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Exile In Guyville

Posted by Miss Ess, May 31, 2008 01:36pm | Post a Comment
When I was in college I made that common mistake of going out with this guy off and on who kind of excessively fanliz phair livecied himself the "liberated male"...thus, of course, it was at his place where I first heard Liz Phair's excellent Exile in Guyville.

I think I knew from the beginning that "relationship" was doomed by, among other things, his overly self-conscious brand of "feminism." I ended up nabbing his copy of the record though, and I guess I still have it. 

Anyway, I was really excited to hear that Phair will be taking a mini tour and performing the fifteen-years-old Exile in Guyville in its entirety.  Also, on June 24 the exile in guyville liz phairrecord will be reissued with bonus tracks and a DVD about the making of the album. 

Exile in Guyville rawks my face off-- not only is it intelligent, challenging, melodic and kick ass, but it's written and performed by a woman who has been around the block a few times and lived to tell about it.  It's quite cathartic, and even though Phair eventually traveled with the Lilith Fair and all that hairy armpit jazz, this record should not be filed anywhere near those soft, for-women-only-faux rockers like Paula Cole and Joan Osbourne.  No, Exile in Guyville stands on its own two feet as a solid rock n roll record for the masses.

Check out one of the best tracks from the record, "Fuck and Run":



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Earl Hagen 1919 - 2008

Posted by Whitmore, May 31, 2008 08:52am | Post a Comment

Earlier this week legendary, Emmy Award-winning television composer Earle Hagen died in Rancho Mirage, Calif., of natural causes at the age of 88. A prolific composer, he wrote many of the classic television themes that endlessly stick in our heads. Shows like Make Room for Daddy, The Andy Griffith Show, The Dick Van Dyke Show, I Spy, Gomer Pyle, U.S.M.C, That Girl, The Mod Squad, and Mary Hartman Mary Hartman, many of which featured his sense of humor and droll musical wit. Hagen also wrote the jazz standard "Harlem Nocturne” when he was only 20 years of age.

Born in Chicago on July 9, 1919, his family moved to Los Angeles when he was a child. After graduating from Hollywood High School, he left home at age 16 to tour with many of the Big Band giants of the day -- Benny Goodman, Tommy Dorsey, Ben Pollack and Ray Noble. While on the road with Noble in 1939 he wrote the classic instrumental "Harlem Nocturne." Inspired by the work and sound of the Duke Ellington Orchestra, this sexy/sultry tune has since then been recorded hundreds of times by artists such as Charlie Barnet, Glenn Miller, Sam "The Man" Taylor, Stan Kenton, Earl Bostic (a major hit in 1956), Johnny Otis, The Viscounts (whose version is perhaps the raunchiest!), Edgar Winter, King Curtis and The Lounge Lizards. "Harlem Nocturne" was also used, years later as the theme to the television show Mickey Spillane's Mike Hammer.

But Hagen’s greatest fame probably stems from The Andy Griffith Show and its whistling happy-go-lucky theme written in 1960. This folksy-down home melody perfectly captures the opening credits, scene and feel of Andy Griffith and a young Ron Howard in character as the Sheriff and son Opie, walking down a country path towards the old fishing hole, poles on shoulder, in what must be the-life-idyllic. The whistling was done by Earle Hagen himself.

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Alexander "Sandy" Courage 1919 - 2008

Posted by Whitmore, May 30, 2008 09:29am | Post a Comment


Alexander "Sandy" Courage, composer of the original 1960’s Star Trek television theme has died in Pacific Palisades. He was 88.

Born Dec. 10, 1919, in Philadelphia, Courage graduated from the Eastman School of Music in Rochester, N.Y., before enlisting in the Army Air Force in 1942, a month after Pearl Harbor, serving as a band leader on California military bases during the Second World War.

His career as a composer started at CBS Radio in the mid 1940’s; eventually Courage moved over to MGM as an orchestrator/arranger in 1948.

Over the next decade or so, he worked as an orchestrator on a string of classic movie musicals, including Annie Get Your Gun, Singing in The Rain, Show Boat, The Band Wagon, Seven Brides for Seven Brothers, Kismet, Oklahoma, and Gigi. But by the late 1950s, Courage was scoring soundtracks, including two classic westerns-- The Left Handed Gun and Day of the Outlaw, as well as some early rock and roll exploitation films-- Shake, Rattle and Rock!, Hot Rod Girl and Hot Rod Rumble.

He began composing for television in 1959, writing themes and incidental music for hundreds of television shows including The Untouchables, Laramie, Daniel Boone, M Squad, Lost in Space, Land of the Giants, The Waltons, Falcon Crest, and Flamingo Road.

But his greatest claim to fame came with the theme and eight-note brass fanfare opening to Star Trek, the legendary sci-fi series which ran from 1966 to 1969. Originally using electronic/orchestral sounds for the arrangement, Courage later used a wordless melody line for the second and third seasons, sung by soprano Loulie Jean Norman. The Star Trek theme has since then become one of the most recognizable melodies ever in film and television history. One interesting note -- in those halcyon disco days in the early 1970’s, Nichelle Nichols, who played the role of Uhura in the original series, recorded a dance version -- a must have for record and sci-fi geeks everywhere!

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TOPR INTERVIEW (AT AMOEBA SF TODAY) & OTHER BAY HIP-HOP HAPS

Posted by Billyjam, May 30, 2008 02:30am | Post a Comment

As usual, there's lots of great indie hip-hop jumping off round the Bay Area this weekend, starting later today (May 30th) at Amoeba Music San Francisco where longtime local hip-hop artist TOPR, in celebration of his latest (fifth) solo album The Marathon of Shame, will be performing for free at 6PM.

Joining the Gurp City member onstage at the Haight Street store will DJ Quest, who incidentally celebrated his own new album (Questolous) release on the same stage not too long ago.

For some more background information on TOPR, who appeared on the Amoeba Music Compilation Vol. V with a song whose lyrics mentioned Amoeba Music, read his bio on the Amoeba Music website and/or scroll down a bit to the Amoeblog interview recently conducted with the hip-hop artist who is known for his homeless couch-surfing past, his gift  for graffiti art (see a piece he did with Lews of LORDS crew below), and of course his love for booze and partying.

Meanwhile some other Bay Area hip-hop shows happening this weekend include a great DJ throwdown tonight featuring two of the Bay's best turntablists, the world famous DJ Apollo (Triple Threat DJs etc.) vs. Goldenchyld of San Jose's Finger Bangerz fame at Vessel, 85 Camptan Place (near Union Sq., SF). Tomorrow night the ever busy DJ Apollo will join forces with his fellow Triple Threat DJs, Shortkut and Vin Roc and throw down a mix of hip-hop, breaks, and reggae at Berkeley's Shattuck Downlow, where tonight (Friday, May 30th) the reggae legend Eek-A-Mouse will be performing.

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out today...5/27...cyndi lauper...booka shade...

Posted by Brad Schelden, May 29, 2008 07:02pm | Post a Comment

Cyndi Lauper
was right up there along with Madonna and Prince back in the 80's. They were for sure my first favorite artists that I obsessed over. And I was not alone. I blame it on MTV, but you have to give them credit for creating millions of fans out of these sort of weird artists. Somebody who looked like Prince or Cyndi Lauper would never make it on American Idol today. They would be included in the group of contestants who never make it, that everyone laughs at. I know it was a different time back then, but it still is amazing how popular music has became so boring and basic. I try to stay away from American Idol. I just avoid it because I know it will make me mad, but I happened to catch the last 15 minutes of the finale last week. The contestants are always the same. They have decent enough voices but they never have any style or substance to them. They are just exact replicas of the contestants of seasons before them. They have the rocker dudes, the high school musical showtunes people. The boring R&B singers. I would really love to see somebody like Cyndi Lauper on that show-- somebody totally crazy and unique. I don't think it will probably happen. The mainstream music fan has become complacent with boring music and is just not interested in anything a bit weird. Where is the next Cyndi Lauper? Will there every be another Morrissey or Robert Smith? Another Marilyn Manson? Where are the weirdos? The 80s really was all about the rise of the freak and weirdo. It is really amazing Cyndi Lauper became as popular as she did. She was like nothing before her. The songs were pure perfect pop and she had one of those unique brilliant voices. Anybody who was a bit weird themselves was drawn to her. They identified with her for being an outcast and weirdo, but then she became one of the most popular and recognizable singers of the 80s.

Cyndi Lauper is one of those artists that just makes me happy anytime I think about her. I smile whenever I think of her in the "We Are The World" video or in the video for "The Goonies 'R' Good Enough." I hate to imagine my life without her. How could I have got through the 80s without "Time After Time,"  "She Bop," "Change of Heart," and "When You Were Mine?" I remember being excited whenever I heard her on the radio or TV. The 80s would have certainly not been as interesting and fun without her. Maybe Cyndi should have her own reality show. It could be the search for the next Cyndi Lauper or the search for the next weirdo. Cyndi does have a new album out this week as well. Her album from a couple years ago was a pop vocals standards sort of album. This is nothing like that. It goes more back to what you might expect from her. The album is very dancey and very gay friendly. She still manages to make some super fun songs. Not sure I will be listening to it very much more, but I still love her and will most likely be seeing her in concert again when she brings her gay positive True Colors Tour to town.

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