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New 12" Electronic Releases at Amoeba Hollywood - 07/17/09

Posted by Oliver / Matt / Jordan, July 13, 2009 03:49pm | Post a Comment
 

New Electro/Techno 12"s Coming this Weekend:


Lory D

PLISSKEN 12"
SD01

Legendary techno head LORY D drops "BANK ROBBERY," an interpretation of the track from "ESCAPE FROM NEW YORK" that is brooding and otherwordly. Flip it for "DISSO BASS," made for the dancefloor with exploding synths and archetypal bass lines. Mastered by REDSHAPE.

Igor
LE MASSACRE DU TYMPAN 12"
IGOR001 

A highly explosive track that reinterprets STRAVINSKY's classic "SACRE DU PRINTEMPS." Sounds like a forgotten techno classic from SUBURBAN KNIGHT who was recording with LAURENT GARNIER with HENRICK SCHWARZ as the studio engineer. Goosebumps on this one-sided 12".
 

Autokratz ALWAYS MORE 12" KITSUNE091

(In which an angel visits Amoeba Music Hollywood.)

Posted by Job O Brother, July 13, 2009 02:33pm | Post a Comment
jimmy scott
Little Jimmy looking big

Uh, did I mention that, a couple weeks ago, Little Jimmy Scott came into the jazz room at Amoeba Music Hollywood? I used up a whole box of tissue, my mind was so blown – and I’m not easily star-struck. Most of the people I’d like to meet are dead (a quality I admire in a person). Never have I been as giddy and star-struck as I was at meeting Jimmy Scott. I cried. I actually cried! Like I was a seventeen-year-old girl at a Beatles concert in ’64. Okay, I didn’t grab the sides of my face and scream – not externally, anyway.

jazz singer

He was sweet like an angel descending on the city for a day to offer a glimpse of light unsoiled by our planet’s spiritual smog. His voice was unmistakable, his smile generous, and he patiently listened to all our gushing with the grace you’d expect from your favorite Kindergarten teacher. The fact that he was wheelchair-bound only enhanced the sense that he was visiting royalty, forever receiving people at his throne.

Poor health has made his already diminutive body more frail, and the stiffness in his hands made for an other-worldly contrast to his skin, which was soft and warm like a newborn infant.

He was flanked by a small film crew from Germany who were shooting a documentary on the making of his next album which, they reported, would be of the blues genre. They were excited that, in the employees of Amoeba, they finally found some young people who not only knew who Jimmy Scott was, but were fans. One of them bullied my fellow co-worker, Lucas, and I into being interviewed for their documentary, despite my emphatic explanation that I was too shy for interviews and anyway, English was my sixteenth language. (I acquiesced after they called my bluff and offered to allow me to answer questions in my native Ket.)

Money Changes Everything, Pt.2

Posted by Gomez Comes Alive!, July 13, 2009 02:08am | Post a Comment



KMFDM-Money



Everything But The Girl- Love Not Money



Donna Summer- She Works Hard For The Money



The Dream
- Love vs. Money



Dire Straits - Money For Nothing



Dennis Brown- Money In My Pocket



Delroy Wilson
- Money


Conflict
- Turning Rebellion Into Money



Eric Clapton - Money And Cigarettes

Amoeba Hollywood World Music Chart July 1st-12th

Posted by Gomez Comes Alive!, July 13, 2009 01:42am | Post a Comment
Amoeba Hollywood World Music Chart July 1st-12th

1. Aventura- The Last
2. Los Amigos Invisible- Commercial
3. V/A- Panama! Vol. 2
4. Manu Chao- Clandestino
5. V/A- Nigeria Special: Modern Highlife, Afro-Sounds and Nigerian Blues
6. Federico Aubele- Amatoria
7. V/A- Nigeria Disco Funk Special
8. V/A Rudo Y Cursi Soundtrack
9. Oumou Sangare- Seya
10. Wisin & Yandel- La Revolucion

The Amoeba World Music charts for July 1st- 12th shows that if it isn’t Latino, it’s Africano. With the exception of Manu Chao, the rest of the releases come from either Latin America or the continent of Africa. Coming in at #1, as expected, was Aventuras The Last, which has slowed down just a tad since its initial release. Los Amigos Invisibles comes in at number two, followed by yet another Soundway compilation, Panama! Vol. 2. In fact, the Soundway label not only has three releases in our top ten, but several releases in our top twenty-five. The Panama! Vol. 2 compilation ranks up there with the excellent Colombia & Nigeria Special Series. This comp focuses on the post-Panama Canal Caribbean, Afro-American and South American influences on Panama. At this point I have to say it’s better and a bit deeper than Vol.1.

Silence is Golden?

Posted by Whitmore, July 12, 2009 03:16pm | Post a Comment
Dear 45s Record room,
 
I just finished driving due north to beautiful Vashon Island off the coast of Seattle; 1200 miles of dodging Highway Patrol speed traps, over-thinking routes and stuck in hyper caffeine overdrive listening to crazy-ass tirades from loony-right-wingnut talk radio. I suspect the elitist-socialist-coast-hugging-Hollywood-sissy-leftist-yoga flexing-public radio-wingnut they’re talking about is me, except I’m just a record geek on vacation driving a Ford mini-van with my wife and kid on that silvery ribbon of highway. By the way, gas wasn’t terribly overpriced anywhere on the road.
 
We spent a couple of days at the mouth of the Russian River just north of the Bay Area; insanely gorgeous and weirdly quiet. For most of us, spending a night in John’s cabin was probably a treat. Up there on the Russian River surrounded by big blue chunks, there is no noise, just pure unadulterated silence. I woke one morning very suspicious of silence. Is silence golden? Hell, I think silence is more often than not iron pyrite. Confucius said “Silence is the true friend that never betrays.” Well, I’m always a little dubious. In Buddhism silence and allowing the mind to become silent can help lead to spiritual enlightenment. Unfortunately I doubt I’ll ever know. My hearing is shot and if the high pitch ringing in my ears doesn’t drive me mad, all the noise I use to cover my tinnitus every single frigging day will. I’d like to blame someone other than myself for this predicament; it is the true blue American, Fourth of July, consecrated right to deny personal responsibility. Could I blame some of the 5000 different bands I did sound for in my years as a live engineer? I was raised in the Catholic Church-- maybe the blame should be directed at god? Then again, what’s that going to accomplish? I’m pretty sure by the sixth chapter of the first book in the bible god was ready to kill off everybody; I doubt my tinnitus could qualify as either a concern of the almighty or the act of a vengeful god ... too simple a scheme. However, according to talk radio rationale, I could and should blame Obama, Pelosi, or Letterman and Franken or a least my college education for all my problems.
 
Anyway, I’ll write you again later, don’t forget to feed the new psychedelic record box, and take out the thrash records, thanks. Oh, and send my regards to the pop vocals clutter. PS: here are a couple of pix from along the way and an old song. One more thing, according to the great mime Marcel Marceau, “Music and silence combine strongly because music is done with silence, and silence is full of music.” I presume he wrote that down.

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