Amoeblog

Big Boy Records

Posted by Eric Brightwell, June 16, 2009 08:53pm | Post a Comment
For several years in the '90s, before Master P moved to New Orleans and gobbled up most of the talent Big Boy Records logoof the legendary Parkway Pumpin, Big Boy Records was one of the main creative and commercial rivals to uptown's fledgling Cash Money. Over the course of the next few years, they released some of New Orleans' indisputably finest (and under-recognized) bounce and rap music. They also got caught up in all-consuming rivalry with Cash Money that raged in tit-for-tat diss songs while at the same time many of their stars departed for bigger labels. When Cash Money and No Limit signed multi-million dollar deals with major labels, Big Boy floundered, only to be reborn years later on a smaller scale,

Big Boy Records
was founded by Charles "Big Boy" Temple and the talented producer, Leroy "Precise" Edwards, who was responsible for most of the varied but always warm, solid and organic sounds. Others involved in the production were " David "D-Funk" Faulk and Brian "Big Bass" Gardner.

1993
Big Boy's first signee was pioneering New Orleans raper Sporty T (Terence Vine). The Gentilly resident had previously been a founding member of The Ninja Crew -- New Orleans's first rap group to record. In the early '90s, inspired by hits by Juvenile and Everlasting Hitman's bounce hits, he moved in that  direction as well. The label's first single was "Sporty Talkin' Sporty." Though bounce, it had an uncharacteristically heavy sound for the genre. After it sold 4,000 copies, Big Boy sought out more talent.

Continue reading...

June 16, 2009

Posted by phil blankenship, June 16, 2009 08:12pm | Post a Comment
Terminator Salvation movie ticket stub Mann Chinese 6
Mann Chinese 6 marquee Terminator Salvation

Terminator Salvation Now Showing

(During which the author suspects ruin is imminent.)

Posted by Job O Brother, June 16, 2009 01:15pm | Post a Comment
school

The "homework feeling." That’s what I’ve got.

It started when I was a kid. It would be after school, and I was finally at home. The sense of relief was huge, because I hated school. Every school day was something to survive – forget about excelling.

Not that I attended schools that were innately dangerous, mind you. In fact, my Ma made sure, humble means or no, that I went to private, reputable institutions. But my antipathy was unconditional. I have the test scores to prove it.

Having finished a day of school there still remained, however, a most evil of responsibilities: that heinous curse, homework.

It haunted me every hour I didn’t do it. Whether I was watching You Can’t Do That On Television, or making my culinary invention – Sweet, Scrambled Pancakes* – or writing cry-for-help puppet shows, there was always that voice in the back of my mind reminding me in a chiding tone that I had homework.


I pretty much never did homework. No amount of privileges revoked, respect lost, or threats of future failure could convince me to do a sheet of fractions. Heck, the homework could have been to sit in a chair and clap twice – I would have found a way to avoid doing it.

To this day, most any time I’m not actively doing something responsible and productive, I feel guilty, or like I’m forgetting something important and, as a result, my life will be sent into a furious, downward spiral. I know it’s neurotic, but all it takes is two hours of enjoying listening to music and daydreaming for me to worry that I’ll be living in a rotted cardboard box by Tuesday.

R.I.P. BOB BOGLE OF THE VENTURES

Posted by Billyjam, June 16, 2009 10:13am | Post a Comment

Guitarist Bob Bogle, who co-founded the Ventures (known for such hits as "Walk, Don’t Run” and “Perfidia”) died on Sunday after suffering for several years from Non-Hodgkin Lymphoma. The Vancouver, The VenturesWash resident was 75. As a part of the Ventures, the legendary instrumental rock band with a distinctive guitar sound that were inducted into the Rock and Roll Hall of Fame in March 2008, Bogle leaves behind quite a legacy.

The Tacoma, WA garage-rock band formed in 1958 by Bogle along with Don WIlson who both shared a strong passion for guitars. In 1960 they scored their first hit with an inspired instrumental remake of the Chet Atkins song “Walk, Don’t Run” (above) with Bogle on lead guitar.

The Ventures' version would go on to become one of the most influential songs in rock history and not only launched their long successful career but also helped lay the ground for what became known as "surf music," although they are not technically a surf band. The Ventures' guitar playing has influcenced guitarists in bands for generations, ever since their first hit almost fifty years ago. The prolific group has sold 100 million albums and they still perform to this day. Bogle had stopped playing some years ago due to his illness. R.I.P. Bob Bogle.

Top 5 World Music Best Sellers For June 7th-June 14th

Posted by Gomez Comes Alive!, June 16, 2009 01:31am | Post a Comment
Top 5 World Music Best Sellers June 7-14

1. Aventura-Last (New York/Dominican Republic)
2. Los Amigos Invisibles- Commercial (Venezuela)
3. Federico Aubele- Amatoria (Argentina)
4. V/A- Love Is Love (Africa)
5. Serge Gainsbourg- Historie De Melody Nelson (France)

The self-proclaimed Kings of Bachata ran away with the top spot on Amoeba Hollywood's World Music top five. Aventura sold enough to get on Amoeba Hollywood's overall top ten (a rare feat for our little section of the store), along with new releases from Mos Def, Grizzly Bear, Sonic Youth and J Dilla. Aventura, along with Wisin & Yandel, is the soundtrack to many lovesick teenage Urban Latinos in matching Kobe Bryant jerseys. It's the kind of sickly sweet stuff that you dedicate to your girl or guy if you love them or if they broke your heart.

Although this was an conscious attempt to make a mainstream album, Los Amigos Invisibles' latest, Commercial, stays the course that the band has been on for fifteen years. Remember what was often said about The Grateful Dead? “It's not that they're the best at what they do, it's that they're the only ones who do what they do?" That's certainly the case with Los Amigos Invisible. If you love their unique take on Latin Disco with loungy undertones, Commercial won't disappoint.

Federico Aubele’s electronic dub meets Tango and acoustic music has many fans, including Argentineans, KCRW heads and people who love Thievery Corporation. Maybe they are all one in the same? Nevertheless, they go gaga for this guy. It’s perfect background music for a cafĂ© or perhaps that mood music for driving or for that soundtrack for the mini-movie inside your head. There are also remixes on vinyl of some of these tracks as well as some from his previous release, Panamericana, which bump a little more than the CD versions.

Continue reading...
BACK  <<  1367  1368  1369  1370  1371  1372  1373  1374  1375  1376  1377  1378  >>  NEXT