Amoeblog

LEGENDARY JAZZ DRUMMER RASHIED ALI PASSES

Posted by Billyjam, August 13, 2009 08:53am | Post a Comment
Rashied Ali
According to several sources, including citizenjazz.com, legendary jazz drummer Rashied Ali, who was one of the greatest jazz drummers of all time, died yesterday at age 74. The cause of Ali's death has not yet been announced, but the artist, who did some great recordings with John Coltrane, had been active in his craft up until recently, playing with his own group, the Rashied Ali Quintet. A few years ago they recorded the double CD Judgment Day.

As well as working with Coltrane, the drummer had also recorded or performed with such artists as Pharoah Sanders, Alice Coltrane, Arthur Rhames and James Blood Ulmer. As jazz legend has it, Ali was supposed to be the second drumme on John Coltrane’s 1965 landmark free jazz album Ascension in tandem with drummer Elvin Jones, but at the last minute he dropped out. Coltrane decided to scrap the two drummer scenario and proceeded to record with just Jones on percussion.  meditations coltrane

Soon after, however, Ali began to record with Coltrane. Along with Pharoah Sanders, he is a featured artist on the avant garde Coltrane album Meditations. Ali's other Coltrane collaborations included Interstellar Space in 1967 and The Olatunji Concert -- one of Coltrane's later recordings. 

A few decades ago he ran the club Ali's Alley in New York. He also worked outside of jazz music from time to time, forming the Purple Trap project with Japanese experimental guitarist Keiji Haino and jazz-fusion bassist Bill Laswell. Additionally, he made contributions to experimental, multi-media performances with such groups as The Gift of Eagle Orchestra and Cosmic Legends, and was part of a special tribute to John Cage in Central Park. Below is a video of the late drummer along with Don Cherry (pocket trumpet) and James Blood Ulmer (guitar) in concert along with voiceover commentary on the three great improv jazz artists.

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A Horrible Month

Posted by Mr. Chadwick, August 13, 2009 12:40am | Post a Comment
I can't believe what an amazing month it is for horror fans in Los Angeles! Here's a list of the films that the local rep theaters are showing over the next couple of weeks.



New Bev
erly Cinema
7165 Beverly Blvd
Los Angeles, CA 90036-2548
(323) 938-4038

-August 14th Count Yorga, Vampire & The Lost Boys
midnite movie- Midnight Son
-August 15th Velvet Vampire & The Hunger
midnite movie-Halloween II ('81 orig)
-August 18th Patrick & Harlequin
-August 28th & 29th Evil Dead trilogy
-Sept 5th midnite movie- the Entity

Art Theatre
2025 E 4th St
Long Beach, CA 90814-1001
(562) 438-5435

-August 14th Sick Girl

Aero Theatre
1328 Montana Ave
Santa Monica, CA 90403-1710
(310) 260-1528

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August 12, 2009

Posted by phil blankenship, August 12, 2009 10:04pm | Post a Comment
Transformers 2 movie ticket stub


Remembering Lenny Breau

Posted by Whitmore, August 12, 2009 09:56pm | Post a Comment

As far as I am concerned, Lenny Breau is arguably the greatest guitarist that ever strummed a chord on this goddamned sweet earth, and yet outside the guitar playing world his name remains virtually unknown. Several years ago I was gigging in Vancouver B.C., Canada and someone asked me who were my favorite guitarists. I mentioned Lenny Breau. I obviously answered correctly; for the next couple of days I had my pick of booze and food aplenty. Though Breau was born in Auburn, Maine, in 1941, he was raised in Canada. His family settled in Manitoba in 1957 and he always remained very connected to his adopted home country. His parents, Hal "Lone Pine" Breau and Betty Cody, were country & western performers active as both a touring and a recording act from the mid 1940's into the late 1950's. Breau’s first professional gigs were with the family act until he was about 15 or 16, when one night his father slapped him on stage for improvising.
 
Lenny Breau's phenomenal technique was a combination of his close study of his idol Chet Atkins, adapting Atkins' picking style of playing bass lines with a thumb pick and with his other fingers adding melody lines -- he was able to sound like two guitarists playing simultaneously -- and his harmonic sensibilities, predominantly influenced by legendary pianist Bill Evans. Along with significant classical, modal, and flamenco elements, not to mention his extraordinary right hand independence and his unique use of artificial harmonics, no one sounded like Lenny Breau.
 
25 years ago today, Aug. 12, 1984, Lenny Breau was found dead in the rooftop swimming pool of his apartment building in Los Angeles. He was 43 years old. During his lifetime Lenny Breau had a long struggle with drugs, especially with heroin, amphetamines and alcohol, something left over from his days on the Toronto jazz scene, but at the time of his death Breau had reportedly managed to take some control of his addictions. On that Sunday, his wife, Jewel Breau, an occasional singer born Joanne Glasscock, claimed that he had accidentally drowned, but an autopsy determined that he had actually been strangled and then dumped in the pool. The Los Angeles Police Department never had enough evidence to bring charges against her or anyone else, but in a 1999 Canadian documentary, The Genius Of Lenny Breau, directed by Breau’s daughter Emily Hughes, Detective Richard Aldahl states that Jewel Breau was the prime suspect. Jewel Breau, now remarried as Jewel Flowers, was never charged in the homicide because detectives thought that the Los Angeles District Attorney’s office couldn’t build a strong enough case to bring her to trial. Ironically, it was Chet Atkins who introduced Lenny Breau to Jewel. Breau's murder remains unsolved.
 
Lenny Breau was buried in an unmarked grave in Forest Lawn Cemetery in Glendale. Funeral expenses were covered by a memorial benefit at Nashville's Blue Bird Café.



FROM GILMAN TO THE REP, GREEN DAY KEEP IT BERKELEY

Posted by Billyjam, August 12, 2009 03:00pm | Post a Comment
Green Day
Last week the Berkeley Repertory Theatre announced the full cast for its anticipated upcoming premiere of American Idiot, a production based on the popular Green Day album of the same name, that will run at the downtown Berkeley theater from September 4 through October 11, and feature the music of Green Day and the lyrics of the longtime East Bay band's Billie Joe Armstrong. 

Even before the cast was announced, tickets were already selling briskly, fueled in good part by Green Day fans anxious to see how their fave band's 2004 album is being adapted to the stage. American Idiot is being staged by star director Michael Mayer, who won a Tony Award in 2007 for his direction of the musical adaptation of Spring Awakening, and who collaborated with Armstrong on the story. 

The stage production of American Idiot is decribed by the Berkeley Rep as one that "follows working-class characters from the suburbs to the city to the Middle East. In an exhilarating journey borne along by Green Day's electrifying songs, they seek redemption in a world filled with frustration."

The music driven production will feature not only every song off of American Idiot, which won two Grammys -- Best Rock Album and Record of the Year -- and sold more than 12 million copies worldwide, but also several songs from Green Day's follow up to American Idiot, 21st Century Breakdown, which was released a few months ago and done in a similar style to American Idiot. The team that Mayer has assembled to bring the production to the Berkeley stage includes choreographer Steven Hoggett, composer Tom Kitt, and video designer Darrel Maloney.

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