Media Home Entertainment M981
Media Home Entertainment M981
The most interesting points in the movie for me were the moments where Dylan's self creation was discussed. He's long been known as something of a shape shifter and it was interesting to think about the concept of home through his eyes -- where it is and how one gets there. I still wouldn't call Dylan a straight shooter or anything after watching the documentary, but my interest was piqued by both his comments and those of his many friends and collegues who were interviewed for the project, among them: Dave Van Ronk, Joan Baez, Mark Spoelstra, Al Kooper, Liam Clancy, Allen Ginsberg, Pete Seeger, Mavis Staples and Suze Rotolo.
Dylan says he was "born a long way from where [he was] supposed to be" and that he's been looking for his home, forging his own version of it ever since -- and he definitely doesn't look back. He's been inventing his own truth, his own identity throughout his career, allowing no one to pin him down at any one moment. Even his last name is an invention, purely his way of creating an identity for himself. Dylan believes he had no past, and totally seperated himself from his Hibbing, MN upbringing. He only looked to the present moment, and did what pleased him then. This goes a long way toward explaining his career and its diversity as well as the period in the mid-60s where he took a lot of heat for "going electric." The film covers this period with dynamic energy, interviewing those who were on the side of Dylan's "authentic" folk music/protest songs and those whose eyes were fixed on the future of rock in 1965. It's thrilling to watch the portion of the film where the audacious 1965 Newport Folk Festival performance is discussed, but then again, I always seem to find this a thrilling moment in musical history.
Trolling around on the internet looking for choice nuggets of info on the Flaming Lips' Zaireeka, a four CD set which prompts listeners to play all four discs simultaneously with meticulous attention paid to track numbers and accompanying instructions, I came across a really awful review from respectable online music publication. Now, Zaireeka comes with a fat warning label on the front that is unique to its creation in that it is not a parental advisory sticker or, in the case of Guitar Wolf's Jet Generation, a label suggesting that your speakers might blow when played at normal volume levels (Jet Generation is, or at least was at the time of its release, the loudest album ever recorded), but a simple statement that attempts to convey the lengths one must go to merely try to listen to the thing properly-- that is to say, the way the Flaming Lips intend for their audience to hear it. I, for one, like to think of the act of listening to music as an effortless pleasure that requires little more than pressing 'play.' The thought of puzzling out four walls of sound via four audio components, for me, is tired from the get go. I guess I could spread out on my bedroom floor with four boom boxes all loaded with all four Zaireeka discs at finger's and toe's length, but I own only one boom box and I don't think I'm coordinated enough to seriously consider contorting my free time just to check out a silly little alt-rainbow-rock record made in 1997. Anyone can see how an album like Zaireeka may be doomed to less-than-stellar reviews from folks who frankly can't be bothered to give a damn about properly experiencing it, folks who don't have friends (and the necessary extra boom boxes) who unconditionally love music.
Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!
Tony Danza & Ami Dolenz in
She's Out Of Control
New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
Midnight, All Tickets $7