Amoeblog

WHY BEING THE BAND LEADER SUCKS

Posted by Billyjam, January 27, 2009 09:40pm | Post a Comment

Patrick Hambrecht
of the unique Brooklyn rock group Flaming Fire has a really wonderfully written article in the latest Vice magazine (published online yesterday) entitled "The Past, Or Three Reasons I Quit My Band and Started Over." In the piece he writes, "I was in a band called Flaming Fire. I recently ended this band." The charismatic center of the self-described "spooky electronic chant" band / metaphysical arts collective has created an extremely entertaining piece of writing in which he draws analogies to the cartoon G-Force and also Syd Barrett. What he wrote follows and will certainly entertain anyone who has ever been in a band:

"When I was a kid, my favorite show was G-Force, an anime about "Five secret agents trained to fly like birds." They traveled around in a huge space plane that could turn into a phoenix, and everyone on the show had a cool vehicle that detached from the phoenix. Mark, the leader, had a jet fighter; the robot sidekick had a subterranean drill; the girl had a scooter; the cool guy had a racecar. The only guy who didn't have a cool vehicle was Tiny. Tiny was the fat dork who drove the big plane, and waited for everyone to come back from their awesome solo missions. When you start a band, you think you're going to be Syd Barrett, and everyone else will let you get drunk, do lots of drugs and be fun while they pack drums and set up gigs and do all the boring stuff. But that's not going to happen. Because you're the band leader, the band is your thing, not theirs. Your drummer may be in eight bands, your bassist may be a painter, your lady vocalist may be a cartoonist, but you won't have time for those things yourself. You have to set up gigs, book tours, cart them around in a van you buy, smooth over arguments between members, try to save money from gigs for recording sessions, mail out promo CDs over your lunchbreak. You're not Syd Barrett; you're a secretary. You're Tiny."

Greg Weeks of Espers and Language of Stone Records Chats

Posted by Miss Ess, January 27, 2009 06:02pm | Post a Comment
Greg Weeks is an exceedingly multi-talented musician at the forefront of the so-called "Folk Revival" that's been going on for several years now with his solo albums, including this year's The Hive, and his band Espers. He is also single-handedly helping keep alive the art of analog recording with his studio in Philly, Hexham Head. AND he has his own label, Language of Stone, distributed by Drag City, for which he plays A&R man. Then there is also Greg's other baby, The Valerie Project, which involves a group of Philadelphia musicians who created a soundtrack to play along live at screenings of the 1970 cult Czech film Valerie and Her Week of Wonders and debuted back in 2007. Between all these various artistic endeavors, it's a wonder Greg had time to chat here! Read on to hear about the thrilling new projects Greg is taking on, where he finds inspiration, and what songs are currently defining his life, among other things.

greg weeks

Miss Ess: What was it that got you into music in the first place?


Greg Weeks: I'd have to say rsolid gold dancersadio ... or the Solid Gold dancers. Probably radio.
 
ME: Can you describe the exact moment?

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More News from the Wild Kingdom

Posted by Whitmore, January 27, 2009 03:37pm | Post a Comment
 
At the Southland Museum in Invercargill, New Zealand a rare and endangered native reptile, a tuatara, has become a father, possibly for the first time, at the age of 111.
 
Henry the tuatara was thought to be past his prime -- you would think -- especially since he has shown no interests in females since his arrival the Southland Museum in 1970. But last July Henry mated with Mildred, herself no spring chicken either; she’s in her 70’s. Mildred laid 12 eggs and this week after 223 days of incubation, 11 baby tuataras successfully hatched.
 
According to the Museum, Henry’s new found vitality may be due to a 2002 operation to remove a cancerous tumor under his genitals. Known for his foul moods and aggressive behavior towards other tuataras -- 25 years ago, Henry bit off Mildred's tail when the two were put together for mating purposes -- Museum tuatara curator Lindsay Hazley said that Henry has had a "major personality transplant."
 
Tuataras are found only in New Zealand and are sometimes referred to as "living fossils." They resemble lizards and are the only surviving members of a species that walked the Earth some 220 million years ago. Today most tuataras live in predator-free sanctuaries or on New Zealand’s offshore islands. They can live between 150 and 250 years and usually reach sexual maturity at about 20. This coming spring the newly rejuvenated Henry is expected to mate with another tuatara, Lucy, one of three females he currently lives with -- sounds like a basic cable reality TV show …

Blood Voyage

Posted by phil blankenship, January 27, 2009 10:55am | Post a Comment
Blood Voyage horror thriller  Blood Voyage on Cinematex video

Blood Voyage plot synopsis

Intense Blood Voyage pic

Werewolves in Film, DVDs, Games and Music

Posted by Eric Brightwell, January 26, 2009 04:00pm | Post a Comment
 

Whilst werewolves have been the subjects of films at least as early as 1913's The Werewolf, werewolf movies has always played second fiddle to vampire movies. Heck, maybe even third fiddle, with zombies probably having overtaken them. Werewolf films are therefore like the Dr. Pepper to Zombies' Pepsi and Vampires' Coke. The Rodney Dangerfield of monsters. And yet werewolves' history, both in cinema and reality, is indelibly intertwined with other, more popular monsters. Historically, werewolves were even viewed as likely candidates for vampirism after death. And in films they have a long history of grudge matches with their undead enemies. In the past, it was usually Dracula himself vs. The Wolf Man in a series of B-movies. Now, vampires and werewolves are often depicted as members of different races of beings with ancient hatreds that play out less in the horror genre than the fantasy.
 

 

Why don't werewolves get more love? Where did it all go wrong? Maybe it's just because, for the most part, great werewolf films are few and far between -- most of the early ones, which may be the genre's Vampyr or Nosferatu, are lost. Maybe it's because werewolf films are always introducing more and more mythology to the canon, shaping and shifting our perceptions of werewolves as cunning and secretive in the silent era, to rampaging maniacs in the '40s, to Vampire hating proles in modern, dark fantasy. Beyond film, vampires have captured the black hearts of the dispossessed and pasty goth subculture in a way werewolves never have. I mean, Peter Murphy didn't sing, "Lon Chaney Jr.'s Dead." I, for one, have always identified with werewolves more than any other monster. I'm not sure why, but I think there's more to it than them being the underdogs... or wolves as it were. Plus, once (after going to bed in upstairs), I awoke in the early morning on the ground outdoors... unclothed... with bloody bits of skin under my nails and no memory of how I got there.
 

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