Amoeblog

HIP-HOP BEHIND BARS: A FIRST PERSON ACCOUNT BY X-RAIDED, PT II

Posted by Billyjam, October 29, 2009 04:00pm | Post a Comment
Pleasant Vallley State Prison

The Creative Process in Prison
by Aneraé "X-Raided" Brow
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I am entering my fourteenth year of imprisonment in the California Department of Corrections and (so-called) Rehabilitation. The entire time, I have written songs for myself and others, as well as short stories and essays, and even a column for Murder Dog magazine and a blog on my MySpace X-Raided behind barspage. The thing that stands out in my mind, in terms of what it's like trying to be creative in this environment, is that the opportunity to do so just may be more available than in other settings. There can be a lot of solitude and isolation in prison, and for someone who knows how to utilize the lack of distractions it can be fertile ground for creativity.
 
I once joked to a friend that when Moses needed to think, he went up Mount Sinai and came back down with the Ten Commandments. Jesus went out to the desert and was tempted, then returned stronger. When Muhammad was stressed from the things he was seeing in his environment, he went into a cave where the Qur'an was revealed to him. All of them received their messages or strength at a time of trial and difficulty in their lives and the common denominator is that they had solitude with which to better hear the voice when it spoke to them. I joked to my friend, maybe we can utilize our solitude in order to better hear the voice as well. The voice of creativity, that is. It's all the same. All ideas come from somewhere. How do we explain that an idea just pops into our heads out of the blue?

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INTERVIEW WITH LIGHT IN THE ATTIC RECORDS' JOSH WRIGHT

Posted by Billyjam, October 29, 2009 01:00am | Post a Comment
                  Betty Davis "F.U.N.K." (remastered and reissued by Light In The Attic Records)
The Black Angels
At this past weekend's WFMU Record Fair in Manhattan I ran into Josh Wright, who along with Matt Sullivan co-owns the amazing Light In The Attic Records (LITA). The music fanatical duo had trekked out from their Seattle base to set up a table to sell some of the latest releases from LITA's impressive catalog (lots of lovely vinyl) and also to give away cool freebie sample CDs.

Scroll down to see the Amoeblog interview with Josh in which he talks about some of the new and upcoming releases from the unique label known for its lovingly compiled catalog of reissues of forgotten music by such greats as Rodriguez, funk goddess Betty Davis (above), and pop-psych outfit The Free Design. LITA were featured on the Amoeblog back in May of this year when they undertook their West Coast Road Trip that included stops at Amoeba. The label also releases new music from contemporary acts, including an EP and LP from the Seattle/Tacoma pop/rock/rap outfit The Saturday Knights', Mingle, that featured the great opening track and single "45" (see video below). Another contemporary act on LITA is Austin, Texas psychedelic rock group The Black Angels.
Rodriguez cold fact
As Josh mentioned in the Amoeblog video interview below, some of the exciting new releases include the aforementioned Betty Davis and the Black Angels, seventies reggae artist Noel Ellis, keyboard/xylophone artist Emil Viklicky, 60's/70's Czech female vocalist Marta Kubisova, and the various artists release Reggae to Toronto: Soul Funk & Reggae: 1967 - 1974

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50% Off House 12"s @ Amoeba Hollywood

Posted by Oliver / Matt / Jordan, October 28, 2009 04:55pm | Post a Comment

The Employee Interview Pt XXII: Tarin

Posted by Miss Ess, October 28, 2009 04:12pm | Post a Comment
Tarin
1.5 yrs employment
Promotions Gal

MIss Ess: What was the moment you really got into music? What were yobonnie raittu listening to? Where were you?

Tarin: The first music memory I have was when I was in a car set in the back of my parents baby blue late 80s Mazda. I remember trying to slap my hands on my knees to the beat of the music, and most likely we were listening to Bonnie Raitt, Elton John, or The Beatles… possibly even The Judds. Those were the tapes that always seemed to be in the car when I was little. Once I figured out how to be on rhythm to a beat there was no stopping me, no one could get me to stop singing or dancing. My toes have been tapping pretty much my entire life.

Miss Ess: Whose posters did you have on your walls when you were growing up?

Tarin: I had so many posters on my walls growing up I don’t even know if I could name them all. But from black sabbathwhat I remember; Beatles, Dave Matthews Band, Black Sabbath, Bob Marley, Michael Jackson, Hanson (I thought Zak was such a hunk!... I was also 11), typical teen dream pics, and various years of Monterey Jazz Festival posters.  

Miss Ess: What brought you to Amoeba?

Tarin: I was living in LA, going to Musicians Institute and I kept hearing about this magical place where you could find anything you wanted. And even though it was only about 6 blocks from where I was living, it took me a year and a half to finally make it in. When I walked in the first time I felt so overwhelmed and so excited I thought I was at an amusement park… but for music. I ended up spending 4 hours and way too much money but I was instantly in love.

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Horror, The Universal Language 2: The Body in Videodrome (1983) & In My Skin (2002)

Posted by Charles Reece, October 27, 2009 11:51pm | Post a Comment
 videodrome poster french   in my skin poster french

Karen Conterio, founder of the in-patient "A Safe Alternative Program for the Treatment of Self-Injury" at University Hospital in Chicago, describes the average self-mutilator as intelligent and sensitive. She has low self-esteem, comes from a middle- to upper-class economic background, and began injuring herself as a preteen. Her parents are generally high-achievers who have trouble effectively communicating their feelings and often neglect their daughter's needs. -- Teen Magazine

My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist. -- Johnny "not the face" Depp

When it comes to dealing with depersonalization disorders, David Cronenberg was ahead of the curve. He's the undisputed master of the Cartesian horror film, where the self is never wholly integrated with the body. Even his recent crime film, Eastern Promises, shows such a detachment where the Russian mob doesn't trust memory, relying instead on tattoos to signify their identity. Unfortunately for them, anyone with money can get a tattoo, Megan Fox, suburban mall punks, or an undercover cop. Therein lies the problem with trusting the body: it's too easily manipulated and controlled by external forces. As any self-flagellating monk could tell you, the surest way to sin is in reducing self to the earthly constraints of body, the locus of empty spectacle.

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