Amoeblog

Ancients

Posted by Mr. Chadwick, March 9, 2009 12:25am | Post a Comment
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The Jigoku Aesthetic: Hell as Excessive Specular Mediation

Posted by Charles Reece, March 8, 2009 08:42pm | Post a Comment
JIGOKU

jigoku

Hallucinate

jigoku

Dessegregate

jigoku

Mediate

jigoku

Alleviate

jigoku hell

Try not to hate

jigoku hell

Love your mate
Don't suffocate on your own hate


Ruth Crawford Seeger - Modernist-cum-Folkie

Posted by Eric Brightwell, March 8, 2009 07:43pm | Post a Comment
Female composers getting the short shrift is certainly nothing new, and is by no means limited to classical music. But as an admittedly casual fan of atonality, dissonance, modernism and serialism, I was surprised in February of this year to, for the first time, stumble across Middlewestern composer Ruth Crawford Seeger's unique, innovative musical voice. She immediately became a featured artist on The Lunatic Asylum and I became interested in her story.

Ruth Porter Crawford was born on July 3, 1901 in East Liverpool, Ohio, supposedly the "World Capital of Pottery." Her father was an itinerant minister. Her mother began her musical education with piano lessons when she was 11. Upon graduation from high school, she entered Foster's School of Musical Art in Jacksonville, Florida. In 1921, when it relocated to Miami, Crawford enrolled at the American Conservatory of Music in Chicago, where she studied with Madame Valborg Collett, Polish-born Henriot Levy and Louise Robyn. By 24, with the completion of her earliest work, she already displayed a unique modernist voice.

Ruth Crawford c. 1924

In Chicago, she met Djane Lavoie Herz, who in turn introduced her to the music of sometime-serialist Russian composer Alexander Scriabin. Through Lavoie Herz, she met and fell in with transpersonal astrologer/composer Dane Rudhyar, theorist/composer Henry Cowell and pianist Richard Bühlig. Cowell was an early supporter of her work and arranged for performances of her compositions in New York, where her folkish take on avant-garde drew comparisons to the work of Charles Ives and Aaron Copland.

This Week At The New Beverly!

Posted by phil blankenship, March 8, 2009 12:20pm | Post a Comment
This Week At The New Beverly!

The March / April calendar is now online:
www.NewBevCinema.com

Printed calendars will be in early this week! Now  we need your help to make sure they get seen - pick one up for yourself and a few for your friends!

Screenwriter Josh Olson, writer of the Oscar nominated script for David Cronenberg's 2005 film A HISTORY OF VIOLENCE, will be guest curator and will appear in person together with other special guests. The week kicks off with a screening of his A HISTORY OF VIOLENCE paired with Sam Peckinpah's STRAW DOGS, and then continues with a series of films selected by Mr. Olson.

From Josh Olson:

A couple years ago, I drove past the New Beverly, and came to a screeching halt in the rain when I saw they were showing a double feature of Straw Dogs and A History of Violence. I was flattered, honored, tickled, and half a dozen other things that felt pretty damn good, and I mentioned this event many times in many forums.

So, flash forward to this year, and I am now programming said theater for a week - the second week of March, to be precise.

There's no theme to the week, save "These are movies I love," and it's a weird, hodgepodge of stuff.

I'll be there to introduce them all, and, in some cases, to talk to some of the writers responsible for them.

MARCH 8th: INTERNATIONAL WOMEN'S DAY

Posted by Billyjam, March 8, 2009 05:00am | Post a Comment

Today, March 8th, is the day recognized every year as International Woman's Day (IWD). It is a major day of global celebration for the economic, political and social achievements of women. IWD began as a political event, with the annual event blended in the culture of many countries (primarily Russia, as well as other nations of the former Soviet bloc).

While In some cultures IWD has lost some of its political flavor and become simply an occasion for men to express their love or respect towards women (a la Valentines Day meets Mother's Day), in many more countries it has maintained its political/sociological edge, where issues pertaining specifically to women are discussed. This year is no exception, as the International Committee of the Red Cross (ICRC) has warned that the specific health-care needs of women are often ignored or insufficiently taken into account in war situations.

The ICRC points out, "In the world’s least developed countries, many of which are at war, women are 300 times more likely to die in childbirth or from pregnancy-related complications than in developed countries, according to UNICEF. While armed conflicts and other violence affect entire communities, women are particularly at risk of rape and other forms of sexual violence. Because of poor security conditions or because they have no means of transportation, it is often impossible for women to reach a health-care facility so as to give birth safely."

And in recognition of IWD, leaders from seven international organizations converged in New York this week for a 'Girl Power and Potential' reception with the event featuring a panel of speakers outlining the strategies and goals of the United Nations Interagency Task Force on Adolescent Girls. For more information click here.
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