Amoeblog

THE 100 GAYEST ALBUMS OF ALL TIME

Posted by Billyjam, September 6, 2008 12:44am | Post a Comment
 
1. David Bowie - Ziggy Stardust
 (1972)
 2. The Smiths - The Smiths
  (1984)
 3. Tracy Chapman - Tracy    Chapman (1988)
 4. Indigo Girls - Indigo Girls
  (1989)
 5. Judy Garland - Judy At   Carnegie Hall (1961)
 6. The Smiths - The Queen Is Dead (1986)
 7. Elton John - Goodbye Yellow Brick Road (1973)
 8. Madonna - The Immaculate Collection (1973)
 9. Cyndi Lauper - She's So Unusual (1983)
10. Antony & The Johnsons -
 I Am A Bird Now (2005)

According to a wide spectrum of gay music experts quizzed by Out Magazine, these are the top 100 gayest albums of all time.  To compile this Top 100 Gayest Albums of All Time, Out Magazine polled more than 100 actors, comedians, musicians, writers, critics, performance artists, label reps, and DJs, asking each to list the 10 albums that left the most indelible impressions on their lives. Out writes in this new report that "After receiving responses from Boy George, Rufus Wainwright, Cyndi Lauper, the Indigo Girls’ Amy Ray, Candis Cayne, Perez Hilton, Nate Berkus, Jake Shears, John Cameron Mitchell, Wilson Cruz, Justin Bond, Darren Hayes, Junior Vasquez, Bruce Vilanch, Janis Ian, the Cliks, Ari Gold, Holly Johnson, and a slew of others, we tallied the results to determine our top-100 list." 

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REMEMBERING LEOPOLD RECORDS. PART 2: HIP-HOP HISTORY

Posted by Billyjam, September 5, 2008 10:37pm | Post a Comment

This is the second of the two part Amoeblogs remembering long-defunct Berkeley music store Leopold Records. Part 1 focused on the Leopold's Amoeba connection, while this one is about the hip-hop history of the store. Included are an interview with former Leopold rap buyer Daria Kelly and an essay by Amoeba Brady who, like many, worked there before joining Amoeba. I highly recommend you read both of these insightful windows to another time in Bay Area music history. Also included in this Remembering Leopold Amoeblog is one of the final Bay Area Top Ten charts issued by the store before it closed, from early 1996, and a video of Saafir performing live at the store from late 1994.

The live Saafir performance is of "Just Riden" (video above), the song originally from the artist's Boxcar Sessions album released in September 1994 on Qwest/Warner Brothers. The footage iis from an in-store that was technically an "out-store," since the Oakalnd emcee did it right outside the store doors of Leopold's on Durant in Berkeley, CA. 

Look closely at the video above for the quick crowd camera pan and you will see Del (in Hiero T-shirt) puffing happily on what looks like a blunt. Around that same time in East Bay hip-hop history you would usually find members of Saafir's extended rap family Hobo Junction right outside Leopold and around the streets of Berkeley selling, or as they called it "dirt hustlin,'" their lo-fi but tight homemade rap tapes.

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Prayer Of The Rollerboys

Posted by phil blankenship, September 5, 2008 10:46am | Post a Comment
Prayer Of The Rollerboys video  Prayer Of The Rollerboys starring Corey Haim and Patricia Arquette

Prayer Of The Rollerboys plot synopsis

Prayer Of The Rollerboys
 
Academy Entertainment #1385

SINS INVALID TACKLES MISPERCEPTIONS OF DISABILITY & SEXUALITY

Posted by Billyjam, September 5, 2008 09:00am | Post a Comment
Sins Invalid @ Brava Theater SF this weekend
Tonight and tomorrow night at 8PM  (Friday/Saturday, Sept. 5/6th) at the Brava Theater at 2789 24th Street in San Francisco will be the third year of one of the most envelope pushing performance projects tackling the topic of sexuality and disability:
Sins Invalid: An Unshamed Claim to Beauty in the Face of Invisibility.

Amoeblog caught up with Patricia Berne, the director of Sins Invalid, to ask her about this most unique performance project and this weekend's two performances that include singer/songwriter Nomy Lamm.

AMOEBLOG: For those who know nothing about Sins Invalid, can you describe what it is?

PATRICIA BERNE: Sins Invalid is a performance project which incubates and celebrates artists with disabilities, centralizing on artists of color and queer and gender-variant artists as communities who have been historically marginalized. Our performance work explores the themes of sexuality,  embodiment and the disabled body. Conceived and led by disabled people of color, we develop and present cutting-edge work where normative paradigms of "normal" and "sexy" are challenged, offering instead a vision of beauty and sexuality inclusive of all individuals and communities. We define disability broadly to include people with physical impairments, who are a sensory minority, people with emotional disabilities, people with cognitive challenges, those with chronic/severe illness, individuals who identify as disabled due to intersex conditions or gender variance, and others who may identify as disabled because their bodies do not conform to society's notions  of "normal" or able-bodied.

AMOEBLOG: What are the most common misconceptions on the topic of   sexuality and disability?

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Senegalese Film

Posted by Eric Brightwell, September 5, 2008 01:08am | Post a Comment




During the Colonial era, cinematic images of Africa and its people were entirely the work of Western filmmakers. The Tarzan movies, African Queen, King Solomon's Mines and others were usually filmed on soundstages half a world away from Africa and made little to no effort toward authenticity, instead trading in exoticism aimed primarily at exploiting Western tastes.



Senegal gained its independence from France in 1960. Like most West African countries, Senegal is highly diverse. The Wolof, Peul, Halpulaaren, Serer, Lebou, Jola, Mandinka, Moors, Soninke and Bassari are all long established in the country. There are also substantial populations of French, Mauritanians, Lebanese and Vietnamese. Three years after independence, the first Senegalese film was made by Ousmane Sembene titled L'empire sonhrai, which would set the standards for a uniquely African cinematic language that would establish Senegal as the capital of African Cinema.

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