AMOEBA MUSIC HOLLYWOOD HIP-HOP TOP SEVEN: 02:27:09
1) K'NAAN Troubadour (A&M/Octone Records)
2) Exile Radio (Plug Research)
3) Joe Budden Padded Room (Amalgam Digital)
4) Q-Tip The Renaissance (Motown/Universal)
5) Various Artists Fly Girls! B-Boys Beware (Soul Jazz)
6) Mobb Deep Instrumentals (SONY)
7) Madlib Beat Konducta 5 & 6 (Stones Throw)
Thanks to Edwin at the Hollywood Amoeba Music store for this week's chart of the top selling new hip-hop full length CDs. And this week, rather than the usual Top Five, we extended it to the Top Seven since there were just so many hot selling releases at the LA store this week. And in the number one slot is K'NAAN, the Somali artist that the LA Times pegged as "Artist to watch in 2009," with his sophomore release Troubadour. K'NAAN, who grew up in war-torn Mogadishu, doesn't glorify violence like so many American rappers. Instead he weaves a message of peace and positivity -- at times channeling the spirit of Bob Marley. Having son Damien Marley joining him as guest on the song "I Come Prepared" helps achieve this.
Among the many other notable guests on Troubadour is Chubb Rock (remember him?) who joins in on the song "ABC's," which cleverly portrays the ugliness of life during civil war. In that same vein, only deeper, the song "Somalia" addresses the larger political issues of his homeland, including the heavily publicized rash of recent offshore attacks on ships by Somalian pirates. Other guests include Mos Def, Chali 2na, and (surprise) Metallica's guitarist Kirk Hammett who joins K'NAAN on the track "If Rap Gets Jealous."
Back in the hey day of the Hollywood Musical, during the 1930’s and 40’s, there was a plethora of extremely talented high flying family dance troupes, starting with the ballroom sophistication of Fred and Adele Astaire to the lightning fast feet of the Condos Brothers to the tap dancing brilliance of Four Step Brothers to the over the top athleticism of the Berry Brothers. But the best, most explosive, and daringly innovative were the Nicholas Brothers, Fayard (1914–2006) and Harold (1921–2000). With their highly acrobatic "flash dancing" tap style and spectacular choreography, they are considered by many to be greatest dance team not only of the era, but of all time.
Growing up in Philadelphia, Fayard and Harold were the sons of vaudevillian musicians-- a pianist mother and drummer father who led their own band working the circuit. In 1932, when Harold was 11 years of age and Fayard 18, they became the featured act at Harlem's legendary Cotton Club. That same year they shot their first film, a short subject musical called Pie, Pie, Blackbird.
The Nicholas Brothers made their Broadway debut in the Ziegfeld Follies in 1936, directed by Vincente Minnelli and choreographed by George Balanchine, they performed alongside stars such as Fannie Brice, Bob Hope, and Josephine Baker. Two years later in a packed Cotton Club, Fayard and Harold reigned supreme in the legendary dance-off against the other leading tap dancing family of the day, the Berry Brothers. By some accounts the Berry Brothers trio showed perhaps more bravado, but the Nicholas Brothers brought down the house with sheer finesse and artistry.
Shortly thereafter, Fayard and Harold found themselves in Hollywood starring in a series of short subject films and guesting in several big budget musicals, like Down Argentine Way and Tin Pan Alley. In 1941 the duo appeared in both Glenn Miller movies, Sun Valley Serenade and Orchestra Wives. The former included the definitive version of “Chattanooga Choo Choo;” the brothers' dance number also included Harold’s future first wife, the incomparably beautiful Dorothy Dandridge.
In 1943 the Nicholas Brothers filmed what Fred Astaire has called the greatest dance sequence ever put to celluloid. In an amazing display of strength, agility and timing, they danced to Cab Calloway’s hard swinging “Jumpin' Jive” in the classic film Stormy Weather. The routine included Harold and Fayard hopping from table to table and over music stands, bounding between musicians in the orchestra and finally leap-frogging over each other down a flight of stairs, landing a complete split each time. Mikhail Baryshnikov called them the most amazing dancers he’d ever seen.
They’ve received numerous awards and accolades. In 1948 The Nicholas brothers gave a royal command performance for the King of England at the London Palladium and over the years they danced for nine different Presidents. Retrospectives of the Nicholas Brothers' work in film include a special presentation at the 1981 Academy Awards and a Kennedy Center Honors in 1991. They were awarded an honorary doctorate degree from Harvard University where they taught master classes in tap dance as teachers-in-residence. In 1994 they received a star on Hollywood Walk of Fame at 7083 Hollywood Blvd and were inducted into the first class of the Apollo Theater's Hall of Fame and the Black Filmmaker's Hall of Fame. The Nicholas Brothers were also recipients of the 1998 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement in Modern Dance.
I once met Fayard and Harold back in the 1980’s while I was attending LACC. They were invited to give a talk about their careers and incredible lives. Both of them still looked pretty damned fit, but unfortunately neither danced. I wanted to ask a question about life with Dorothy Dandridge, but I figured the conversation might take a gloomy turn, so I just kept my mouth shut; I suspect it might have been the right decision. Her life ended prematurely and tragically. Somewhere in my pile of papers I still have the program signed by both brothers.
Harold died July 3, 2000 of a heart attack following minor surgery. Fayard died January 24, 2006 of pneumonia -- a complication from a stroke.
Check out the footage below-- some of the dance routines are simply mind blowing.
Gris Gris Gumbo Ya Ya! It's carnival time again!
Mardi Gras is always a wonderful time at the old Amoeba, but this year the festivities were truly "marmalade!" More people attended than ever before, the floats were crazier, the music was funkier, and the Mardi Gras spirit was so strong some folks still haven't recovered. I saw a guy stumbling down Cahuenga covered in beads two days later... if it ain't the real thing, it's the closest you can get outside the French Quarter. If you were there, we love you; if you weren't, we wanna see you next year!
As usual, it snuck up on us again... we were still coughing from the flu and getting soaked with weeks of rain when we realized it was coming up on the calendar. Preparations kicked into high gear! We decorated the store in purple, gold and green, and then we redecorated it, and then we decorated it so much it was ridiculous. The PURPLE NURPLE krewe flung itself headfirst into float-making... the Yellow Submarine float made a battered but beautiful return, a sphinx & purple pyramid was set in motion, a tribute to recently deceased punkabilly pioneer Lux Interior of the Cramps (1948-2009), as well as an inexplicable float involving a space chicken surfing on a huge Dali-esque piano... at the last moment Karen dropped off a giant psychedelic timbale which this chicken was made to play like Tito Puente, and the floats were complete!
MEANWHILE... secret preparations were underway for the first ever Amoeba Irregular Marching Band! Led by Kim Pryor on trumpet and avant-garde sax player Becca, this motley ensemble worked up the spookiest, freakiest version of "When The Saints Go Marching In" we've ever heard! Augmented by the banjo of Matt Polley, a wheelchair-riding accordionista (Jada) and a second line anchored by Tom Wunder, Kris Konrad and Edythe, a truly celebratory zu-zu sound was pounded forth! It was left only to the Witch Queen of New Orleans, Mama Elicia, to howl wildly through a homemade megaphone and several feet of aluminum tubing and the sound was "ice cream."
Independent Arts & Media (aka Indy Arts) is presenting a panel tonight in San Francisco on the ever-topical subject of censorship in arts and the media. As outlined by the organizers, freedom of speech doesn't necessarily mean that we are completely free to actually say or print anything that we wish.
Tonight's discussion, which is free, will be moderated by V. Vale from RESearch Publications, and will include panelists Jennifer Joseph of Manic D Press, Jesse Townley of Alternative Tentacles, KALX, & 924 Gilman, and John Hell of SF community micro radio station Pirate Cat Radio -- all of whom will offer their insights and experiences with censorship issues.
Tonight what exactly it is that can and cannot be said will be discussed and analyzed. Further, the panel will examine if what we aren't allowed to say should be said or not, and if so, who should determine these things. On this same topic, a few days ago I finally got to the wonderfully revealing Kirby Dick directed 2006 investigative documentary on the US film rating system This Film Is Not Yet Rated (avail on DVD at Amoeba) which opened up my eyes to some of the ridiculous grey-area forms of censorship that take place just within film rating. Worth watching.
Earlier today I asked one of tonight's panelists, Jesse Townley, who was profiled in a recent Amoeblog, what specifics might be addressed this evening by himself and other panelists: "I think it's about personal incidents of censorship/prior restraint (hello FCC!) as well as the larger issues," he replied. "No one is 'pro-censorship' but I wonder if there'll be any discussion of the 'crying fire in a theater' test, or child pornography, or the video game you mention, etc. I think there will be... Vale will keep it moving and interesting, no doubt about it."