Amoeblog

TRUCKATHON Saturday at the New Beverly!

Posted by phil blankenship, September 16, 2009 03:26pm | Post a Comment

September 19 TRUCKATHON

5 Film All Day Event!
All Tickets $10
One Ticket Admits To All 5 Films

New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036

C.B. Hustlers (1978) 4:15
Hot Vans ... C.B. Radios ... And The "Hardest Working" Girls You'll Ever Meet!!!

Thunder Run (1986) 6:00
No way out. No way through. No way left but to GO FOR IT!

White Line Fever (1975) 8:00
Carrol Jo Hummer--A working man who's had enough!

Road Games (1981) 10:00
The truck driver plays games... The hitchhiker plays games. And the killer is playing the deadliest game of all!

Black Dog (1998) Midnight
For Jack Crue, the rules of the road are simple. No passing, no tailgating, and no turning back.

COMETBUS ISSUE #52 THE SPIRIT OF ST. LOUIS, ANOTHER GREAT READ

Posted by Billyjam, September 16, 2009 11:36am | Post a Comment
cometbus
I recently picked up Cometbus #52 (The Spirit of St. Louis) at the Berkeley Amoeba Music store -- one of several fine independent retailers that carry the legendary, decades old, punk-literary series. As with all the previous installments of this Aaron "Cometbus" Elliot- penned slim book, such as last year's Cometbus #51 The Loneliness of the Electric Menorah, ever since I started reading it I can't put it down...which is a problem, in a good way, because I know in no time I will have read the entire engrossing 66 pages of this latest Cometbus. So  I find myself rationing my reading, allowing myself just nine pages, which is three Cometbus chapters, a day.

Cometbus #51 was a sort of history of the subculture of Telegraph Avenue, focusing on its bookstores and record stores. It incorporates into its story Cody's, Moe's, Universal, Rasputin, and (of course) Amoeba Music, as well as such age old Telegraph Avenue characters as Ace Backwards and Julia Vinograd (aka The Bubble Lady), whose poetry was included in that last issue.

For the The Spirit of St. Louis Cometbus, as its title implies, Aaron writes about St. Louis and the close-knit cast of colorful characters (including Brett, Pete Feet, Spike, Wayne Two, Penguin, Jody Lee, & Katie from Haiti) in the local punk scene that he interacted with in a previous time -- he never says exactly when, but, based on the music references, it seems like it is circa early/mid nineties. 

Continue reading...

Amoebapalooza Hollywood 2009!

Posted by Amoebite, September 15, 2009 07:39pm | Post a Comment
Every year the staff of Amoeba Music in Hollywood get together for a no-holds-barred musical cage match called Amoebapalooza...20 Amoeba bands get as crazy as possible onstage for 10 minutes each!

Ho
Brently Heilbronw crazy IS possible?

Very crazy was the answer this year...and/or very glamorous, creepy, rockin', shockin', wild, wonderful, and dancetastic! One of the most wonderful and insane Amoebapalooza lineups of all time took the stage at the King King on Sunday night and showed how it was done. Surely any unsuspecting patrons to walk in from Hollywood Boulevard must have thought they had stumbled onto the set of some kind of psychedelic rock opera written by Andrew Lloyd Webber's brain-damaged evil twin, and hopefully they stuck around to enjoy it with the rest of us.

As our lovable and pants-wettingly funny host Brently Heilbron put it, it's the last Amoebapalooza of the decade...soon we won't have the Oughts to kick around anymore, and it'll be the Teens! Taking this temporal warning to heart, the musical freBen Ricciaks of Amoeba made sure they sent the Oughts out with a kaboom. Have a drink with me and let the show begin...

The lights went down on the red velvet curtain, and the festivities began with a Jaco-Pastorious-on-PCP solo bass guitar odyssey from gangly wunderkind Ben Ricci, bravely kicking off this night of strangeitude. Is the bass meant to make sounds like that? Dunno. Ben's bass wizardry was closely followed by the hard-charging sounds of Thin Lizzy tribute band Emerald, with one Sam Rodriguez channeling the spirit of the late great Phil Lynott. Sorry if I'm leaving anything out...the next thing I remember was the always mind-blowing cabaret fantasia of Cream Puff, the one-man show of antique futurist foppington Joey Jenkins. There really is nothing like Mr. Joey JenkinsJenkins...jigging, chanting and prophesizing from the stage, in his knickers and mountaineering headgear, he makes you feel like you've wandered into one of David Lynch's weirder dreams. He ended by collapsing in a grand death scene, instantly growing a marvellous flower from his heart. Showbiz!

Continue reading...

New Electronic CD Releases 9/15/09

Posted by Oliver / Matt / Jordan, September 15, 2009 04:30pm | Post a Comment
flat lux
HAITO GOPFRICH

Fiat Lux
Boxer

This is the debut full-length release from Berlin producer/DJ Haito Gopfrich -- the man of innumerable faces and the Doctor Mabuse of German dancefloors. Hooked by the eclectic early DJ-work of Hans Nieswandt and Eric D. Clark, Haito is now well-trained on Berlin's Loveparade vehicles, and as a result, his work has been pressed onto vinyl by labels such as Kickboxer, Malatoid, Spagat, Low Spirit and Acker Records. With Fiat Lux, Haito tells us his stories from the club in a colorful, thrilling and filmic way, emphasizing a diversified, round dance of styles, genres, ideas, sounds and beats. From the exhilarated groove of a gritty high-school comedy ("I Ro Love"), over the sticky heat of a foreign marketplace demolished by a wild chase with James Bond ("Pusher"), to the fizzling noise of a motor in a SF manga road movie, Haito seems to know how to set everything to the music he's got in mind. The hardcore continuum is cultivated by elegantly-rushed drum patterns ("Drugpeople"), Alfred Hitchcock's shower curtain knife-scene is shot into the universe via electro-funk ("Freedub"), and a harmonized depth of field meets a roughened, saw-tooth discourse ("Disconnect"). Even the Yakuza smasher with Renaissance costumes filmed in Andalusia finds its true destiny in the spinet rave of "Non Plus Ultra." And above all, intelligent sample editing, four-dimensional, fluffy synths and springy percussion sounds can't be wrong. The peak of the album is the 2009 version of "E-Love," a revised version of the 2008 hit released on Kickboxer: a couple of tricky samba piano sounds are smuggled into the pockets of a subtly-bouncing clapper trailing a comet-tail of synths. Last but not least, after the Wall Street psycho thriller "Mummy," and "Komm Mal Klar," you'll find "Good Times, Bad Times" -- a hymn for the closing credits with vocals by Eric D. Clark that pulls out all the emotional stops to keep the audience enthralled and teary-eyed.

Continue reading...

FIVE THINGS KANYE WEST COULD HAVE SAID INSTEAD AT THE VMA'S

Posted by Billyjam, September 15, 2009 03:18pm | Post a Comment
Kayne West vs Taylor Swift
Kanye West
's well publicized little outburst at Sunday night's MTV Video Music Awards (VMAs), in which he bum-rushed the stage during country singing teen Taylor Swift's acceptance speech to grab her mic and offer his uninvited opinion on how unfair he felt it was that Beyonce didn't win in the Best Female Video category, gave the media some fodder complete with a good headline for their report on the otherwise ho-hum awards show. And the fact that there suspiciously was no security whatsoever to stop West from storming the stage merely proved what many have long speculated: that MTV's producers secretly encourage any kind of controversy to spice up and give some edge to their show.

But by now Kanye's attention grabbing stunts are beyond tired. On Sunday night, even Beyonce, whose honor he somehow believed he was defending, wasn't impressed by his rude gesture. Neither was anyone else it seemed. And why should they be? Beyond the disrespectful act itself, it's not like he was sticking up for some totally underrated, slept-on artist. It was Beyonce -- one of the world's biggest stars, who a little bit later on in the same show would be bestowed with the Video Of The Year award. If Kanye is going to bum rush the stage and grab someone's mic, he should use the opportunity to say something of substance or worth.  Here are five suggestions for Kanye of what he could have said instead:

1) Talk about something really important or of social/political relevance like he did four years ago in his infamous post-Katrina "George Bush doesn't care about black people" comment (see video below). Or take Beyoncethe opportunity to comment on the growing thinly veiled tide of racism towards Barack Obama, or question why a FOX News host is getting away with calling the president "a racist." Or how about offering some opinion on health care? Note that even the host of the evening, Russell Brand, addressed this issue. However, like everything else that this English host-with-an-acquired-taste uttered throughout the long evening, it simply didn't register with the VMA audience.

Continue reading...
BACK  <<  1331  1332  1333  1334  1335  1336  1337  1338  1339  1340  1341  1342  >>  NEXT