he says of how When Life Gives You Lemons, You Paint That Shit Gold is unlike previous Atmosphere releases, adding that,  "Lyrically, I wanted to write about other people's problems for once."  The new 15 track album (avail in two different packaged CD versions) is rich in ever-engaging, flawed character driven, tales, many tackling the issues of parenthood, like "In Her Music Box" and "Shoulda Known."  In the latter song Slug raps:

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