Cinema Group Home Video 7004
Cinema Group Home Video 7004
Nice shot of the Rainbow above on the Silver, Platinum & Gold Lp. Below David Ruffin is rushing down Vine St. just North of Molly's Burgers. He's actually headed right to the strip of Hollywood Blvd. pictured on the Racer X back cover, which is the image to his right. Maybe he's running up for a quick peek inside the Cave strip joint, but most likely he had a transaction pending up on Yucca.
The "Lonely Street" that David Remsing is standing on? That would once again be the blvd. of broken dreams, in the same vicinity as the Racer X cover. The George Jones pictured above is contemplating a burrito @ Dos Burritos, which was directly west of the Pantages. It's now on the opposite side of the street about a block down. He's actually standing in front of the famous Frolic Room sign. I believe Randy Newman is on a downtown LA overpass...
Aah, two classic Sunset Strip covers, picturing the Whisky a Go Go in its prime along with a nice shot PJ's on the Freddy Cannon cover. The Crusaders take a stroll down Rodeo drive. The next row returns us to the dirty blvd -- not somewhere that I would crawl & writhe around on, but then again I'm not in WASP. To the left of Blackie we have the back of that George Jones record, with a full view of said sign. I'm sure that there was once frolic to be had at the Frolic Room, but the last time I walked in, there were 3 losers and a jukebox blaring Pearl Jam. Instead of rockin out to "Evenflow," I frolicked on down to Musso & Frank. Musso & Frank is Hollywood's oldest resturant, and their sign can be seen in the background on the LP to right of the WASP record.
Some classic theatre shots. The Rialto is still standing in South Pasadena, but is in pretty rough shape. Of course you have Graumans Chinese Theater in the center and then the Palladium, which has been renovated to look very much like it did on this Jerry Gray LP. A couple of eastside shots, including a nice pic of the Paramount Ballroom, surround the Muffs. You'll have to stop by the buy counter and ask Ronnie where they're at in the photo; he told me once but I've forgotten. I think it's in the Wilshire area, but I might be off on that one. Below we have a shot of the old Capitol Records Melrose Ave studio. The shoes I'm currently wearing came from the Supply Seargeant, pictured in the surreal take on Hollywood Blvd. that adornes the Little Feat record below. And finally, back to the Pantages, which was photographed and then painted over for this Mancini record.
Amoeba Music San Francisco Hip-Hop Top Five: 02:20:09
1) Zion I The TakeOver (Gold Dust Media)
2) Madlib Beat Konducta Vols. 5-6 (Stones Throw)
3) 40Love BANGERANG! (No Label)
4) P.O.S. Never Better (Rhymesayers Entertainment)
5) Various Artists NASA: The Spirit of Apollo (Anti)
Thanks to Luis at the San Francisco Amoeba Music for this latest Hip-Hop Top Five, compiled from weekly sales figures of new hip-hop full-length CDs at the Haight Street store. And in the number one (with a bullet) slot is the off the hook just released Zion I album, The TakeOver on Gold Dust Media. This is the sixth album from the Oakland based duo who released their first full-length back in 2000. Comprised of producer AmpLive and emcee Zumbi, who moved out to the Bay Area from Atlanta, GA thirteen years ago where they first met up as students attending Morehouse College, Zion I just get better and better as time goes by. And The TakeOver is without a doubt their finest release to date. It is also their most musically diverse, incorporating elements of hyphy, boom bap, dirty south, power pop rap, and more.
And impressively, much of the music is live, not sampled. "On this album we wanted to keep it more live and also electronic so as to just have it as a tight combination," AmpLive told me recently, noting that the drums on the New Orleans flavored track "Gumbo" are all recorded live. Meanwhile, guest artists on the album include Rhymesayers emcee Brother Ali; Oakland power vocalist Jennifer Johns, whose numerous other collaborations include recording with former Amoebite DJ Platurn; Devin The Dude, who collaborates on the infectious, hit-bound "Country Baked Yams;" female vocalist K. Flay, whose vocal style is reminiscent of Sinead O' Connor; and talented UK emcee Ty, who deserves more attention Stateside than he has gotten to date.
It is getting to that point in the year where I am having a hard time keeping up with all the music coming out, so you really should not have that hard of a time finding new albums to listen to this month or the next. I keep finding a new favorite album but it is then overshadowed or replaced by some other album that I get obsessed with. The new Lily Allen album came out last week, and I do love it. If you already love her then go get this album. It is very different than her first album but you will love it for all the same reasons that you loved the first album. Her song writing is still that great combination of cute and brilliant and sassy. I can't really imagine liking any other singer that could get away with her lyrics, but she pulls it off. I might be throwing the word love around a bit too much, but I did fall in love with her voice the first time I listened to Alright, Still. I do also associate that album with Los Angeles. It was one of those albums that I listened to a bunch on trips to LA a couple of years ago, so it is now perfect that I am actually living in LA again for this new album. Lily Allen just has one of those catchy and cute voices that makes me smile. It is what all pop music should sound like. Perfect for those of us still obsessed with British music and culture and a nice pop alternative. The new album is called It's Not Me It's You. She has a brilliant way of switching around some popular phrases, as she does with "Thank You Very Much," one of my favorite tracks on the album. I saw her show for the first album in San Francisco and can't wait to see her again down here. She will be playing at the Wiltern on April 2nd. The album is just as catchy as you want it to be. It does what it sets out to do. The album is pure pop entertainment with that signature Lilly Allen feel to it. I do have a habit of loving the artists that most people either love or hate. It is the better artists that I think have this effect on us. You should love her like I do, but I will not hate you if you don't. She is for sure not for everyone.
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