Amoeblog

Deconstructing the Perfect Mashup with Adrian (A Plus D, Bootie SF) and Remixer/Producer Shahar Varshal

Posted by Billyjam, August 9, 2014 08:00pm | Post a Comment

"Timber Party" Pitbull ft Kesha vs Rihanna vs RedNex vs Garbage (Shahar Varshal Mashup) (2014)

Last weekend at the weekly Bootie SF party in San Francisco when DJ Mysterious D dropped the above mashup track into her mix the already packed and energized DNA Lounge dancefloor revved into full-on party mode dancing with wild abandon to the mashup that pitch-perfectly blends elements of '90's hits by both Garbage and RedNex with the current era hits by Pitbull featuring Ke$ha ("Timber") and Rihanna  ("What Now"). It was no wonder the Saturday night club goers responded so well to the Shahar Varshal produced "Timber Party" since the remix qualifies as the perfect mashup - one that expertly builds upon each of its elements so that the whole is even greater than the sum of its already spectacular parts.

In the case of the "Timber Party" mashup, producer Varshal takes two already great contemporary pop songs ("Timber" released late last year as a single off Pitbull's 2013 release Global Warming: Meltdown and Rihanna's hugely popular 2013 single "What Now") but elevates both to new heights by melding the best of the two together (the Rihanna vocal only here) and adding in perfectly chosen parts of both RedNex (usually fun but kinda cheesy, guilty pleasure) 1994 hit single "Cotton Eye Joe," and the vocals from 90's alt rock, female fronted band Garbage's breakout 1995 hit single "I'm Only Happy When It Rains"  - making Shirley Manson's sultry vocals sound even better than on the original by giving her a whole new instrumental backdrop thanks to the Pitbull track and matching her up with Rihanna - the most unlikely yet perfect pairing of voices - and all the while anchoring the song with the Ke$ha "I'm yelling timber" chorus vocal as the song's main hook.

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The Music Of Prince and Michael Jackson Continues To Draw New Generations Of Fans, Dave Paul Confirms

Posted by Billyjam, August 9, 2014 08:14am | Post a Comment
           
                                                            Prince "Anotherloverholenyohead" (1986)


Prince Current Top Five Favorites:

  "Anotherloverholenyohead"
  "17 Days"
  "When You Were Mine"


Michael Jackson Current Top Five Favorites:

  "Leave Me Alone"
     "Will You Be There"
   "Rock With You

The above are the top three personal favorite Prince and top three favorite Michael Jackson songs from the current playlist of longtime Bay Area DJ Dave Paul's non-stop/traveling Prince & Michael Experience party. The busy interstate commuting DJ, who brings his ever popular homage to the King of Pop and the Purple Prince to some different US city most weekend nights (last night he was at the Howard Theater in Washington DC, tonight he's at DROM in New York City) messaged me these  picks between flights over the past 24 hours. Yesterday morning back in the Bay Area he had his  suitcase packed and his alarm set for 4am for what has become a typical hectic weekend schedule for the music renaissance man who started out as a DJ thirty years ago spinning records by, amongst other artists, his two favorite artists: Prince and Michael Jackson.

Amoeba Sponsors Joe Driscoll & Sekou Kouyate, Sock Puppet Theater at Grand Performances in Downtown

Posted by Billy Gil, August 8, 2014 04:15pm | Post a Comment

Grand Performances

Amoeba is proud to be a sponsor of Joe Driscoll and Sekou Kouyate with folk singer/songwriter Vikesh Kapoor at Grand Performances in Downtown Los Angeles on Friday, August 15 at 8 p.m. As always with Grand Performances, the show is free. You can RSVP on Facebook here.

Joe Driscoll Sekou Kouyate Faya

Syracuse-born Driscoll is an American musician who uses everything but the kitchen sink in his songwriting, employing acoustic guitar, loops, beatboxing and rapping in his music, which fuses elements of rock, reggae, soul and folk. Guinea-born Kouyate is a virtuosic kora player from a lineage of famous players of the classical African stringed instrument. The album, Faya, released this year, sees the two collaborating as Driscoll spits verses over Kouyate’s lightning-fast riffs and velvety vocal tones.

Watch the the title track from the duo’s Faya album below:

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'Turn Up the Radio' Features L.A. Rock on Film at The Egyptian

Posted by Billy Gil, August 8, 2014 03:30pm | Post a Comment
james brown the t.a.m.i. show
James Brown performs in The T.A.M.I. Show

 

Amoeba is sponsoring The American Cinematheque’s film series Turn Up the Radio, which covers the intersection of music and media, rock and pop in Los Angeles during the birth of rock ‘n’ roll, from 1956 to 1972. The shows run Aug. 13-17, and you can get tickets here. General admission tickets are $11.

The films in the series cast a light on L.A. as a cultural zeitgeist during a time of great upheaval in pop culture, in concordance with one of the programmers Harvey Kubernik’s new book, Turn Up the Radio!, covering such iconic artists as The Doors, The Seeds and Frank Zappa. Kubernik will be signing his book in the lobby of the Egyptian at 6:30 p.m. Thursday and Saturday. The series is co-sponsored by Santa Monica Press.

the doorsWednesday Aug. 13 sees The Doors: Live at the Bowl ’68, covering the band’s triumphant Hollywood Bowl show on July 5, 1968, just as their classic album Waiting for the Sun was released, playing such classics as “Light My Fire,” “Hello, I Love You” and “The End.” The film is directed by Doors organist Ray Manzarek and has been restored and remixed by the band’s longtime engineer, Bruce Botnick. The show starts at 7:30 with a slide show by rock photographer Henry Diltz, followed by the film at 8. Watch a remastered clip of the band performing "Light My Fire" at the Bowl in '68 here.

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Show Recap: Spoon at Amoeba Hollywood

Posted by Billy Gil, August 8, 2014 02:33pm | Post a Comment

spoon britt daniels amoeba hollywoodI was curious to hear how Spoon’s sonically brilliant new album would come across live. Though they’ve always been a solid, rhythmically interesting band, producer David Fridmann gave the band an extra something special on this new album that made them really come alive on record.

Live, the album’s varied songs really popped, from the workmanlike “Rent I Pay” to the thumping yet introspective “Inside Out.” Clearly, the band is as enamored of their new songs as are critics, as the band counted off songs gleefully and seemed to up the volume of the groove every time for maximum impact.

spoon they want my soul cdThough they’re an engaging live band, Spoon are also knob twiddlers at heart, and by the third song, the space-Motown of “Rainy Taxi,” their sound had been perfected, erupting into a noise break at the end. Britt Daniels was reliably on throughout, his gritty vocals cutting through a loud mix.

It was great to hear the band bust out “I Turn My Camera On” (from 2005’s Gimme Fiction), the song’s carefully cultivated beat serving as a nice counterpoint to their noisier new material, as well as the comparable “Small Stakes” (from 2002’s Kill the Moonlight). The songs served as a reminder of Spoon’s many strong albums—remember the Beatlesesque “Don't Make Me a Target,” from 2007’s excellent Ga Ga Ga Ga Ga? It sounded great, even if Daniels seemed frustrated for a moment while on his knees wailing on the guitar (funny, since he could just stand still, looking and sounding perfect and people would be happy).

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