New Techno/Electronic 12"s Coming This Week:
MINIMAL ELVIS & MIXIMAL MJ 12"
White label remix 12" from GET PHYSICAL's DJ KOZE. One side is his minimal smokey remix of ELVIS PRESLEY's cover of "FEVER" -- techno meets cafe jazz. The other side is a chopped up minimal remix of MICHAEL JACKSON's "BAD."
DUMB DAN REMIX 1-SIDED 12"
1-sided remix of "ANALOGUE BUBBLEBATH" done by DUMB DAN (who also remixed JUSTICE vs NEW ORDER and DAFT PUNK recently). As an added bonus it's pressed on clear vinyl!
Boys Noize JEFFER-MODESELEKTOR RMX 12" BNR038
Excepter FRKWYS VOL. 2 EP 12" FRKWYS02
Flying Lotus WHOLE WIDE WORLD 12" RAMP016
Fever Ray IF I HAD A HEART REMIX 12" RABID38T
Fever Ray WHEN I GROW UP REMIXES 12" RABID40T
MFA THROW IT BACK 12" 26BC
Done out of pure reverence for the great late Miles Davis, musician Andy Baio recorded an inspired 8-Bit reinterpretation of Davis' jazz classic Kind of Blue, in recent months. Aptly titled Kind Of Bloop, journalist/musician Baio writes of the inspired composition on his blog, "I've always wondered what chiptune jazz covers would sound like. What would the jazz masters sound like on a Nintendo Entertainment System? Coltrane on a C-64? Mingus on Amiga?"
Baio says that in his extensive research of such jazz classic 8-Bit covers he was only able to find four jazz covers ever released: ast0r's version of Coltrane's Giant Steps and Charlie Parker's Confirmation, Sergeeo's own Giant Steps cover, and Bun's version of Coltrane's My Favorite Things.
Portland, OR based Baio, who describes himself as a journalist/programmer and the CTO of Kickstarter, then invited the aforementioned Ast0r and Sergeeo, along with the chiptune artists Virt, Shnabubula, and Disasterpeace, to collaborate with him on a track-by-track remake of the classic Miles Davis album. The Amoeblog recently caught up with Baio to ask him about the project and the crowdfunding platform Kickstarter.
Amoeblog: How did you first get the idea to reinterpret Kind of Blue?
I dreamt that it was night and that I was lying in bed. (My bed stood with its foot towards the window; in front of the window there was a row of old walnut trees. I know it was winter when I had the dream, and night-time.) Suddenly the window opened of its own accord, and I was terrified to see that some white wolves were sitting on the big walnut tree in front of the window. There were six or seven of them. The wolves were quite white, and looked more like foxes or sheep-dogs, for they had big tails like foxes and they had their ears pricked like dogs when they pay attention to something. In great terror, evidently of being eaten up by the wolves, I screamed and woke up. My nurse hurried to my bed, to see what had happened to me. It took quite a long while before I was convinced that it had only been a dream; I had had such a clear and life-like picture of the window opening and the wolves sitting on the tree. At last I grew quieter, felt as though I had escaped from some danger, and went to sleep again.
-- Sergei Pankejeff, the Wolf Man
I caught what might be called a double-feature of the Id this weekend: Spike Jonze's long-awaited adaptation of Where The Wild Things Are (co-written with Dave Eggers) and Nicholas Refn's adaptation of the long-waiting life of Michael Peterson, Bronson (co-written with Brock Norman Brock). If little Max hadn't eventually come back to the comforting constraints of familial order, then he would've found out as Peterson (aka Charlie Bronson) did that society is always ready to force that order on him.