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Sub Pop Sneaker Pimps: Seattle record label goes from grunge to sleek as it teams up with Nike to launch Sub Pop sneaker

Posted by Billyjam, September 1, 2009 10:26am | Post a Comment

Sub Pop Records, the legendary Seattle based record label first made famous back in the late eighties/early nineties for putting anti-fashion "grunge" acts on the music map, recently teamed up with Nike to launch the slick looking and pricey Sub Pop sneaker line: the Nike SB Blazer Elite Quickstrike -- Sub Pop Records. This high (street) fashion item is available on sites such as Sneaker.com, where the new Nike/Sub Pop collaborative design is described as "a new quickstrike SB. The shoe was made to go along with the Sub Pop Single Club 3.0’s first release “Gebel Barkal” b/w “(Version)” from the band OM. The record label is most known for first signing Nirvana, Soundgarden, Mudhoney and many other bands. This is a great shoe for any SB or record collector. This is 100% deadstock and considered pure heat!"  

The site Kicks On Fire describes the new line this way: "This pair of Quickstrikes sport a combination suede / leather construction in a green, yellow, and grey color scheme. Other features include white and black accents, as well as a star on the ankle."  And the cost for a pair of these puppies? Anywhere from $140 to $180 + tax depending on where you purchase them, except if you buy them directly from Sub Pop you can get them for the considerably lower price of $90 a pair. Buy the cheaper priced ones directly from the record label by clickng here.  But as the hard-working Sub-Popper Teal Garrels informs me they have less than 300 pairs to offer for sale and that they come in US men's sizes 6 through 13. Teal adds his description on the street fashion footwear as such, "The shoes have their own catalogue number (SP780) which is proudly displayed on the back of the heel. The Singles Club logo (including July 2009- Limited Edition) graces the inside of the tongue while the Sub Pop logo can be found on the front as well as on the insole of the high top sneaker."

I no longer live, but was raised in, a Yellow Submarine.

Posted by Job O Brother, August 31, 2009 05:49pm | Post a Comment

I have seen the movie Yellow Submarine more than any other film. This is because, as a child, I had a BETA copy of the film that had been taped off our TV. Without exaggeration, I’ve seen the movie over 200 times. Unfortunately, my taped copy also contained the commercials that played on TV when they showed it, which means I have also seen this…


…over 200 times. (If I, in the future, ever do anything absolutely crazy that lands me in trouble with the law, please remember this fact and use it in my defense.)

It’s also because of this movie that I was acutely aware of who The Beatles were. While most of my 1st grade friends were learning the hard way that Strawberry Shortcake dolls do not taste as good as they smell, I was phoning local radio stations and pleading with them to play songs off of Sgt. Pepper’s Lonely Hearts Club Band.


I was six when John Lennon was shot, and remember the moment when I found out. I was channel surfing (back then it was “switching the dial”) when I happened upon the news. I heard that Lennon was dead and starting sobbing. It was all so confusing. My primary association with him was as a cartoon character, and on some level I didn’t understand how that piece of animation had been murdered. It was all so complicated and awful. And probably why I genuinely feared for Scooby’s well-being from then on.

New 12" Electronic Releases at Amoeba Hollywood - 09/04/09

Posted by Oliver / Matt / Jordan, August 31, 2009 03:58pm | Post a Comment
 

New Electro/Techno 12"s Coming This Weekend:


Julien Chaptal

COLLIDER-LAUHAUS RMX 12"
VIS184 

This must-see on the live techno circuit in Holland makes his debut on 2020 VISION, with a LAUHAUS remix on the flip. Also includes the song "JOEL STARR." This should be big, following his TOKENS album released this year on key Dutch label REMOTE AREA.




erol alkan waves & death suite
Erol Alkan
WAVES & DEATH SUITE 12"
BNR036

EROL ALKAN & BOYS NOIZE team up for these two tracks, & deliver an electro disco storm alongside an abstract, cut 'n paste techno/acid rollercoaster. First designed to be battle weapons, but the response was so huge they decided to release them!
 
 

Aura REMIXES D12" ZZZUS120034
Bahama Soul Club SERIOUS SOUL 7" BU004VL
Black Dog TUNNELS OV SET-AUTECHRE RX 12" SOMA267

Bliss 
NO ONE BUILT THIS MOMENT #1 12" ZZZUS120037A

Dusty AN EXOTIC BREED 12" JM009

Flashtraxx JACK OF ALL TRADE 12" BFP016

Pitch & Scratch HAMBURG HUSTLE LP+CD LEGO015LP

Rebel Crew LAST TANGO IN TEXAS EP 12" STRX004

Various 
JAZZ & MILK BREAKS 3 12" EP JM0010  

Delphic 
THIS MOMENTARY 12" KITSUNE101

Drummatic Twins 
DEEP THROAT EP 12" FLR098

Gilles Peterson BRAZILIKA #4 DLP FARO142LP   

Prodigy 
TAKE ME TO THE HOSPITAL RMX 12" HOSPT05     

The situation in Ngulu Mapu intensifies

Posted by Eric Brightwell, August 31, 2009 01:16pm | Post a Comment
Although it's received little-to-no coverage in most mainstream media, clashes between Mapuche activists and the Chilean government have intensified as of late. Two days ago, thousands of Mapuche and other Chileans gathered around the country to protest plans for damming many of the country's rivers. This was only the latest round in a growing protest movement over land rights issues in Ngulu Mapu, the Mapuche homeland.

Mapuche memorial

Just two weeks ago, a young Mapuche, Jaime Mendoza Collío, was shot in the back and killed by a Chilean police officer. The police were attempting to evict a group of about eighty Mapuche who were occuypying the San Sebastián farm. Following Collío's death, many Mapuche took to the streets of Temuco demanding direct talks with the Chilean president, Michelle Bachelet. The killing of Collío was only the latest death of a Mapuche at the hands of Chilean police. On January 3, 2008, 22-year-old Mapuche student Matias Catrileo was shot and killed by police. 17-year-old Alex Lemun was similarly shot and killed in November of 2002.


The Mapuche, whose claims to Ngulu Mapu stem from thousands of years of continuous presence, routinely clash with the Chilean governments as it sells off more and more of the Mapuche homelands to foreign mining companies which wreak considerable environmental destruction whilst reaping considerable profits. Meanwhile, large timber firms (most state-owned) continue to deforest the countryside. Most of the timber ends up in the US, at an annual profit of about $600 million. After the forests are destroyed, the timber firms replant the area with thirsty, non-native trees like eucalyptus. Those who speak out against what they call environmental racism are frequently arrested under the banner of counter-terrorism. The government regularly applies laws enacted during the Pinochet dictatorship to imprison activists, especially those belonging to Mapuche organizations like Coordinadora Arauco-Malleco (CAM).

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FESTIVAL EXPRESS FREE SCREENING AT AMOEBA'S MONDAY MOVIES

Posted by Billyjam, August 31, 2009 11:04am | Post a Comment
Grateful Dead "Don't Ease Me In" from Festival Express, Toronto, June 1970

Last week kicked off the highly recommended free Amoeba's Monday Movies series in Hollywood, CA at Space15twenty with a screening of the Hurricane Katrina themed film Trouble the Water -- a Festival Expresswonderfully produced documentary, albeit with an unsettling subject matter. In contrast, tonight's screening of the fun, must-see music documentary Festival Express, which captures a magical slice of time and rock history from almost forty years ago, is much lighter in its content.

The film was shot in the summer of 1970 over a period of five days on a cool custom made train with some very talented passengers on board, including Janis Joplin, The Band, the Grateful Dead, Flying Burrito Brothers, Buddy Guy, and Sha Na Na. The train trekked its way across Canada from Toronto, to Calgary and to Winnipeg, with its crew stopping to perform concerts along the route.

What makes this film so unique and so endearing is just how candid everyone comes across in their intimate portrayals. I love this film and was so moved when I first saw it six months ago, especially by Janis Joplin's role. Her great performances  tragically would be some of her very last, since she died within a few months of this trans Canadian tour. I wrote an Amoeblog about Festival Express and Joplin back when I first watched the film.

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