Amoeblog

Money Changes Everything, Pt.2

Posted by Gomez Comes Alive!, July 13, 2009 02:08am | Post a Comment



KMFDM-Money



Everything But The Girl- Love Not Money



Donna Summer- She Works Hard For The Money



The Dream
- Love vs. Money



Dire Straits - Money For Nothing



Dennis Brown- Money In My Pocket



Delroy Wilson
- Money


Conflict
- Turning Rebellion Into Money



Eric Clapton - Money And Cigarettes

Amoeba Hollywood World Music Chart July 1st-12th

Posted by Gomez Comes Alive!, July 13, 2009 01:42am | Post a Comment
Amoeba Hollywood World Music Chart July 1st-12th

1. Aventura- The Last
2. Los Amigos Invisible- Commercial
3. V/A- Panama! Vol. 2
4. Manu Chao- Clandestino
5. V/A- Nigeria Special: Modern Highlife, Afro-Sounds and Nigerian Blues
6. Federico Aubele- Amatoria
7. V/A- Nigeria Disco Funk Special
8. V/A Rudo Y Cursi Soundtrack
9. Oumou Sangare- Seya
10. Wisin & Yandel- La Revolucion

The Amoeba World Music charts for July 1st- 12th shows that if it isn’t Latino, it’s Africano. With the exception of Manu Chao, the rest of the releases come from either Latin America or the continent of Africa. Coming in at #1, as expected, was Aventuras The Last, which has slowed down just a tad since its initial release. Los Amigos Invisibles comes in at number two, followed by yet another Soundway compilation, Panama! Vol. 2. In fact, the Soundway label not only has three releases in our top ten, but several releases in our top twenty-five. The Panama! Vol. 2 compilation ranks up there with the excellent Colombia & Nigeria Special Series. This comp focuses on the post-Panama Canal Caribbean, Afro-American and South American influences on Panama. At this point I have to say it’s better and a bit deeper than Vol.1.

Silence is Golden?

Posted by Whitmore, July 12, 2009 03:16pm | Post a Comment
Dear 45s Record room,
 
I just finished driving due north to beautiful Vashon Island off the coast of Seattle; 1200 miles of dodging Highway Patrol speed traps, over-thinking routes and stuck in hyper caffeine overdrive listening to crazy-ass tirades from loony-right-wingnut talk radio. I suspect the elitist-socialist-coast-hugging-Hollywood-sissy-leftist-yoga flexing-public radio-wingnut they’re talking about is me, except I’m just a record geek on vacation driving a Ford mini-van with my wife and kid on that silvery ribbon of highway. By the way, gas wasn’t terribly overpriced anywhere on the road.
 
We spent a couple of days at the mouth of the Russian River just north of the Bay Area; insanely gorgeous and weirdly quiet. For most of us, spending a night in John’s cabin was probably a treat. Up there on the Russian River surrounded by big blue chunks, there is no noise, just pure unadulterated silence. I woke one morning very suspicious of silence. Is silence golden? Hell, I think silence is more often than not iron pyrite. Confucius said “Silence is the true friend that never betrays.” Well, I’m always a little dubious. In Buddhism silence and allowing the mind to become silent can help lead to spiritual enlightenment. Unfortunately I doubt I’ll ever know. My hearing is shot and if the high pitch ringing in my ears doesn’t drive me mad, all the noise I use to cover my tinnitus every single frigging day will. I’d like to blame someone other than myself for this predicament; it is the true blue American, Fourth of July, consecrated right to deny personal responsibility. Could I blame some of the 5000 different bands I did sound for in my years as a live engineer? I was raised in the Catholic Church-- maybe the blame should be directed at god? Then again, what’s that going to accomplish? I’m pretty sure by the sixth chapter of the first book in the bible god was ready to kill off everybody; I doubt my tinnitus could qualify as either a concern of the almighty or the act of a vengeful god ... too simple a scheme. However, according to talk radio rationale, I could and should blame Obama, Pelosi, or Letterman and Franken or a least my college education for all my problems.
 
Anyway, I’ll write you again later, don’t forget to feed the new psychedelic record box, and take out the thrash records, thanks. Oh, and send my regards to the pop vocals clutter. PS: here are a couple of pix from along the way and an old song. One more thing, according to the great mime Marcel Marceau, “Music and silence combine strongly because music is done with silence, and silence is full of music.” I presume he wrote that down.

Bob Mitchell 1912 - 2009

Posted by Whitmore, July 12, 2009 02:36pm | Post a Comment

Bob Mitchell


The original ballpark organist for Dodger Stadium and the last surviving working keyboard accompanist from the silent-film era, Bob Mitchell, has died. He was 96.

The native Angelino, born in Sierra Madre in 1912, died this past week from congestive heart failure at Hancock Park Rehabilitation Center in Los Angeles.
 
From the first Dodger game played at the Chavez Ravine Stadium in 1962 until 1966, Mitchell was the keyboardist on the Wurlitzer double-keyboard organ with a 25-note bass pedal board. Up until that time he was best known as founder of the Robert Mitchell Boys Choir and its director for over 60 years. They appeared in more than 100 motion pictures, starting with 1936’s That Girl from Paris. Other films included the classics Going My Way starring Bing Crosby from 1944 where they sang “Ave Maria” and 1947’s The Bishop’s Wife. The choir was also documented in the 1941 Academy Award nominated short Forty Boys and a Song. Over the years more than 600 kids between the ages of about 8 and 16 performed in the Mitchell choir. Alumni include members of the Modernaires, the Lettermen, and the Sandpipers.

In 1924 at the age of 12, Mitchell began playing organ at the old Strand Theater in Pasadena, improvising soundtracks to silent movies. But with the advent of talkies and The Jazz Singer in 1927, Mitchell's first career as a silent-film accompanist was about over by the time he was 16. 65 years later, in 1992, he once again sat at the organ accompanying films at LA’s Silent Movie Theatre on Fairfax Avenue. His last public performance was this past May when he opened the Last Remaining Seats film series at the Orpheum Theatre in downtown LA.
 
Bob Mitchell began taking piano lessons at four years of age. He attended the New York College of Music before returning to Los Angeles in 1934; eventually he graduated from what is now Cal State L.A. and Trinity College in London. During the Second World War Mitchell served in the Navy and played keyboards for the Armed Forces Radio Orchestra under the direction of Meredith Willson, who later wrote The Music Man.

SUBWAY ART PHOTOGRAPER HENRY CHALFANT INTERVIEW

Posted by Billyjam, July 11, 2009 04:45pm | Post a Comment
Subway Art
Subway Art
-- the legendary graffiti art book by Henry Chalfant and Martha Cooper -- has just recently been republished in a nice big coffee table hard cover version appropriately titled Subway Art: 25th Anniversary Edition. The book has never been out of print since its initial 1984 publication but this new anniversary edition is just jaw-droppingly amazing and a must-have for any graffiti fan.

Its much larger scale and new dimensions of 17" by 13" full-color spreads allow the crispy clear photos to fully come to life in their bright, beautiful colors and hence make them so much easier to fully appreciate.

The new edition of Subway Art also offers numerous never-before-seen photos from that late 70's / early 80's era of New York City when Cooper and Chalfant were documenting this vibrant and rampant illegal public transit art form; one that would be gone by the end of the decade in which the book was first published. But over the years Subway Art has taken on life of its own and the influential book has gone on to sell a staggering half a million copies.

I recently had the opportunity to sit down and talk with Henry Chalfant about this influential art book. A Stanford graduate who was first a sculptor, Chalfant has lived in New York City for many years and is now nearing 70. He is equally known in graffiti circles for his documentation of the art form via the book Spraycan Art which he co-authored with James Prigoff, and for Style Wars, the historic PBS documentary on New York graffiti that he co-produced with Tony Silver. Chalfant's work can be found in the collections of the Metropolitan Museum of Art in New York City and the Carnegie Institute in Pittsburgh, Pennsylvania. A few years ago he directed the excellent Latin and hip-hop themed documentary about the South Bronx, From Mambo to Hip Hop: A South Bronx Tale, that aired on PBS stations in 2006.

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