Amoeblog

Lady Avenger

Posted by phil blankenship, July 10, 2008 04:01pm | Post a Comment
Lady Avenger exploitation movie directed by David DeCoteau  Lady Avenger Video

Lady Avenger starring Peggie Sanders

Lady Avenger plot synopsis

Lady Avenger

South Gate Entertainment 1012P

out today 7/8...yaz!!!

Posted by Brad Schelden, July 10, 2008 02:05pm | Post a Comment

I still remember the first time that I ever heard Yaz. My cousin was driving me and my brother back home from my grandparents' house. It was 1982 and I was 8 years old. She was playing the Upstairs at Eric's cassette on her tape player. I immediately fell in love with the album even though I had never heard of them before. I had to ask her what it was. Luckily I was only 8 years old and didn't yet get embarrassed about not knowing the name of a band. I think I made my mom buy it for me as soon as I could find it. I really wasn't old enough to have seen them in concert anyway, but they never came to the U.S. for a tour anyway. Yaz put out a second album, You and Me Both, in 1983. They broke up before they even had a chance to tour the UK with that album, so the world has really been waiting 25 years for this reunion! A couple years later I became a huge fan of both Depeche Mode and Erasure. I soon realized that Vince Clark was in all these bands and he quickly became one of my musical heroes. Not only did he help to create Depeche Mode and their debut album Speak and Spell, but he also went on to help create all of the Erasure albums with Andy Bell. I will go so far as to say that the world of new wave and electronic dance music might be a bit different if it were not for Vince Clark. He influenced tons of Industrial and electronica artists, even if they may not want to admit it. 

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Mondo Diablo!

Posted by phil blankenship, July 9, 2008 03:48pm | Post a Comment
The New Beverly Cinema will be hosting a two week festival of films programmed by Academy Award winning screenwriter DIABLO CODY. This is the fourth in the theater's guest programming series, following Edgar Wright, Eli Roth and Joe Dante.

MONDO DIABLO will run from July 11-24, with many guest appearances plus introductions to many of the films by Diablo herself.

July 11-12
THANK YOU FOR SMOKING
STRIPES


July 13-15
LABYRINTH
XANADU


July 16-17
GIMME SHELTER
GREY GARDENS


July 18-19
NIGHTMARE ON ELM STREET 3: THE DREAM WARRIORS
FRIGHT NIGHT


July 20-22
MIDNIGHT MADNESS
WET HOT AMERICAN SUMMER


July 23-24
DESPERATELY SEEKING SUSAN
PRETTY IN PINK


More Information can be found at the New Beverly website:
http://www.newbevcinema.com

THE LATE, GREAT AXL ROSE

Posted by Charles Reece, July 9, 2008 03:17pm | Post a Comment

Tracker's dusty and modern road songs on the cheap

Posted by J. Mark Beaver, July 9, 2008 02:14pm | Post a Comment
First find on the dock: This has been waiting in the wings for some time, in fact, it’s a little bit of a redo, as it’s a title I championed a few years ago in the Music We Like book. I‘ll take this opportunity to expand my earlier opinion.

Tracker - Ames  (Film Guerrero)
Tracker Ames
Tracker is, basically, a guy from Portland, OR named John Askew (not to be confused with the DJ of the same name) and whoever he collects around him when he’s ready to record and tour. This was the first album from 1999 and is almost completely played by Askew with some help from friends Adam Selzer (Norfolk & Western) and Erik Herzog (Buellton). I bought it solely on the strength of the album art and the weakness of the price tag. Thus, I was doubly rewarded.

In a number of ways there are similarities to the dynamics of Jason Molina’s Songs:Ohia/Magnolia Electric Company projects. Both are the aggregates of a single man’s songwriting and organizational vision. Both have an undeniably roots Americana base, but with a lot of layering, whether it’s voices, samples of classical music or electronic textures hazing around simple plucked banjo lines. Like Molina, Askew writes extremely strong melodies, and couples them with thoughtful and often mystifying lyrics.

The charm of Ames is due largely to its lack of self-seriousness. Askew lets a breath of ease into his writing and production. “Evan’s Getting It Together” is driven with some lazy and seemingly living-room recorded handclaps that work perfectly to prove that, as beautiful and lush as the songs here sometimes get, they are being played by some guys who are just trying to make some cool songs that get into your head. In fact, some of the song transitions (and there is a lot of ambient connective tissue) remind me of the great also-overlooked Purple Blue by Eric’s Trip, another group of dudes (and a dudette) who were just trying to make some cool songs.

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