Posted by Billyjam, May 1, 2009 09:40am | Post a Comment
Amoeba Music San Hollywood Hip-Hop Top Five: 05:01:09
grouch and eligh
1) The Grouch & Eligh Go G+E! (Legendary)

2) Rick Ross Deeper Than Rap (Maybach/Poe Boy/Def Jam)

3) Aesher Roth Asleep in the Bread Aisle   (SRC/Universal)

4) DOOM Born Like This (Lex)

5) Mr. Lif I Heard It Today (Bloodbot/Traffic Ent) 

The Grouch & Eligh, who were number one at the San Francisco store last week, are also holding down the number one slot at Hollywood Amoeba this week with Say G&E!, the sometime hip-hop duo's third collaboration in a series on Legendary Music. And this past Monday (April 27th) they put on a great free in-store show at the San Francisco Amoeba. "It was awesome!," reported Amoeba's Luis from the Haight Street store. "Scarab and Very, aka Afroclassics (who recently released The Classic EP on Legendary Music), got it going when they went on first and performed for about half an hour. Then DJ Fresh (the DJ for the whole show) got busy. And then the Grouch and Eligh came on and wrecked it."

The Living Legends duo, Luis reported, did songs spanning their long respective solo and joint careers, much to the delight of the lucky in-store attendees. Songs off the new album they performed include the title track, "Say G&E!" Also doing well at each three Amoeba stores are the latest from both (MF)DOOM (Born Like This on Lex Records) and the politically charged Boston emcee Mr. Lif (I Heard It Today on Bloodbot through Traffic Entertainment).

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More Photographs from Helen Levitt

Posted by Whitmore, April 30, 2009 06:54pm | Post a Comment
The legendary street photographer Helen Levitt died earlier this month at the age of 95. Besides being a still photographer, Levitt was also involved in the making of documentary films in the late 1940s as a director, cinematographer and writer. For In the Street (1948) she was assisted by renowned New York writer James Agee and artist Janice Loeb. This silent film documents the grim realities of Harlem street-life in the days after the Second World War. In the Street was selected in 2006 for the National Film Registry list. For The Quiet One (1948), Levitt worked once again with Agee and Loeb; this time she received an Academy Award nomination for the screenplay. The Quiet One is an account of the rehabilitation at the Wiltwyck School of an emotionally disturbed African-American boy. Levitt's photography career would span more than seven decades. Here is more of Helen Levitt's work.

Obi 3

Posted by Mr. Chadwick, April 30, 2009 06:15pm | Post a Comment

Here's a 3rd Obi gallery; you can check out the first two here and here...

The Godfather
Obi above is very cool-- unfortunately the cover had water damage. The Kate Bush LP above is a cool take on a more common design where the Obi blends in with cover. This Bad Company LP was just featured in my gambling post, but I though that the Obi was cool enough to include it anyhow...

The Throbbing Gristle LP above doesn't have the most exciting Obi, but it sure is a rare one. BTW, TG were quite stunning on the 21st @ the Ricardo Montalban theatre in Hollywood. I must say that the marquee was one of the most amazing absurdities I've seen since Paul Reisner discussed Black Flag @ the Grammys in 1995. Nike Sportswear presents Throbbing Gristle indeed...

out this week 4/21 & 4/ shop boys...depeche mode...the horrors...empire of the sun...

Posted by Brad Schelden, April 30, 2009 04:30pm | Post a Comment

It is hard for me to think about anything except for Grey Gardens today, but I will try. The new Grey Gardens Docudrama was on HBO last week, but I finally had my little screening party last night and watched it. I have been a big fan of the documentary for a while. I fell in love with it not only because it is an amusing look and a very interesting eccentric family, but also because it is tragic and beautiful and hilarious all at the same time. There is really a bit of the Beales in all of us. But I had my doubts about this movie. I was excited about all the interest in what I felt like was a secret little documentary that not that many people knew about. Still, I was skeptical-- I had not seen the musical version on Broadway but thought it was sort of a strange subject for a musical. Somehow despite all that, this movie worked out perfectly. I really can't imagine it being any better. I really think that the Beales would have even liked it themselves. They would most certainly enjoy the fact that the story of their lives was not only an award winning documentary but also a musical and an HBO movie.

Jessica Lange and Drew Barrymore were fantastic as Big and Little Edie. I have been really wanting them both to have grey gardens drew barrymorea good role for a while now. Jessica Lange was great in my favorite, Tootsie. She also starred in Frances that same year in 1982 and broke my heart with her performance. While I loved her in Cape Fear in 1991, I feel like she has not really found the right role for herself until now. And Drew Barrymore just blew me away with her performance as well. I have long been a fan of Drew Barrymore but never really liked the movies she ends up in. I really have not enjoyed much since Firestarter and E.T., aside from Charlie's Angels. The makeup was probably the most amazing thing about the movie. This was only a TV movie but had better makeup than most big budget blockbusters. I can't wait to go back and watch the old documentary now. It was really crazy how they seemed to totally become these two characters. They not only got the look and voices perfectly, but they also had all the mannerisms down perfectly. They really were a fascinating family. I liked the way the film intertwined the backstory of how they came to be with the recreations of the footage from the original documentary. Tdepeche modehe story is actually extremely sad and poignant. Fantastic. This movie will be staying with me for a very long time to come.

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Total Eclipse of the Heart

Posted by Miss Ess, April 30, 2009 11:24am | Post a Comment
We've all had that moment...the moment when you are in the grocery store or the bank or the donut shop, somewhere completely banal, where you are hidiously bored and spacing out...when, suddenly, something glorious happens...

Out of nowhere, a song appears that you hadn't heard or even thought about in years and from that moment on there's a little spring in your step as you cruise the aisles or order your coffee and maple donut. Suddenly the sad state of your bank account seems a tiny bit less crushing. These are the kinds of songs you find on soft rock radio and probably nowhere else unless your record collection is all-encompassing, the kind of songs that had their day and went away for the most part.

Joltingly they arrive again, searing into your brain for potentially the rest of the day. All pretense disappears, washed away by the sheer sincerity of the song, and the day becomes instantly brighter. The chance of it all gets you momentarily giddy.

For me, because of my age, these songs are overwhelmingly from the 80s, and also overwhelmingly and somewhat oddly from Whitney Houston, with some exceptions of course.

One of my absolute favorites that I always forget about somehow (though I am sure the legions of mega Cure fans never do) is The Cure's "Lovecats." Robert Smith's voice is one of the best ever:

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