Posted by Mr. Chadwick, March 27, 2009 06:45pm | Post a Comment
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Why Is The Ratio Of Female To Male Rappers Still So Uneven? Conscious Daughters + Monica Lynch Weigh in on the Topic: Women in hip-hop Part IV: Women's History Month

Posted by Billyjam, March 27, 2009 05:00am | Post a Comment
queen latifah all hail the queenWhy, after all these years, is the number of female rappers still radically less than that of their male counterparts? Is it really that not as many women want to be rappers? Or rather that they are being shut out and discriminated against, and simply not encouraged to be hip-hop artists? Encouragement ultimately comes down to sales figures, so is that not enough hip-hop fans support women artists? 

"Women can't rap" used to be the common criticism of females heard back in the day. Interestingly, these days the ratio of female rap fans has grown, yet the number of female rap artists has not grown proportionately. 

To answer these questions, which have always puzzled me, I asked a few women who have been in the business for a while: CMG and Special One of the longtime Oakland female duo The Conscious Daughters, and Monica Lynch, the president of Tommy Boy Records during the years 1981 - 1998 where she was instrumental in launching the careers of such artists as Afrika Bambaataa, De La Soul, Digital Underground, House of Pain, Naughty By Nature, and Queen Latifah. She still works closely with Queen Latifah, helping guide the artist, actor, investor, product spokesperson's with her music-related endeavors.

"When you look at rap as a subset of the hip-hop culture at large, you see that a vast vast majority of the DJs were male, a vast majority of the graffiti artists were guys, the vast majority of the breakdance crews were men, and the vast majority of the rappers were male. So it was just an extension of the origins of hip-hop culture being a predominantly male cuture," said the former Tommy Boy president, who firsthand witnessed rap music morph from supposed "fad" into an unstoppable global cultural movement.

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Ten Questions For Talib Kweli

Posted by Smiles Davis, March 27, 2009 01:10am | Post a Comment

Talib Kweli can easily be crowned as one of Brooklyn’s finest mc’s. For years the industry veteran has championed positive portrayals of urban society through his eternally omniscient lyrics. After the critical and commercial success on Black Star, Kweli, alongside “Ms. Fat Booty” himself, Mos Def, forced record labels to pay closer attention to underground Hip-Hop. Before the Internet, an underground artist struggled immensely without the help of perpetual touring. Needless to say, the crowned emcee puts on a concert better than blueberry pancakes and mimosas on a breezy Sunday morning. He takes “hip-hop live” to a whole new level. Check out this EXCLUSIVE footage of Talib and long time collaborator Hi-Tek putting it down last week in Austin, TX at SXSW to a live band and a packed house.

                                                   (video courtesy of Paul Stewart of Next-Thing)

I caught up with Talib and asked him ten simple questions. We chopped it up about the upcoming Reflection Eternal: Train of Thought II album -- one of the most anticipated albums of '09 -- Blacksmith artist Jean Grae, Strong Arm Steady, his collaboration with R&B singer Res, and the possibility of a Black Star Reunion.

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Coachella 2009 30/30 Initiative: K'naan

Posted by Amoebite, March 26, 2009 08:45pm | Post a Comment
127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

- By Scott Butterworth


Day #10 - Artist #10 - K'naan:

Many famous musicians have come from hard times and rough backgrounds. Jay-Z grew up in the Marcy Housing Projects in Brooklyn, Kurt Kobain lived under a bridge for a time in Aberdeen, Washington, and K'naan grew up in the Wardhiigleey ("Lake of Blood") District in Mogadisho, Somalia. Sound familiar? Anyone seen the movie Blackhawk Down? Yeah, K'naan spent his childhood right in the middle of that violence and chaos.  His farther, being an intellectual, left for New York City to work and sent money back to Somalia to support his family. K'naan and his mother were able to get their exit visa approved on the last day the US embassy was open before the Somali government's collapse in 1991, and they boarded the last commercial flight out of the country. If I had to choose...I think I'd take the bridge in Aberdeen. (For more detail on his experience, click

Folies Art Nouveau

Posted by Whitmore, March 26, 2009 07:19pm | Post a Comment

Well, let the looting, pilfering and ransacking begin at Metro stations across the ville de Paris.
At Christies this week a cast-iron entrance rail to a Paris Metro stop from the early 1900’s sold for $27,500 at auction. The Art Nouveau remnant of the Paris subway system was originally expected to bring in only about $9,000.
Standing more than 4 feet high and almost 5 feet wide, more than 140 of these Metro guard rails were built around 1900. Though most have not survived, a few reside here and there and in museums around the world, including New York's Museum of Modern Art. There is actually only one complete surviving Art Nouveau edicule in the Paris Métro located at The Porte Dauphine station. All these entrance signs and railings and stations were created and designed by the architect Hector Guimard (1867 - 1942), who was also renowned for his design of the Pavilion of Electricity at the 1889 World's Fair in Paris and his 1913 design of the Synagogue de la rue Pavée à Paris.

Today Guimard is considered by many as the most prominent representative of the French Art Nouveau, but during his lifetime his fame and critical appreciation was short lived. By the onset of World War One his reputation and commissions had already started to fall by the wayside. By the time of his death in 1942 in New York, he had been forgotten. 
Christie's did not release the name of the winning bidder.

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