Posted by Billyjam, May 21, 2009 09:34pm | Post a Comment
fleetwood mac
Above is the wonderful recent version of the timeless Stevie NIcks/Fleetwood Mac song "Landslide" sung by the PS22 Chorus, which is a children's choir of about sixty kids from a New York City public elementary school. Since this video was posted on YouTube yesterday (May 20) by Agreggofsociety, who works with these kids and is seen/heard playing guitar in the piece, it has gotten close to 80,000 hits. And no wonder: it is hard not to be moved by the power of these young souls pouring their hearts into the song. Their hand and facial gestures alone just grab you.

Below is Stevie Nicks with Lindsey Buckingham singing "Landslide" on the Late Show with David Letterman twelve years ago when the song appeared on the live album The Dance. The original version can be found on the band's 1975 album Fleetwood Mac and to this day remains a favorite amongst both Fleetwood Mac and Stevie Nicks fans as well as many other artists who have covered it over the years.

Love Land

Posted by Whitmore, May 21, 2009 04:24pm | Post a Comment
I planned on posting this several days ago but I too was in the midst of dealing with the ol’ wrecking ball. Euphemistically speaking…
Love Land, China’s first sex theme park, expected to open in October, has already been demolished. The powers that be, jolted by the worldwide publicity, brought in the wrecking ball before such a crude establishment could blight the good city of Chongqing.
The developers had billed the attraction as tasteful and socially beneficial theme park full of informative displays on all things ‘sex.’ A quick investigation determined the park's content was vulgar and that it was neither healthy nor educational and would be an “evil influence” on the culture.
Love Land had promised to make available workshops to help visitors improve their sexual technique and advice on safe sex, along with a detailed history of sex thru the ages.
Once the decision was made a demolition team moved in posthaste, first knocking down the giant revolving pair of women's legs standing over the entrance and then moving on to the giant genitalia.

out this week 5/12 & 5/19...tori amos...iron & wine...true blood...jarvis cocker...bricolage...

Posted by Brad Schelden, May 21, 2009 12:40pm | Post a Comment
six feet under cast
When I first moved to Los Angeles 7 or 8 years ago I became obsessed with Six Feet Under. I remember going to work one day and one of my coworkers talked about the show for hours. She couldn't believe that I was not watching it. However, I didn't have HBO and I don't think the show was out on DVD yet. I didn't even have a DVD player yet. VHS releases of TV shows were starting to disappear so I didn't really have any way to watch it-- so it might have been Six Feet Under that made me finally give in and get a DVD player. My first DVD purchase was The Muppet Movie, but I think my second or third purchase was the first season of Six Feet Under. It had been a while since I had been obsessed with a really good TV show. I still managed to watch the entire Twin Peaks series about once a year, but there wasn't much else out there. It was just that I didn't have HBO. I had heard about all these new shows, but still had never watched Oz or the Sopranos. These shows would later become some of my favorites as I started to collect the DVDs and eventually was forced to get HBO again. I don't want to sound like an advertisement for HBO, but it really did change the way I looked at TV and really gave me many enjoyable viewing hours. Six Feet Under came at a perfect time in my life. The show took place in the Los Angeles area and was filmed just down the street from Amoeba at the Gower studios. I somehow felt the show was speaking directly to me. And I somehow felt more involved with it since it was filmed so close to me and took place in a city so close to my heart. It was also nice to see a gay character as one of the lead roles in a drama series. I have always had a love/hate sort of relationship with Los Angeles, but this show made me love it just a little bit more. The five seasons of the show took me on a long and intense journey. I fell in love with all the characters and started to think of them as my family. The show followed me back to San Francisco, where it eventually ended in 2005. This was one of those shows that I really did love but it also just sort of tortured me when I watched it. Not only was every episode dealing with somebody's death, but it was also dealing with all the characters' messed up lives at the same time. It was an intense journey. The thing that made this show so fantastic was the cast. The mix of the brilliant writing with the perfect cast was a magical combination -- and it doesn't really happen that often. The leads were all perfect. Peter Krause, Michael C. Hall, and Lauren Ambrose were perfect as the siblings of the house. Frances Conroy was brilliant as their mother. The show just had a list of some of my favorite or soon to be favorite actors -- Rachel Griffiths, Freddy Rodriguez, Jeremy Sisto, Lili Taylor, Kathy Bates, Richard Jenkins, Rainn Wilson, Justin Theroux, Mena Suvari, Veronica Cartwright, Illeana Douglas, and Catherine O'Hara. And Patricia Clarkson and Joanna Cassidy were nothing short of brilliant as the aunt and mother in law. I wish they could have been in every episode, I don't think any TV show will ever get a better cast...although Mad Men comes very close.

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New Electronic CD Releases 5/21/09

Posted by Oliver / Matt / Jordan, May 21, 2009 10:46am | Post a Comment
Dark music for Dark Warehouses...
Heinrichs & Hirtenfeliner

Dark Orbit CD (HIGHGRADE 062CD)

This is the debut full-length release on Highgrade by Berlin-based Heinrichs & Hirtenfellner. The duo asked the question: "Is there life in outer space?" and were answered easily by the sound-universe that they created on Dark Orbit. From the mesmerizing glitter of "Supernova," to the funky vocal cuts drifting through "Starry Fog," to the off-the-beaten-track explorations of "Hubble," this album maps out new galaxies and star systems of sound. "Quantum Jump" is a springboard to a parallel universe made out of pulsating bass and vocal sequences, echoing to us from the depths of space. The "Black Hole" in Heinrichs & Hirtenfellner's world works somehow backwards -- instead of eating energy, it spills all over -- making the impact of this track as powerful as a meteor storm. "Alpha Particle" sounds like a lunar probe on speed, while "My Gravitation" shows perfectly how to build massive club-hits from dreamy sequences. Despite all this journeying, Dark Orbit never gets lost: it remains a fresh club album that always shows a subtle grasp of humor, weird sounds, and small oddities -- the perfection of the added human touch. The CD version also includes small interludes which serve as anchoring, central themes, like map-coordinates on a pleasant flight.

Exercise One
In Cars We Rust

This is the debut full-length release by Berlin duo Exercise One (Marco Freivogel and Ingo Gansera). DJs know them as crafters of cracking tracks on wax. Clubbers around the world know them as an unstoppable live act. Now, prepare to meet another side of Exercise One. On In Cars We Rust, the dancefloor stormers are still here, and the record's flow is guided by the same spirit of improvisation that drives their live sets. But the clubbier material is rounded out by sounds we've never heard from Exercise One before: gorgeous, enveloping ambient tracks; soundtrack-ready synthesizer ballads; even a kind of retro-futurist electro-pop. In Cars We Rust is the studio product of their hands-on approach, as passages of spontaneous creation are edited, collaged and remixed into a strikingly varied, startlingly cohesive whole. "Circeo" comes on like dawn, with a rustle of percussion and muted horns giving way to slowly unfurling chords and gentle electro-acoustic chatter -- featuring Seth Josel on guitar, it's an ambient palate-cleanser to prep you for the deep-listening experience to follow. The beats begin on "1994," which eases out of the intro with shimmering keys and a shimmying beat, nearly dissolving into bubbly echoes of Steve Reich. "It Is Happening Again" features home-hewn breaks and a monster bass line courtesy of Jacopo Carreras. "Trapdoor" cools off with a taut, undulating spiral of metallic percussion and oscillators. "The Drunken Tinman" is low-slung funk, skipping dry drum machines across a sludge-pool of charred, muddied bass and dubby chords. After that, "Good Kid" rouses with cinematic strings and a drunken piano line. "No News Today" features Argenis Brito's distinctive vocals, and is the perfect fusion of electronic production with a classic pop sensibility. "Sleeper" boasts lush chords, diamond-tipped drums and spiraling oscillators. "What You Say" is a lean, mean percussive groover, and "Don't Slip" slows the tempo and loses itself in a field of freaky bleeps. The breathtaking finale "Just Not!" feels like an amalgam of all of Exercise One's deepest tendencies, as ropy bass lines, dissipating chords and intricate rhythms spin together into a hypnotic, pulsing whole.

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May 20, 2009

Posted by phil blankenship, May 21, 2009 12:23am | Post a Comment
Ghosts of Girlfriends Past ticket stubb Chinese 6
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