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Concert Tickets For Sale at Amoeba Hollywood in February 2015

Posted by Amoebite, February 2, 2015 01:39pm | Post a Comment

Concert TicketsAmoeba Hollywood regularly sells tickets to local shows, with the added bonus of charging low service fees (if you are into saving money and who isn't really?).

All tickets can be purchased at the registers (while supplies last) for a $2 service fee. We take cash and credit cards for all ticket sales. Store credit and coupons cannot be applied to ticket sales. Limit 4 tickets per person. 

For Club Nokia shows, we only carry general admission tickets. If you wish to purchase reserved seating at Club Nokia (where available), you can buy those tickets online here.

Please note that on the day of the show, we will stop selling tickets for that show at 5pm.

Tickets are limited, so please call the store first to make sure they are available: 323-245-6400.
 

JUST ADDED SHOWS:

Alan Parsons at Club Nokia

Alan Parsons
Club Nokia
June 14

ILoveMakonnen at the El Rey

ILoveMakonnen
El Rey
May 15

Music History Monday: February 2

Posted by Jeff Harris, February 2, 2015 11:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: February 2, 1927 - Jazz saxophonist Stan Getz (born Stanley Gayetzky in Philadelphia, PA). Happy Birthday to this jazz icon on what would have been his 88th Birthday.
 


Born on this day: February 2, 1942 - Singer, songwriter, and musician Graham Nash (born Graham William Nash in Blackpool, Lancashire, UK) of The Hollies and Crosby, Stills & Nash. Happy 73rd Birthday, Graham!
 


On this day in music history: February 2, 1974 - "The Way We Were" by Barbra Streisand hits #1 the Billboard Hot 100 for three weeks (non-consecutive). Written by Marvin Hamlisch, and Marilyn and Alan Bergman, it is the first chart-topping single for the Oscar-winning singer and actress. The song is written as the theme to the Sydney Pollack drama starring Streisand and Robert Redford. Like the film, the theme is a runaway success. Entering the Hot 100 at #92 on November 24, 1973, it will climb to the top of the chart ten weeks later. After one week at the top, it is temporarily displaced by "Love's Theme" by Love Unlimited Orchestra, then returns to the number one spot for two more weeks on February 16, 1974. The original hit single version of the song differs from the one appearing on the soundtrack album, with the single version containing a different (and most say) superior vocal take than what was released on the album. To date, the original 45 mix has yet to be reissued on CD or in any other digital form. "The Way We Were" will win the Grammy Award for Song Of The Year as well as an Academy Award and a Golden Globe for Best Song. The song will become a pop standard, being covered numerous times over the years, including versions by Gladys Knight, Shirley Bassey, Donna Summer, Barry Manilow, Dave Koz, and comedianne Gilda Radner. "The Way We Were" is certified Platinum in the US by the RIAA.
 

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SF Hip-Hop Renaissance Man Friscasso The Jeweler Kicks Off 2015 With Anticipated Album

Posted by Billyjam, February 2, 2015 09:00am | Post a Comment
After diligently been on the grind behind the scenes for the past dozen years multi-talented Bay Area hip-hop renaissance man Friscasso The Jeweler readies to take his place in the spotlight in 2015 with the release of his anticipated brand new, long-awaited, official debut album If You Buyin I'm Sellin (available in the Bay Area Amoeba stores care of Bay Game Records) on which he displays his rap skills alongside an impressive array of guests including The Jacka,  Killa Tay, and Matt Blaque. Among the strong album songs are such standout tracks as "Poed Up," "We Warriors," and the title track which is produced by Nasty Music - one of the numerous producers who contribute to the 14 track full-length (among the many others are J-Moe, SF Traxxx, Beat Goods, and Sean Fong Beats - hence the refreshingly diverse sound to the album).

While Friscasso The Jeweler may be a new name to some rap fans, those truly into Bay Area rap are already familiar with him thanks to his decade-strong history of tirelessly contributing behind the scenes to the vibrant Bay Area hip-hop/rap music world. This the multi-talented individual has done in various capacities: with his talents, in addition to rapper, including that of jeweler, tattooer, clothing designer, and car airbrush artist.  Indeed Friscasso The Jeweler is truly a renaissance man/talented Bay rapper. And it is as rapper that many already know of him via his long list of MC contributions to numerous high-profile rap releases over the past decade that include his contributions to 17 Wit A Thizz.  Meanwhile behind the scenes Friscasso has been applying his myriad of non-mic skills - from tattooing, to T-shirt designing / manufacturing, to custom jewelry making. All of this he has worked on with such SF/Bay rap players as Mac Mall, Black C, Mistah F.A.B., Lee Majors, and Big Rich.  As if making up for lost time Friscasso The Jeweler is unleashing two full-length rap releases (this official debut album plus a second full-length mixtape release) in 2015. These follow such already released popular Friscasso tracks from the past couple of years as "Poe'd Up" featuring The Jacka (included on If You Buying I'm Sellin), and his killer CD single / 49ers rap anthem "Sons Of Harbaugh," that created a buzz with both Niners fans and rap fans.

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One album wonders: The Glove's Blue Sunshine

Posted by Eric Brightwell, February 1, 2015 12:24am | Post a Comment
 THE GLOVE - BLUE SUNSHINE (recorded 1982, released 1983) 

The Glove Blue Sunshine


For about 40 years The Cure have been the main creative outlet for Robert Smith but he's engaged in the occasional side project here and there (and there). Whilst not as obscure as Cogasm or Cult Hero, The Glove and their sole album, Blue Sunshine, is a one album wonder that deserves better. 


I suppose that The Glove were as much a Siouxsie & The Banshees side project as a Cure one, since aside from Smith (who was himself twice a Banshee) the Glove was full-time Banshee Steve Severin. They also came about largely because Siouxsie Sioux and Budgie were off recording their own Banshee side project, the first Creatures record. It also owed a lot to the neo-psychedelic direction that the Banshee's had first pursued with 1980's Kaleidoscope

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Essential Records: The Jesus & Mary Chain 'Psychocandy'

Posted by Billy Gil, January 30, 2015 05:00pm | Post a Comment

essential albums jesus and mary chain psychocandy

Like many records whose reputations precede them, Psychocandy, the debut album by Scottish troublemakers The Jesus & Mary Chain, should be approached with caution and when you’re ready, not because someone told you to listen to it.

I picked up Psychocandy sometime in 2002 from Amoeba Hollywood, shortly after the store opened. I was going to school in San Diego at the time, and my friends and I would make trips up to Lou’s Records in Encinitas and Amoeba to binge buy used CDs. No one told me to get Psychocandy like Barry from High Fidelity, but I knew I probably should, judging by my growing obsessions with Sonic Youth, The Velvet Underground and My Bloody Valentine.

The first time I put it on, on my shitty car stereo, I couldn’t really hear what was going on. A car full of people talking didn’t help. It just sounded like static to me, but I was intrigued. I listened later on and, of course, became full-on obsessed.

“Just Like Honey” is the obvious entry point and still a hauntingly beautiful song that is universal in a Nirvana sorta way. But the album’s next few tracks are its best. “The Living End” isn’t just a song title that Gregg Araki would nick for his great movie of the same name; its overall vibe is so underground and elusive that listening always makes you feel a lot cooler than you really are. It doesn’t matter that I’m way too chicken shit to ever ride a motorcycle. Both “The Living End” and “Taste the Floor” introduce a sonic trick that other great bands would mimic, like the aforementioned Nirvana, their inspirations in The Pixies (who themselves would cover J&MC’s “Head On”) and shoegaze followers like Lush and Swervedriver, piling added distortion on what already felt like too much to begin with, like pouring chocolate syrup all over a chocolate cake. It’s overwhelming and awesome.

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