Amoeblog

ANVIL! THE STORY OF ANVIL DIRECTOR SASCHA GERVASI INTERVIEW

Posted by Billyjam, September 28, 2009 01:37pm | Post a Comment


The wonderful summer-long Amoeba's Monday Movies @ Space15Twenty in Hollywood (the weekly free outdoor screenings of music-related films curated by Amoeba Music) ends tonight with a screening of the highly recommended Anvil! The Story of Anvil. If you have to miss the screening, the DVD of this underdog story about endearing Canadian metal band Anvil comes out next week, October 6th, on DVD, and will be available at Amoeba Music. Last Monday evening there was another Amoeba-curated screening of the film up in the Bay Area at Elis Mile High Club

I just loved this film so much since it is totally unlike your typical, run of the mill music documentary. LA Weekly summed it up pretty well when they dubbed it "Hilarious and achingly touching." In fact, it is so touching and personal, yet always respectful of its subjects, the two lifelong metalhead buddies Robb Reiner and Steve "Lips" Kudlow, that you instantly connect and feel watching it that it has to have been made by someone whom the band members really, truly trusted and felt totally comfortable around.

Not surprisingly then, Sacha Gervasi, the director of the documentary, was once a roadie for the band. And for this riveting documentary he went out on the road again with Anvil, a band who looked all set to make it big in the 80's metal world but somehow never did. He's made a film that will remind you of Spinal Tap except that it is real, and more importantly, reverential. Last week I caught up with the film's director to ask him about this refreshingly unique music documentary. 
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Amoeblog: I love your film, including how it flows so naturally and seems to have taken on a life or direction of its own. Did the film turn out differently than maybe what you had initially expected?

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"...And the hangover goes to...!"

Posted by Job O Brother, September 28, 2009 12:59pm | Post a Comment
boobs

Hello, Earthlings! I have returned after being ill for the past week. I’m still not at 100%, but can at least sit at my computer without succumbing to vertigo and mistaking my iTunes for an episode of Battlestar Gallactica.

It’s all the fault of the 2009 Emmy Awards. Yes it is! I’ll explain…

emmy

The boyfriend and I were (again) invited to attend the HBO Emmy Award after-party. As he considered which of his designer suits to don, I sifted through the post-punk, vintage mess that is my wardrobe, desperately trying to Frankenstein something passable to wear, grateful that most people at industry parties are too self-absorbed to notice me at all.

Once we got there we took our place in line in the underground garage that served as a holding tank for men and women dressed to the nines. (Front entrance was limited to red-carpet types.) Cramped into lines of two and everyone decked-out fancy, it looked as though we were about to be slaughtered in the most glamorous concentration camp ever.

We made it in.

hbo

Now, there’s a reason why I love going to the HBO after-party. Normally, I would eschew going to industry parties in favor of getting my fingernails torn out or having bedtimes stories read to me by Carol Channing. The HBO party is an exception to this rule because it is kind of awesome.

Amoeba Hollywood's World Music Charts For September

Posted by Gomez Comes Alive!, September 28, 2009 12:24am | Post a Comment

1. Os Mutantes - Haih Or Amortecedor
2. Rodrigo Y Gabriela - 11:11
3. V/A - Panama! Vol.2
4. Nelly Furtado - Mi Plan
5. V/A - A Orillas Del Magdalena -- Coastal Cumbias From Colombia's Discos Fuentes (LP)
6. Mario Ortiz All Star Band - Mario Ortiz All Star Band Tributo 45 Aniversario
7. V/A - Black Rio Vol.2
8. V/A - Psicofasicos De Bolivia
9. V/A - Sound Of Wonder!
10. Ruben Blades - Cantares del Subdesarrollo

Fueled by a great instore performance, Os Mutantes' latest release, Haih Or Amortecedor tops Amoeba Hollywood’s World Music chart for September. Hot on its heels, though, was the latest by another group of former Amoeba instore performers, Rodrigo Y Gabriela. 11:11, Rod y Gaby’s new release, comes with a DVD of live performances and even some instructional footage for the up and coming Flamenco guitarist in you. Nelly Furtado's first all Spanish album, Mi Plan, is starting to pick up some steam as well, coming in at number four.

At number five is a vinyl only release from the Domino Sound label out of New Orleans entitled A Orillas Del Magdalena -- Coastal Cumbias From Colombia's Discos Fuentes. Domino Sounds goes a bit deeper in this compilation than Soundways' excellent Colombia! compilation (both labels licensed tracks from the Discos Fuentes catalog), adding personal favorites by the likes of Andres Landero and Nafer Duran. I highly recommend this LP for anyone who wants to know where the true roots of Cumbia come from.

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The Tarantino Solution 3: Inglourious Basterds (2009), A Moral Defense

Posted by Charles Reece, September 27, 2009 11:06pm | Post a Comment
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Aryan Some Differences

While its propaganda might seem dated, Sergei Eisenstein's Battleship Potemkin presents a critical alternative to heroism as traditionally depicted in most films, collective instead of individualistic. Along with a wishfullfilling counterfactual approach to history and a five act structure, Inglourious Basterds shares a similar approach to the heroic act, closer to the first 20 or so minutes of Saving Private Ryan than its remaining hour and a half. (I note that two early supporters of Eisenstein's film, who helped bring it to world attention, were Goebbels and -- as Tarantino has it -- his Hollywood role model, David O. Selznick.) Eisenstein's two most prominent characters, the sailors Vakulinchuk and Matyshenko, serve more as inspirational catalysts for the inchoate revolutionary spirit than a John Wayne (or even Tom Hanks) type who dominates narrative destiny through his will. As Bill Nichols suggests in his analysis of the film (in the book Film Analysis), the idea of a revolution begins to widen across each act:

One of Eisenstein's great achievements as a filmmaker is that he provided a model for a cinema of groups, crowds, and masses rather than individuals. In Battleship Potemkin he does so by telling the story of three distinct examples of political awakening over the course of five acts. [...] Each awakening broadens the political scope of the film, from the revolt of one ship's crew through the rising up of one town to the rebellion of the entire fleet. -- p. 163-4

Indeed, as he points out, Vakulinchuk dies in the second act and Matyshenko doesn't reappear until the fifth -- hardly the kind of heroism as charismatic leadership favored by a Leni Reifenstahl or George Lucas (the latter's well-known appropriation from the former receives a nice spoof here). No matter how seemingly innocuous the fantasy (from the Golden Age Superman, despite his defense of labor, to Star Wars), there's always a whiff of authoritarianism that accompanies this great man portrayal of heroism -- that a change for the betterment of all comes solely from the determination of a few. That is, follow those so privileged by God, genetics (Aryan, Kryptonian) or midi-chlorians, not morality per se.

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Budget transmissions from the heart of the New Hairy! Skygreen Leopards' Jehovah Surrender

Posted by Mark Beaver, September 26, 2009 06:45pm | Post a Comment
skygreen leopards jehovah i surrender
I know that many out there have found that any "milk of human kindness" that they may have had on reserve for all things "freak folk" has long soured. Granted, Devendra Banhart, the Jewelled Antler Collective and those that traipse along under similar standards are an inconsistent lot, and that may be part of the whole modus operandi. I mean, doesn't exactitude of key and clear direction and purpose of lyric and melody just end up being a stone drag...man?

I hear all of that criticism, and I get it. I picked up the recently issued 4CD Jewelled Antler Library box, and amongst all that dusty immediacy, birdsong and flecks of deep inspiration, there was some serious dreadfulness.

All that said, Skygreen Leopards, featuring JAC founders Glenn Donaldson (also of Blithe Sons and Thuja) and Donovan Quinn, have held to their own modus of trippy, immediate, flawed songs partially recorded in the open air and likely in one take. Just six songs here, none of them clocking in over four minutes, but all of it strangely, dreamily compelling. The vocals are troubled, the grooves are lazy and lethargic, but I will take it over anything by Bevis Frond in a hot minute, because it's all of a piece. Everything refers to everything else, the vocals are sung like the guitar is strummed like the drums are brushed...as if it's all good, Brother Bear, and it's ok to just sway in place and turn your face, flower-like, towards the sun.

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