Amoeblog

FSOL's 1991 SINGLE "PAPUA NEW GUINEA" STANDS THE TEST OF TIME

Posted by Billyjam, August 28, 2008 02:46pm | Post a Comment

Future Sound of London (FSOL), the duo comprised of Garry Cobain and Brian Dougans, had their breakout hit with "Papua New Guinea" in 1991 and the track remains both the UK electronic group's best known and arguPapua New Guinea - FSOLably best recording ever. It is one of those great records where the first time you heard it, it just grabbed you and pulled you in, leaving you thinking: WTF was that? Even now, all these years later, after just re-listening to it for the first time in ages, it sounds as tight (to these ears) as when it was first released 17 years ago. 

The song has the perfect balance of the slow rumbling bass, a trancey mix of breakbeats, plus the pitch perfect mix of dreamy vocals and sounds, all cascading into a dance pop masterpiece; one that has been remixed to death by DJs/producers all over the world who all helped make this a true rave/club classic. One of the great remixes I got of it back in the day was by the Twitch guys -- the SF remix crew that included Jim Hopkins, who used to put out limited edition double vinyl (later released on CD) sets at 45RPM of nearly always really great remixes of popular rave/techno tracks, including many UK imports.

"Papua New Guinea" also appeared on FSOL's album Accelerator as well on the 1992 soundtrack to the film Cool World.  Besides being remixed countless times, the song has also been released in various versions many times over the years since its original release (both bootlegged and legit versions + on countless compilations/DJ mixes) with the most notable including re-releases in 1996, 2003, and in 2001 when a five version EP of the song was released on FSOL's label Jumpin' & Pumpin featuring the original "Papua New Guinea" plus remixes by Hybrid, Satoshi Tomiie, Blue States, and Simian.

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out today 8/26...the verve...the week that was...

Posted by Brad Schelden, August 28, 2008 01:51pm | Post a Comment
blur
There are many bands over the years that I have been obsessed with. At one point it was Depeche Mode, The Cure, and The Smiths. Then it was Suede, Pulp, Blur, and The Verve. Once your obsession reaches a certain point, I think it never really goes away. Part of it is always there or it just builds and gets bigger and stronger. I have no doubt that these bands will be with me the rest of my life. Depeche Mode and The Cure are my Rolling Stones and The Who. The Smiths are my Beatles. My obsession can live on in Morrissey's solo career much like that of Paul McCartney does for fans of The Beatles. The Verve could not have come at a better time in my life. I sort of needed them. I needed a new band to latch on to and get obsessed with. My shoegaze bands like Ride, The Pale Saints, and Slowdive were starting to break up and dissolve away. The first Blur album had come out a couple of years prior to 1993, but I didn't really get into them until 1993. This was the year of the first Verve album, A Storm in Heaven and also the year of Blur's second album, Modern Life is Rubbish. The album that really made me a fan. 1993 was also the year of the self titledthe-verve album by Suede and my first Pulp album, His 'N' Hers. Pulp had already been around for a decade or so but I had never heard of them until 1993. I suddenly had all these new bands to obsess over. The albums were all excellent and easy to get obsessed with. Many of my friends, and most everyone else in the world, were all into Oasis, but I remember seeing Oasis in some interview and right then deciding that I didn't want to like this band..but they obviously played a part in this period of music. Their debut album Definitely Maybe would come out a year later in 1994. These bands were also all over the magazines and a lot of my friends were also getting into the same bands. It was just an exciting time for music.

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The Korean Wave - 한류 - Hallyu - The explosion of Korean TV, movies, food and culture

Posted by Eric Brightwell, August 28, 2008 01:50pm | Post a Comment
korean actors and actresses

Korea
's recent global rise in profile is sometimes referred to as "The Korean Wave" or Hallyu. Back in the early 1990s, Korean Drama underwent an explosive growth in popularity around East and Southeast Asia as well as in cities like Los Angeles, with large immigrant populations from these regions. Soon, Korean movies (beginning with Shiri) gained an audience among American critics who'd previously (with close-minded, snobbish prejudice) limited their viewings of Asian films to critically-canonized Japanese and/or (1980s) Chinese productions. And Hollywood has taken notice too, remaking numerous K-Horror films, the romcom My Sassy Girl, and the magic-mailbox drama The Lake House.

korean movies

I'm told Korean music grew in popularity too. I guess I know a couple of non-Koreans who listen to K-Pop. Whilst flipping through the unparalleled multiculturalism of Los Angeles' AM radio band, I've occasionally stumbled across Radio Seoul (AM 1650) and Radio Korea (AM 1230). Just judging from the cadence and character of AM radio in general, I'd guess that the majority is Christian in nature, but they do occasionally play Korean pop music. Last year at the Hollywood Bowl, K-Pop was showcased in a program featuring BoA, Epik High, Fly to the Sky, Ivy and Super Junior.

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Rodriguez' Cold Fact

Posted by Miss Ess, August 28, 2008 12:13pm | Post a Comment
In 1970, Detroit native Rodriguez released his auspicious debut album, Cold Fact. It failed in the charts. His follow up album fared even worse, and he was subsequently dropped from his label, his music doomed to obscurity.

sixto rodriguez cold fact

Luckily for us, reissue label Light in the Attic has recently re-released Cold Fact, and it is a fantastic surprise, a cohesive, shrewd and confident record. Oh, and it sounds effing great cold fact rodrigueztoo! The album is awash in late 60s-era production touches, along with Forever Changes-like horns and overall orchestration that add to the complexity of the songs. Rodriguez' vocals are plaintive and his delivery style somewhat Dylanesque, although I think his voice is much more consistent than Dylan's. A few of my coworkers have said the album sounds much like Donovan, but I think it sounds much, much smarter than any Donovan record. The songs are clear eyed views of poverty, city life, sex, drugs and rock n roll-- views of the muddled '60s. I love how in the album's second song, "Only Good For Conversation," he calls a woman out as "the coldest bitch I know" by the second line! I think the album is pretty bold for 1970. It also still sounds fresh to these ears, even today.

Rodriguez was born Sixto Diaz Rodriguez in 1940s Detroit to Mexican immigrant parents. He was discovered playing guitar in bars by Dennis Coffey and Mike Theodore. Coffey was a member of the Funk Brothers, the incredible crew of musicians that had played on countless Motown Hits. The two signed Rodriguez to the Sussex label, where he would record his two albums before being dropped. The label folded a few years later.

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Little Darlings Saturday Midnight At The New Beverly

Posted by phil blankenship, August 28, 2008 10:06am | Post a Comment

Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!

 


 

Saturday August 30

Don't Let The Title Fool You

Little Darlings

1980, 96 min

New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
Midnight, $7

 


September
September 6 Idle Hands

(9th anniversary for the 1999 stoner horror comedy! Special guests TBA!)
September 13 Showgirls
(Beyond your wildest dreams. Beyond your wildest fantasies!)
September 20 Michael Mann's The Keep
(25th Anniversary! Paramount Archive 35mm Print!)
September 27 Over The Top
(Sylvester Stallone. Big Rig Truckin'. ARM WRESTLING!)

 

October
October 4 Hard To Kill

(Steven Seagal is Mason Storm. Mason Storm is... Hard To Kill!)
October 18 All Night Horror Show!
(100% Movie Mania! New Bev Fundraiser! 12 Hours Of Movies, Fun & ??)
October 25 The Wraith
(If you've done nothing wrong, you've got nothing to fear!)

November
November 1 Alien Nation

(Prepare Yourself for the 20th Anniversary!)
November 8 The Stepfather
(Daddy's Home and He's Not Very Happy!)
November 22 Waxwork
(20 Anniversary! More fun than a barrel of mummies!)
November 29 Berry Gordy's The Last Dragon
(Now, when I say, "Who's da mastah?" you say, "Sho'nuff!")

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