Animal Collective Listening Party

Posted by The Bay Area Crew, January 8, 2009 04:26pm | Post a Comment
animal collective

On Tuesday we had a Listening Party at the Knockout here in San Francisco to celebrate the release of Animal Collective's excitedly awaited new record, Merriweather Post Pavilion.

The packed crowd at the event bubbled with anticipation as they first took in local band French Miami's live set. Merriweather Post Pavilion was played next, and according to event hostess Tarin, "I didn't see anyone without a smile on their face." The record's play was followed by a live set from Maus Haus, while attendees continued to drink, laugh and dance.

The album came out this week, but only on vinyl. The CD will be out January 20th, but the vinyl is already out of print. We still have a very few copies left here at Amoeba SF, so if you're wanting the new Animal Collective on vinyl, the time is now -- hurry on down to Amoeba SF and grab it OR click here to mail order it from us!

In the meantime, check out some photos from the Listening Party, (mostly) taken by the fabulous DJ Gilmore, who can be seen below modeling the album:

animal collective listening party
Merriweather Post Pavilion with DJ as your model.


Posted by Billyjam, January 8, 2009 10:48am | Post a Comment

Of all genres of popular music from the 1950's up til the present day, disco is perhaps the most discrimated against and unfairly hated upon Ironically, the hate is oft times spewed by the very same people who will be the first to dance to or sing along with said disco hits. Of course, karaoke nights and wedding DJs have only helped make some songs less enjoyable than perhaps they should be due to over exposure and bad sing alongs. A prime example would be Gloria Gaynor's "I Will Survive," which is still a great song even 31 years later but might be more enjoyable if we had only heard 3 million fewer times in our lives. The video for that song, along with nine other disco classics, is below. 

The videos include Lipps Inc.'s "Funkytown" from 1979, A Taste Of Honey's "Boogie Oogie Oogie" from '78, Anita Ward's "Ring My Bell" from '79 and, from that same year, Sister Sledge's second biggest hit "He's The Greatest Dancer" (their biggest hit was the eternally popular "We Are Family," which was also released that same year). 

Also included is what I consider to be the greatest and most influential disco record of all time, the Giorgio Moroder-produced Donna Summer song "I Feel Love" from her 1977 album I Remember Yesterday (Casablanca) and released as a single. So innovative was Moroder's futuristic production on this track, according to the liner notes of his Sound + VIsion box set, that, in 1977 while David Bowie was recording with Brian Eno in Berlin, "Eno came running in and said, 'I have heard the sound of the future'...he puts on 'I Feel Love' by Donna Summer…He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.'"

FOOTLOOSE Saturday At Midnight!

Posted by phil blankenship, January 7, 2009 01:22pm | Post a Comment

Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!

Saturday January 10

Footloose (1984)

25th Anniversary! New Print!
Starring Kevin Bacon, Lori Singer, John Lithgow, Dianne Wiest, Chris Penn, Sarah Jessica Parker

New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
Midnight, $7

Arp's Alexis Georgopoulos Chats

Posted by Miss Ess, January 7, 2009 11:53am | Post a Comment
Alexis Georgopoulos has been a creative force in the San Francisco scene for many years, first making music with the band Tussle and then as his current project, Arp. Arp's release In Light is a textural and warmth-exuding record that has added something new and welcome to the electronica section of Amoeba. Recently Alexis packed it up and moved to New York City where he plans to continue composing his balmy and atmospheric tunes while also working on a multitude of other projects, notably within the gallery scene there. Here, Alexis chats about those projects, his work in Arp, and also details what we can assume are just a few of his myriad influences and inspirations.

alexis georgeopoulos, arp

Miss Ess: How did you come up with your sound for Arp? What was your vision?

Alexis: After leaving Tussle, I started experimenting with analog synthesizers. Initally, Matthew Higgs (curator of White Columns gallery in Manhattan) asked if I'd do an installation for an exhibit he was putting together at New Langton Center for the Arts. When I learned it was a collaboration with an architect, I realized the music I'd justarp in light started making with analog synthesizers might work really well. So the first public Arp project, Cloud, was a modular room on wheels set up with a featherbed (just large enough for two people to lie down on or three to sit), two speakers and a few of my musical pieces on infinite repeat. I took the gallerists' sanity into consideration by picking pieces that I hoped could be heard again and again without driving them crazy.

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Posted by Billyjam, January 7, 2009 07:17am | Post a Comment

Sacramento (aka Sac-Town) CA, born Brotha Lynch Hung is the longtime NorCal producer and rapper who is best known for his unique, unapologetically hardcore, sadistic, self-described "rip-gut cannibal" rap style, often labeled "horrorcore." Brotha Lynch Hung got his rap handle from his younger half brother, rapper Sicx, not long after he first got into rap in the latter half of the 1980's as a battle rapper. Along with Sicx and (the long incarcerated Sac-Town) rapper X-Raided he was a part of early Sacramento rap trio Endangered Species who recorded the local landmark EP NIgga Deep (re-released in the mid nineties). 

In 1991 Brotha Lynch Hung produced X-Raided's solo underground and locally popular debut EP NIggas N Black. The following year he produced all but one track on X-Raided's acclaimed & controversial debut album Psycho Active.

But it was Lynch's 1993 own solo debut, the EP 24 Deep which he wrote, produced, mixed and performed, that firmly cemented him as a rap talent to be reckoned with, and one with a taste for shock-value. On the cover he dramatically appeared stretched out in a casket with a shotgun laying across his stiff chest looking very dead. Of course, he was not deceased but understandably many (especially those outside the immediate Sacramento area who bought the tape) believed him to be indeed dead and the EP a posthumous release. This, like his association with both X-Raided (incarcerated for his alleged part in a murder) and the infamous 24th St. Garden Blocc gang, only helped further fuel a morbid fascination by many with the artist.

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