Happy نوروز (Nowruz)

Posted by Eric Brightwell, March 20, 2009 08:26am | Post a Comment

Today, for most observers (but tomorrow for others), is Persian New Year, variously and roughly anglicized as Navrus (Tajikistan), Nawroz (Afghanistan), Nevruz Day (Albania), Nooruz (Iran), Nov Ruz Bairam (Kyrgyzstan), Nauryz Meyrami (Kazakhstan) and Novruz Bayram (Azerbaijan). As with the Lunar New Year, which is often referred to in the media as the "Chinese New Year" (unintentionally marginalizing Koreans, Taiwanese and Vietnamese, who also celebrate the Lunar New Year), Nowroz is often referred to as the Iranian or Persian New Year. In President Obama's Nowruz address, he didn't make that mistake, although he did turn it into a fairly contrived address to the Islamic Republic.

Maz Jorbani on Axis of Evil Comedy Tour


Iran, though related to Persia, is not the same thing. The word Iran comes from Aryānām, literally, "Land of the Aryans." Other Aryan people (who also celebrate Nowruz) include Baloch, Kurds, Lurs, Ossettians, Pashtuns and Zazas. Thus, Nowruz is widely celebrated (in addition to the places already named) in Balochistan, Bosnia, the Caucasus, the Crimea, Iraq, Kashmir, Kosovo, Kuwait, Lebanon, Macedonia, Syria, Turkey, Turkmenistan and Uzbekistan. The term "Iranian," in contrast to "Persian," includes all people descended from Iran who are just as fully Iranian (at least on paper, though not necessarily in practice) such as Arabs, Armenians, Georgians, Jews and Kazakhs, who are probably less likely to celebrate Nowruz. Though most of Nowruz's celebrants practice Islam, its origins go back much further and the day is especially important to Zoroastrians, as well as Alawites, Alevis, Bahá'í, Ismailis, and other Central Asian people of various faiths. 

Amoeba Music Weekly Hip-Hop Round Up 03:20:09 Eligh and Jo Wilkinson, T.I., E40, Roots Picnic, SxSW shows, Chess Federation vs Obama?, etc...

Posted by Billyjam, March 20, 2009 08:10am | Post a Comment
eligh and jo wilkinson
1) Eligh and Jo Wilkinson On Sacred Ground: Mother And Son (Legendary Music)

2) Scarab + Very present The Classic EP (Legendary Music)

3) Brother Ali The Truth Is Here (Rhymesayers Entertainment)

4) N.A.S.A. The Spirit Of Apollo (Anti)

5) T.I. Paper Trail (Atlantic)

Special thanks to Marques at the Hollywood Amoeba Music store for this week's Hip-Hop Top Five chart of the store's best selling new hip-hop albums. In the number one, with a bullet, slot is the new Legendary Music release from Eligh and Jo Wilkinson, On Sacred Ground: Mother And Son, whose impressive guest list includes Mark Bell, The Grouch, Pigeon John, Jiro Yamaguchi, Paul Dateh, Robert Miranda, Shanti Foster, and Slug of Atmosphere. Album highlights include "By And By" (feat. The Grouch & Paul Dateh), and "Honor Me" (feat. Pigeon John). Number two on the chart is a related release featuring Scarab (also of Living Legends fame) and Very of Us Pros, the duo known as Afro Classics, with the Classic EP. The EP includes scarab & very present the classic epsongs such as "Boom It," "The Follow Through," and "Live From Los Angeles Pt 1."

Trees For The Equinox

Posted by Mr. Chadwick, March 20, 2009 12:15am | Post a Comment

Cat Stevens Buddha and the Chocolate Box reord labelsouthland record labelchuck ragan record label
al hurrican mr. saxophone hurricane record labeldesire tree record label
bill gather trio impact record labelbonnie koloc record labelcure never enough palm tree record label
polkas con ernesto guerra del valle record labelpablo cruise part of the game record labelgeroge winston windham hill record label standard design
jimmy buffett coconut telegraph record labelaviva record labellinda waterfall windham hill records alternate label design
hickoids toxic shock cactus desgn labelnew mex record label

Ya Hoidz Me? - Talk About Bounce Music

Posted by Eric Brightwell, March 20, 2009 12:01am | Post a Comment
Uptown New Orleans

For some reason, the Bounce scene, born nearly 20 years ago, seems to be undergoing a minor critical reassessment as it inspires curiosity in a new generation of fans amongst the young, the Euro, the old and new. I can only guess why. I suspect that part of it is a development of the ongoing, time-delayed, middle class fascination with vulgar, good-time booty, that, as with booty bass, gogo, ghettotech and juke house before, takes a little longer to catch on beyond the music's traditional base. Or perhaps it’s just the curiosity factor due to the prevalence of so many openly gay rappers, who have been the subject of articles in The Village Voice, The Guardian and The New York Times -- although their readers are unlikely to run out and buy the latest
Sissy Rap record. There was even a piece on Bounce for NPR’s stomach-turning attempt at hipness, What's the New What? ...Just the title of that show makes me feel like I've been kicked where it hurts.

On the other hand, sites like
Louisiana Rap, Nola Bounce and Twankle and Glisten have done a good job in documenting the scene and suggest a much deeper, more honest appreciation that makes me happy. I'll be honest, the idea of a politician claiming to like Bounce would make me die a little inside. Yet, I’d love it if all these underappreciated, undercredited artists who made Bounce happen got some well-deserved acknowledgment and attention. With films like Ya Heard Me documenting the scene and Youtubers like 1825 Tulane Ave and Whatheallman tirelessly keeping Bounce in your ear, I guess I can live with the idea that some ironic, comb-over-wearing member of the Dumpster Click is going to be into it too. Anyway, for the time being, if you look up "New Orleans Bounce" on Youtube, you're (currently, at least) unlikely to be confronted with the image an American Apparel/Vice Magazine disaster doing the Eddie Bow.

Coachella 2009 30/30 Initiative: The Hold Steady

Posted by Amoebite, March 19, 2009 05:08pm | Post a Comment
30 Coachella Bands in 30 Days

127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

-By Scott Butterworth
Day #3 - Artist #3 - The Hold Steady:

I hate to start off with what I'm about to do, because I think the world of rock and roll journalism has no shortage of the cliche, metaphor-based music review, but it jumped out at me. I couldn't help it. You know, the kind of description like:  "(insert new awesome band)'s album sounds like the aftermath of a night out on the town, when the band is using the crosswalk at Abbey Road after leaving the pub, and is run down by a bus driven by Pink Floyd."

The Hold Steady - Stay PositiveWell, I'm going to do it anyways. When I first heard "Stay Positive," the title track off The Holdy Steady's 2008 album, I sensed something unique, yet so familiar, from the Brooklyn-based (by way of Minneapolis) band. The formula instantly popped into my head. Ready for this? I promise it's the only cheesy metaphor I'll be using. If Bruce Springsteen and the E Street Band were constestants on the improv sketch show Whose Line is it Anyway and were told to sing a song in the style of the Dead Kennedys, ala Wanye Brady, we would get "Stay Positive."

BACK  <<  1354  1355  1356  1357  1358  1359  1360  1361  1362  1363  1364  1365  >>  NEXT