Amoeblog

Nick Gilder's 1978 #1 Hit Hot Child In The City

Posted by Billyjam, March 2, 2009 10:30am | Post a Comment

31 years ago was the career peak of British-born Canadian rocker Nick Gilder, who in October of 1978 scored a number one hit in both the US and in his native Canada with the single "Hot Child In The CIty."

"Hot Child..," a perfect pop-rock song that has stood the test of time, is from Gilder's second solo album CIty Nights (Chrysalis) and was produced by Mike Chapman and co-written with James McCulloch.

Above is the video of Glider's version and below are covers of the timeless track, including one by Dirty Martini and another by an uncredited band who do a really good cover of it.

Reportedly Gilder wrote the song after seeing young girls on Hollywood and Sunset Boulevards in LA. In an interview with Rolling Stone magazine he said, "I've seen a lot of young girls, 15 and 16, walking down Hollywood Boulevard with their pimps. Their home environment drove them to distraction so they ran away, only to be trapped by something even worse. It hurts to see that so I tried writing from the perspective of a lecher -- in the guise of an innocent pop song."

Initially Nick Gilder was a member of Sweeney Todd, the Canadian glam rock band that formed in 1975 and also (very briefly) featured a young Bryan Adams as well as James McCulloch, who also left to join Gilder's solo backing band. Sweeney Todd's one big hit was the summer 1975 single "Roxy Roller," which went to number one on the Canadian music charts and was later covered by Detroit female rocker Suzi Quatro in 1977.

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Paisadelic

Posted by Gomez Comes Alive!, March 2, 2009 09:17am | Post a Comment

I tend to go on and on about Mas Exitos and Chico Sonido, so I won't bore you too much. Chico Sonido has turned into one of my favorite deejays. I've been to clubs where he is spinning with deejays with big names and he is blowing them out of the water. His vinyl collection runs deep.

What makes Chico Sonido unique is his mixture of obscure covers en español with the funkier side of Spanish language pop music from the 60-80's. Top that off with some Cumbia and Spanish Dancehall and damn, you got a party! So now you can take that party to your home, car or gym. Better yet, take it to your tiá's house and have her take you through memory lane! "cuando estaba joven..."

Chico Sonido will have his debut album out very soon. I'm sure it will be a funky Mexican freak-out for sure. Meanwhile, you can get his mix CD, Paisadelic, by clicking here.

Che The Movie

Posted by Gomez Comes Alive!, March 2, 2009 08:30am | Post a Comment

I had many thoughts after I watched the four hour, seventeen minute Che biopic. I enjoyed the movie very much, but because I felt I’m somewhat biased, I wanted to know what people thought about it. Would people's opinions be based on what they thought of the movie or what they thought of Che (or, for that matter, Steven Soderbergh and Benicio Del Toro)?

Did people who proclaimed it great do so because it’s a great story or a great film? Did the people who hate it have their own ulterior motives? I also wondered if I would like it myself if I saw it again.

Che, like Spike Lee’s Malcolm X, was probably a very hard movie to make. Movies about political icons seem to bring out the worst in people. People are overly passionate on both sides of the fence and on top of that, there's a multitude of critics who are quick to knock down any iconic figure of the far left. Serial killers get better treatment by the press. A journalist from PBS interviewed me during the intermission of the movie when I went to see the film. Most of his questions were asked in a condescending tone: “What do you know about Che other than the image we see on the t-shirt?” and "Is Che relevant today?" Duh…I don’t know, is oppression relevant today?

The reviews of the movies weren’t too glowing. Most of them were of the garden variety. I loved the reviewers who stated that the film was both "too long" and “didn’t give enough of Che was really about.” Really, did we want to sit through a ten-hour movie next time?

The other complaint was that it was mostly in Spanish. Along with the length of the film(s), this really turned off many of the Academy, who didn’t even give the film a blink during the Oscars. Made me wonder how well Slumdog Millionaire, which is a great fim, would have done if the actors spoke in Marathi, Urdu or Hindi. Michael Russnow from Huffington Post summed that mentality best:

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RITUAL DE LO HABITUAL

Posted by Charles Reece, March 1, 2009 08:31pm | Post a Comment
If I can just get off of this LA freeway
Without getting killed or caught
I'd be down that road in a cloud of smoke
For some land that I ain't bought
-- Guy Clark, "L.A. Freeway"


There are few directors I rank up there with Hitchcock, but Jacques Tati is one of them. I finally got around to watching Criterion's release of Trafic, his final installment in the Monsieur Hulot series. If Playtime is his Vertigo, then that would make Trafic his North By Northwest, only it didn't put Tati back on top of the commerical foodchain. After the box-office failure of Playtime, Tati had to take a step backwards, at least production-wise. Maybe that's why the critics never gave his followup the same attention as all the other Hulot flicks, the artistry of each increasing at exponential rate over the last. And maybe the diminished role of the Hulot character in Trafic is the reason it didn't do much better than Playtime among the masses (that's the reason Jonathan Romney gives). I suspect it was due to the same brazen social critique condemning his former film to academic circles, resulting in the charge of pretension from newspaper reviewers and the like. Most people like to keep their seriousness and humor separate.


In the opening credit sequence, Tati looks straight down the maw of an automobile assembly line, creating an effect similar to the infinite regress of two mirrors facing each other. The men are as much like replicas as the parts they're pushing through the machine. After having spent a couple years doing register duty in retail, a musician buddy of mine commented the other night that if America spent as much time habituating its citizens to the piano keys as it does to menial tasks in the service of commerce, the creative possibilites would be limitless. As it stands, those guys in that shot don't stand much of a chance of doing anything else with the procedural knowledge they've acquired. Dan Lalande expresses a similar thought in his evaluation of the film in the latest Cineaction:

Happy Pig Day -- celebrate with pig-related dvds, vhs

Posted by Eric Brightwell, March 1, 2009 02:17pm | Post a Comment
Miss Piggy in wardrobe malfunctionPooh and Piglet Walt Disney's Three Little Pigs



Animal Farm Animal Farm Babe


Babe Pig in the City The Black Cauldron Charlotte's Web

Patricia Picinini's The Young Family

Deliverance Gordy My Brother the Pig

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