Amoeblog

TRAILER PARK BOYS

Posted by Charles Reece, June 28, 2008 10:39pm | Post a Comment
What have Anthony Stewart Head from Buffy, Paris Hilton, Ogre from Skinny Puppy and Sarah fucking Brightman in common? Repo! The Genetic Opera:



Someone must've been a fan of that "very special episode" of Buffy, "Once More With Feeling," because the music here is just as bland. The key to the cult status of Rocky Horror Picture Show wasn't bad music, but a nutty storyline set to good music ("Science Fiction" is a great song, film or no film).  Repo! only gets it half right. I'll go see it, anyway.

This next one is a travesty of a remake, decultifying one of the great cult films, Death Race 2000, presumedly for some ideal mainstream audience:



Why is it that we have to see Asian films for murderers, pedophiles and rapists to be used as the heroes? As a minority, they're certainly a bigger proportion of the American population than they are of, say, the Japanese. So much for pluralism. This trailer is a perfect example of what one of the co-hacks behind Wanted was discussing after its showing this past Thursday night. When answering the question of why adapt a comic book of the same name when the film had 90% of nothing to do with it, the hack said films have a hard time getting made these days if they're not based on something already in existence (that is, with the same name -- original ideas have always had a hard time in Hollywood, licensed property or not). Then, despite the hack's suggestion that there were no content constraints placed on his script, he went on to explain why he didn't keep the fact that the hero was a serial rapist as part of the story -- namely, no one would accept a story about a serial rapist if he's treated as the hero, even if he's the anti-hero. That's a good example of Jeremy Bentham's panopticon (which has been popping up lately in Lost): who needs a production code or HUAC as a threat of censorship when the filmmakers censor themselves? Thus, we get the new Death Race where the hero has been framed and is being forced to kill, rather than just participating for the sport of it. That there might've been a moral point to the original film's scenario about a society where it's a sport to run over people seems to be lost on the hacks behind this current production. Anderson should stick to religious adaptations of games like Frogger. I'll pass.

Earworms, brainworms, and sticky music

Posted by Whitmore, June 28, 2008 10:05pm | Post a Comment

An Earworm is a term for a portion of a song or other musical bit that gets "stuck" in someone’s head and repeats continually against a their will. Often, relief comes only when it is swapped with a newer fragment from another tune. Research indicates that the people who get the most earworms tend to listen to music frequently and are more likely to have other neurotic habits, such as biting pencils or finger nails or tapping fingers. In Oliver Sacks latest book, Musicophilia, he defines the phenomenon as “involuntary musical imagery.”

I’m regularly haunted by fractions of tunes wandering between lobes. And more often than not, these are unfamiliar melodies incessantly repeating, tumbling about, until my slipping weak-ass sagacity cracks. Musicians tend to more susceptible to earworms, and it probably doesn’t help that I listen to scraps of songs all day at Amoeba as a I comb over the piles of used, alien 45’s littering my office. Yesterday, for example, I played snippets of possibly three hundred different singles just trying to figure what is what and what is not. I seem to have survived the experience, at least for the moment; in any case I won’t know until the next ghostly notes infest my synapses. Unfortunately some melodies or musical moods are so perfectly defined; my simpleton’s grey matter is rather easy prey to a full-on earworm assault. For the last couple of weeks I’ve been re-watching all 29 episodes of David Lynch’s 1990 -1991 television show Twin Peaks. And no, the Twin Peaks Theme is not the exact piece of music bouncing around my skull, but Twin Peaks is the source of the latest spell.

June 27, 2008

Posted by phil blankenship, June 28, 2008 07:16pm | Post a Comment
Night Flight ticket Los Angeles Film Festival



BILLY JAM'S WEEKLY HIP-HOP ROUND UP: 6:28:08

Posted by Billyjam, June 28, 2008 11:32am | Post a Comment

After having the plug pulled prematurely on the concert he was a part of last Saturday at the Bayou Boogaloo & Cajun Food Festival in Norfolk VA where authorities charged him with "abusive language" (apparently for uttering the lyrics "What the fuck" during one of his songs),  Boots Riley of The Coup has issued a statement saying that the local authorities' charges against him are "racially motivated."

The obscure local Virginia law, on the books as # 18.2-416, has never before now been applied to a performer, nor has it been enforced against anyone in over 25 years.   But yet the city of Norfok is determined in pressing forward with the charges against the visiting Oakland emcee.

"City Officials claim that they are making the statement that profanity will not be tolerated," said Boots Riley in a prepared statement sent out yesterday by his label. "Obviously, since no one has been charged with this in 26 years, profanity IS tolerated. The statement they are making is that the culture and the people they feel I represent won't be tolerated. I was already off stage; the man they asked to leave the stage was Trombone Shorty, another Black man who looks nothing like me."

"This happened at 10PM, and it was far from a 'family' atmosphere, most of the audience was intoxicated after drinking at the festival's bar -- 'The Missing Kidney.' There was also a VIP section where free alcohol was distributed by the keg. Anyone who has been to a music festival on a Saturday night understands the scene. I did not leave the park afterward, as was claimed by FestEvents, the organizers of the Bayou Boogaloo Festival. I stayed and debated the validity of the charge with police and festival promoters. It is clear that this is part of a larger debate that has nothing to do with profanity, one that is being dealt with nationwide. That debate is about racism, gentrification and the ownership of public space."

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Spotlite? on Paul Anderson

Posted by Eric Brightwell, June 27, 2008 09:04pm | Post a Comment

Background

Paul Anderson is a prolific Generation X filmmaker with a trademark style and five Academy Awards under his belt. He's also made music videos for everyone who's performed at Largo. In addition to his film-making, he's dated models turned singers, singers turned models, daughters of singers and models who only sing in the shower.

Style

Paul Anderson's films are notable for their flashy style and complicated, interweaving story lines. As one of the video store generation of filmmakers, he employs a large bag of cinematic tricks, including quick cuts, constant camera movement, stunning scenery, dutch tilts, low angles, high angles and revolving pullback shots-- tricks gleaned from growing up with a VCR rather than film school learning. He frequently employs female-led ensemble casts drawn from a stock of trusted actors. Making up that group are such players as Julianne Moore, Sean Pertwee, John C. Reilly, Colin Salmon, Phillip Seymour Hoffman, Jeremy Bolt, Melora Walters, Jason Isaacs, and Luiz Guzman, to name a few.

Themes

Anderson's ostentatious style is frequently used to elevate the seemingly mundane to epic proportions. Sometimes the point of this ostentatious streak seems merely like showing-off, perhaps an effect of Anderson's high level of film exposure but probable lack of theory. He frequently revels in the seedy underside of outwardly blissful environs. Other frequently recurring themes include constructions and examinations of makeshift families, the role of media, divine acts, secret governmental organizations and the unintended consequences of technology run amok.

Films

He made his first film while still in High School. It was The Dirk Diggler Story. It was a short mockumentary inspired by the teenage Anderson's voracious appetite for porn.

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